Mackieメーカー1604-VLZ PROの使用説明書/サービス説明書
ページ先へ移動 of 40
1 604-VLZ PRO 1 6-CHANNEL MIC / LINE MI XER O WNER ’ S MAN U AL 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PR.
2 CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE.
3 Part No. 0006982-90 Rev. A1 06/03 ©2003 Mackie Designs Inc. All Rights Reserved. W e realize that you must have a powerful hankerin’ to try out your new 1604-VLZ PRO. Or you might be one of those people who never reads manuals. Either way , all we ask is that you read this page NOW , and the rest can wait until you’re good and r eady .
4 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE TRIM 12 3 4 5 6 7 8 9 10 1 1 12 1 3 14 15.
5 CONTENTS PRE ........................................................ 21 5/6 SHIFT .............................................. 21 OUTPUT SECTION DESCRIPTION ..................... 22 MAIN MIX F ADER .................................... 22 VLZ MIX ARCHITECTURE .
6 1604-VLZ PR O 8-T rack T racking 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 DIRECT OUT BAL/UNBAL CHANNEL INSERTS AUX RETURNS MAIN INSERT C/R OUT BAL/.
7 1604-VLZ PR O Ster eo P .A. 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 CHANNEL INSERTS AUX RETURNS MAIN INSERT MONO STEREO P HONES OUT 12 3 4 CHANNEL.
8 1604-VLZ PR O Video Setup 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 CHANNEL INSERTS AUX RETURNS MAIN INSERT MONO STEREO P HONES OUT 12 3 4 CHANNEL I.
9 CONVER TING TO RACKMOUNT MODE Not only is the new 1604-VLZ PRO a compact, professional-quality tabletop mixer , it’s rack - mountable! Its unique rotating input pod makes this possible. One of the things that revolutionized the compact mixer industry was the “convertible pod” found on the original, cl assic CR-1604.
10 UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BAL .
11 LINE INPUTS These 1 / 4 " jacks share circuitry (but not phantom power) with the mic preamps. Y ou can use these inputs for virtually any signal you’ll come across, from instrument levels as low as –50dB to operating levels of –10dBV to +4dBu, as there is 60dB of gain available via the TRIM knob .
12 SPLIT MONITORING W ith split monitoring, you use the first eight channels for your sound sources: vocal mics, drum mics, keyboard/synth outputs, guitar effects outputs, that sort of thing. From there, the channels manipulate the sound, but are not assigned to the output section.
13 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4 321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- B.
14 This method is exactly the same as the double- busing feature found in other mixers. Built-in double busing is nothing mor e than Y -cords living inside the mixer instead of hanging out the back. If we had room for the extra jacks, we would have thrown them in, but we don’t, so we didn’t.
15 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 11 1 MIC 1 6 INSERT INSERT IN.
16 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 432 1 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- B.
17 CHANNEL STRIP DESCRIPTION A Clean Fade Faders ar e not rocket science — they operate by dragging a metal pin (the wiper) across a carbon-based strip (the track). It is possible for airborne crud to land on the track. Should that happen, you may hear scratchy noises or signal drop- outs as the wiper stumbles over the crud.
18 If you’re printing new tracks or bouncing ex- isting ones, you’ll also use the 1–2 and 3–4 switches, but not the L–R switch. Here, you don’t want the subgroups sent back into the MAIN MIX , but sent out, via the SUB OUTS jacks, to your multitrack inputs .
19 CONST ANT LOUDNESS ! ! ! The 1604-VLZ PRO’s PA N controls employ a de- sign called “Const ant Loudness.” It has not hing to do with living next to a freeway .
20 20 Hz 100 Hz 1k Hz 10k Hz 20k Hz – 15 – 10 – 5 0 +5 +10 +15 20 Hz 100 Hz 1k Hz 10k Hz 20k Hz – 15 – 10 – 5 0 +5 +10 +15 Most of the root and lower harmonics that define a sound are located in the 100Hz–8kHz frequency range, and you can cr eate drastic changes with these two knobs.
21 W e recommend going into a ster eo reverb in mono and returning in ster eo. W e have found that on most “stereo” r everbs, the second input just ties up an extra aux send and adds nothing to the sound. There ar e exceptions, so feel fr ee to try it both ways.
22 AUX SEND STEREO AUX RETURN EFFECTS TO MONITORS TO AUX SEND 2 TO AUX SEND 1 1 2 PWR PHAN SOLO SOLO 1 2 1 2 3 4 1 2 C - R / PHNS ONLY RETURNS SOLO MAIN MIX TO SUBS ASSIGN OPTIONS 1 – 2 3 – 4 U O O +20 U O O +20 U O O +1 5 U O O +1 5 U O O +20 U O O +20 U O O +10 U O O +1 0 LEFT RIGHT PHONES LAMP 12 V 0.
23 Now you know how to select the signals you want to send to the engineer’s control room and/or phones. From there, these signals all pass through the same level control, aptly named: CTL ROOM/PHONES As you might expect, this knob controls the levels of both the stereo C-R OUTS and PHONES output .
24 MODE (NORMAL (AFL)/LEVEL SET (PFL)) Y ou may have already seen this, but in case you missed it: The 1604-VLZ PRO’s solo system comes in two flavors: NORMAL (AFL) (sometimes called SIP , or solo-in-place) and LEVEL SET (PFL) (sometimes called PFL, or pr e-fader-listen).
25 METERS The 1604-VLZ PRO’s peak metering system is made up of two columns of twelve LEDs. Decep- tively simple, considering the multitude of signals that can be monitored by it. If nothing is selected in the SOURCE matrix and no channels are in SOLO , t h e meter display will just sit there.
26 AUX SENDS SOLO Once again, in a live sound situations AUX SEND 1 and 2 are likely to feed your stage monitors. Y ou’ll want to check the mix you’re sending them, and that’s what these two but- tons are for . ( AUX 3 through AUX 6 have no such switch.
27 ( MAIN MIX TO SUBS switch up) and you did a drum fade-out usi ng subgroup faders 1 and 2 , the “dry” signals would fade out, but the “wet” signals would keep on singing. All you would hear is the drum reverb (the “wet”), and none of the original drum signals (the “dry”).
28 1604-VLZ PRO BLOCK DIAGRAM MAIN L SUB 3 MAIN R SUB 2 SUB 1 SUB 4 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 SIP L SIP R PFL LOGIC 75Hz HPF MID HI 80 100–8K 12K LO L R 1 2 3 4 SIP L SIP R PFL PHANTOM POW.
29 GAIN STRUCTURE DIAGRAM +22dBu max in 15dB loss, TRIM down 45dB gain, TRIM up LINE IN, all channels MIC IN, all channels 60dB gain, TRIM up 0dB gain, TRIM down +22dBu max in +15dB up – 15dB down .
30 SPECIFICA TIONS Main Mix Noise 20Hz–20kHz bandwidth, 1 ⁄ 4 " Main Out, channel Trims @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right Main Mix fader unity, channel faders down: –86.
31 SER VICE INFO Details concerning W arranty Service are spelled out on the W arranty Card included with your mixer (if it’s missing, let us know and we’ll rush one to you). If you think your 1604-VLZ PRO has a problem, please do everything you can to confirm it before ca l l- ing for service.
32 APPENDIX A: CONNECTIONS “XLR” CONNECTORS Mackie mixers use 3-pin female “XLR” con- nectors on all microphone inputs, with pin 1 wired to the grounded (earthed) shield, pin 2 wired to the .
33 SPECIAL MACKIE CONNECTIONS The balanced-to-unbalanced connection has been anticipated in the wiring of Mackie jacks. A 1 ⁄ 4 " TS plug inserted into a 1 ⁄ 4 " TRS balanced input, for example, will automatically unbalance the input and make all the right connections.
34 Using the Send Only on an Insert Jack If you insert a TS (mono) 1 ⁄ 4 " plug only partially (to the first click) into a Mackie insert jack, the plug will not activate the jack switch and will not open the insert loop in the circuit (thereby allow- ing the channel signal to continue on its merry way through the mixer).
35 TIP (SEND) RING (IN) TIP (OUT) RING (RETURN) TO MIXER CHANNEL INSERT RING (RETURN) TIP (SEND) TO PROCESSOR INPUT FROM PROCESSOR OUTPUT Y-cord insert cable Y-cord splitter cable MUL TS AND “Y”s A mult or “Y” connector allows you to route one output to two or more inputs by simply providing parallel wiring connections.
36 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PRE PRE PRE PRE PRE PRE PRE PRE TRIM 12 3 456 78 SOLO L - R 3 – 4 1 – 2 SOLO L - R 3 – 4 1 – 2 SOLO L - R 3 – 4 1 – 2 SO.
37 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BA.
38 COLOPHON (Roll credits please) Manual written by Jeff Gilbert, based on a vignette by Ron Koliha, with tidbits borrowed from almost everywhere. Manual then defaced with proofreading pens in the hands of Mackie’s legendary T ech Support staff.
39 1604-VLZ PRO LIMITED W ARRANTY 3. Make sure that the problem can be dupli- cated. If you bring your product to an Authorized Service Center and they can’t find anything wrong with it, you may be charged a service fee. 4. If the Mackie Authorized Service Center is located in another city, pack the product in its original shipping carton.
Mackie Designs Inc. 16220 W ood-Red Road NE • W oodinville, W A 98071 • USA US and Canada: 800.898.3211 Europe , Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 F ax: 425.487.4337 • www .mackie.com E-mail: sales@mackie.
デバイスMackie 1604-VLZ PROの購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Mackie 1604-VLZ PROをまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはMackie 1604-VLZ PROの技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Mackie 1604-VLZ PROの取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Mackie 1604-VLZ PROで得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Mackie 1604-VLZ PROを既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はMackie 1604-VLZ PROの不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Mackie 1604-VLZ PROに関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちMackie 1604-VLZ PROデバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
