RolandメーカーEdirol EC2-YF-NKの使用説明書/サービス説明書
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P r o d u c t G u i d e.
All of the adv antages of a digital mix er in a c ompac t unit. T he new EDIR OL M series, deliv ering high-qualit y mixing en vir onments ..
The true role of an audio mix er is to faithfully capture sound and allow you t o make it even better . The featur es of the EDIROL M series are aimed at fulfilling two goals: to provide intuitiv e operation that lets ev en the beginner per form serious mixing , and to provide high audio quality and full functionality to satisfy the professional.
BUS A bus is a signal route that combines the signals of multiple channels within the mixer , and sends the combined signal to a common destination output.
The M-16D X is a two-piece system consisting of the Mix controller (contr ol desk) you use for mixing , and the I/O module (connector box) to which y ou connect your mics, instruments , and recor ding equipment.
Most speakers have certain idiosyncrasies that are unique to that model of speaker . Unlike a professional studio that is desig ned for ideal acoustics, it is difficult to obtain an ac oustically flat playback envir onment in a home studio.
Three simple st eps to obtaining a flat response Adjusting the compensa ted result to crea te the desired response: manual adjustment Depending on the character of the room or the location in which the analysis is performed, the compensation result ma y not necessarily be ideal in some cases.
High-qualit y audio. Full digital processing. Sophisticated functionality. These pro - fessional specifications sought by everyone are no longer limited to advanced prac- titioners. Ev en if you ’ re using a digital mixer for the first time , you deserve to be able to control your sound intuitively and understandably .
The M-16DX/M-10D X fea ture a 122 x 32 pixel backlit graphical L CD display that’ s clearly visible even on a dark stage. Even beg inners will be able to easily check the input levels or operate the eff ects.
There are many sources of noise when recording at home, such as the refrigerator and air conditioner, or vibrations from passing vehicles. Normally we do n ’t pa y att ention to the se sounds, but when r ecordin g, they can be a major factor that impairs the clarity of the recorded sound.
CH1 kick CH1 snare AL T OUT INPUT 13/14 L R CH1 CH1 over top over top Rec or ding a band in a single pass Studio rec ording sy stem If you’ re mak ing a single -pass recording of your band, connect the main output or two-track output to your recorder , and rec ord the mix ed so und .
The M-10DX is a mer e 20 cm—about the size of a B5 sheet of paper—wide making it an all-in- one mixer that won ’t take up space on stage. Since it can be operated on batteries, it ’ s also a convenien t choice for outdoor use.
The M-10MX is an analog mixer that packs analog inputs and digital output into a compact body . Y ou can use it as an input expansion tool for EDIROL ’ s F A and UA series of audio interfaces, or on its own as a line mixer .
This system separates the MIX controller containing the mixing controls and the I/O module to which your instruments are connected. Cable connections are consolidated in to the compact 1U rack-mountable I/O module, allowing highly flexible mixing on your desktop .
The M-10DX is an all-in-one digital mixer that provides the major functionality of the M-16DX, such as the R oom Acoustic Auto Con trol function, the graphical L CD display , and effect processors.
Specifications M-16DX M-10DX M-10MX Number of Input Channels 16 channels 10 channels 10 channels AD/DA Con version Sample Rate: 44.1/48.0/96.0 kHz Signal Processing: 24 bits 96.0 kHz: 20 Hz to 40 kHz (+3/-3 dB), 48.0 kHz: 20 Hz to 22 kHz (+3/-3 dB), 44.
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