ARRIメーカーFLEX 416の使用説明書/サービス説明書
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Quiet, Bright and Light ARRIFLEX 416.
2 35 F ormat F ea tures in a Super 16 Camer a Continuous advances in lenses, lm stock and postpr oduction technologies hav e elevated the Super 16 lm f ormat to new lev els of image quality and production efciency .
3 ARRI | ARRIFLEX 416 Main F eatur es n 35-style Vie wnder · brighter , higher contrast, higher resolution · bigger exit pupil allows more e ye mov ement · multi-color RGB ARRIGL OW · acc.
4 I Can See Clearly Now T o capture the images you w ant, you hav e rst to see them clearly . So viewnder quality is crucial if an operator is to accurately app- raise images, especially with 16 mm.
5 ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical vie w- nder uses a completely new optical design, resulting in signicantly higher contrast, higher resolution and a brighter image.
6 u Mirror Shutter A half-moon shaped mirror rotates in front of the lm gate at the camera speed. Half of the time the mirror cov ers the lm and the light from the taking lens is reected up into the viewnder . During that time, the lm is transported one frame further .
7 ARRI | ARRIFLEX 416 Advantages of Optical V iewnders Optical viewnder s, as used in all ARRI cameras, provide by f ar the most comfortable, accurate and efcient w ay to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus.
8 RGB ARRIGL OW With the ne w RGB ARRIGLOW , you can choose any color y ou like. Set ev enly illuminated framelines in magenta when shooting green screen, red for jungle or yello w for blue skies. Y ou can, of course, also mix your o wn ARRIGL OW grey .
9 ARRI | ARRIFLEX 416 Mix Y our Own RGB ARRIGLOW Color n Use magenta for green screen n Red for jungle n Y ellow for blue skies n Mix your own gre y HDTV 1.
10 T he Sound of Silence The 416 cameras use a completely ne w sound insulation design that makes the 416 and 416 Plus as quiet as an ARRIC AM and allows the 416 Plus HS to record a very stable image ev en at higher frame rates. An inner skeleton is suspended by symme- trically positioned rubber insulators in an outer shell.
11 ARRI | ARRIFLEX 416 The magazine is driv en by an internal silent motor and uses the same insulating technique as the camera body , ensuring completely quiet operation.
QUIET BRIGHT & LIGHT.
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14 ARRIFLEX 416 Models ARRIFLEX 416 Super silent and equipped with basic electronics A RRIFLEX 416 Plus Super silent & exible with built -in accessory electronics and radio for wireless remote .
15 ARRI | ARRIFLEX 416 Compact, Lightweight and F ast One of the reasons cinematographers and producer s with demanding schedules choose to shoot Super 16 is the faster pr oduction pace afforded by smaller and lighter equipment. A Super 16 camera ts into any location, can be mounted to almost anything and can be quickly used on the shoulder .
16 PL Mount and Lenses The 416 cameras use the industry standard 54 mm stainless steel PL mount. T he stable backfocus aff orded by the PL mount and by the robust camera construction is a hallmark of all ARRI lm cameras.
17 ARRI | ARRIFLEX 416 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.9/180 mm The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.
18 Control and P ow er The simple to use contr ol panel on the 416 range should be familiar to any one who has ever w orked with a modern ARRI camera, since the 416 cameras hav e inherited the 235's control panel design and illuminated buttons.
19 ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras thr ough a new , but backwards-compatible pow er connector..
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21 ARRI | ARRIFLEX 416 T he 416 Camera System The ARRIFLEX 416 cameras are complemented b y a range of new and existing accessories that follo w the same design philosophy used in the creation of the 416 body and magazines: increasing efciency on the set.
22 T echnical Data ARRIFLEX 416 ARRIFLEX 416 Plus ARRIFLEX 416 Plus HS Fps 1-75 1-150 Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, W ireless Remote Control WRC-1, WRC-2 and Iris Contr ol Unit ICU-1 Shutter Manually adjustable to: 45, 90, 135, 144, 150, 172.
23 ARRI | ARRIFLEX 416.
Thi s AR RIFL E X 41 6 pr od uc t br oc hur e (K5. 40 4 59.0 ) is pu bli sh ed by A rn ol d & Ric hte r Cin e Techni k, A pr il 01, 200 8 © AR RI /20 0 8 Techni ca l dat a an d of fe rin gs ar e sub je ct to c ha nge w it hou t not ic e. A ll ri ght s re se r ved .
デバイスARRI ARRIFLEX 416の購入後に(又は購入する前であっても)重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります:
ARRI ARRIFLEX 416をまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはARRI ARRIFLEX 416の技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。ARRI ARRIFLEX 416の取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。ARRI ARRIFLEX 416で得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
ARRI ARRIFLEX 416を既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はARRI ARRIFLEX 416の不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、ARRI ARRIFLEX 416に関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちARRI ARRIFLEX 416デバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。