Smart-AVIメーカーAP-SNCL-M40GSの使用説明書/サービス説明書
ページ先へ移動 of 108
( c ) 20 1 0 S m a r tAVI S i g n a g e P R O M a n u a l.
.
I C o n te n ts I ( c ) 2 0 1 0 S m ar t A V I T a b l e o f C o n t e n ts I n tr o d u c ti o n 1 D i sc l a i m er n o ti c e 2 L i m i te d w a r r a n ty s ta te m e n t 3 1 . C o n te n ts o f b o x 4 2 . I n st a l l i n g S i g n a g e M a n a g e r 5 3 .
S m ar tA VI S i gn ag e P r o M a n u a l I I ( c ) 2 0 1 0 S ma r t A V I 7 . S c r e en C o n fi g u r a ti o n 6 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
I n tr o d u c ti o n 1 ( c ) 2 0 1 0 S ma r t A V I § I n t r o d u c ti o n C on g ra tul a ti on s o n y o ur purc ha s e o f the S ig na g eP ro Di g it al S ig na g e S o l uti o n. Pl e a s e re a d the i ns truc ti on s c a re f ul l y be f o re us ing .
S m ar tA VI S i gn ag e P r o M a n u a l 2 ( c ) 2 0 1 0 S ma r t A V I § D i s c l a i m e r n o ti c e T he i nf o rma ti on c ont ai ne d in thi s d o c ume nt i s s ubj e c t to c ha ng e wi tho ut no ti c e .
L i m i te d w a r r an ty s ta te m e n t 3 ( c ) 2 0 1 0 S ma r t A V I § L i m i t e d w a r r a n t y st a te m e n t A. Ex te nt o f L imi te d Wa rra nty 1 .
S m ar tA VI S i gn ag e P r o M a n u a l 4 ( c ) 2 0 1 0 S ma r t A V I § 1 . C o n te n ts o f b o x 1 - S ig na ge Pro C l i e nt 1 - S ig na ge Pro S of twa re C D 1 - Po w e r C ord 1 - Uni qu .
2 . I n sta l l i n g S i g n ag e M an ag e r 5 ( c ) 2 0 1 0 S ma r t A V I § 2 . I n st a l l i n g S i g n a g e M a n a g e r T his q ui ck s e tup g ui de wi l l i ns truc t y o u o n ho w to i.
S m ar tA VI S i gn ag e P r o M a n u a l 6 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 . 0. 2 No te : I f y o u wi ll be us i ng S ig na g e Pro a c ro s s mor e tha n on e ne two rk, re f er to po rt 1 33 2 5 whe n co nf ig urin g y our ro ute r po rt f o rwa rd i ng .
2 . I n sta l l i n g S i g n ag e M an ag e r 7 ( c ) 2 0 1 0 S ma r t A V I 3 . T he ne xt wi nd o w wi l l be to c ho o s e c o mpon e nts , ma ke s ure “ S ig na g e S e rve r” i s c he c ke d. ( f ig ure 2 . 0 . 2 ) 4. C hoo s e the i ns ta l la tio n l o c a tio n y o u wo uld l ike to in s ta l l th e S ig na g e S e rve r.
S m ar tA VI S i gn ag e P r o M a n u a l 8 ( c ) 2 0 1 0 S ma r t A V I f ig ure 2. 0. 2.
3 . S et ti n g u p th e S i g n ag eP r o C l i e n t 9 ( c ) 2 0 1 0 S ma r t A V I § 3 . S e tt i n g u p t h e S i g n a g e P r o C l i e n t 1 . Co nne c t the p o we r s upp l y c a ble to the S ig na g e Pro c li e nt a nd pl ug t he c a ble i nto a gr oun d e d po we r out le t.
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 ( c ) 2 0 1 0 S ma r t A V I § 3 . 1 S e tt i n g s a n d C o n fi g u r a ti o n s o f C l i e n t O nc e y o u’ ve lo g g e d i n, us e the ke y s d e s c ri b e d i n ta ble 3 . 3 to na vig a te the va ri ous me nus a nd f unc ti on s .
3 . S et ti n g u p th e S i g n ag eP r o C l i e n t 1 1 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3 . 1 . 5 B) Ne two rk C o nf ig u ra ti o n m e nu ( AL T + C T RL + 3 ): M a nua l l y e nte r y o ur I P a dd re s s or us e DH CP S e rve r ( f i g ure 3 .
S m ar tA VI S i gn ag e P r o M a n u a l 1 2 ( c ) 2 0 1 0 S ma r t A V I § T a b l e 3 . 2 Q u i c k K e y s a n d F u n c ti o n s o f S i g n a g e P r o C l i e n t Ke y s F unc ti on s tha t y.
4. A d d i n g y o u r c om p a n y l o g o 1 3 ( c ) 2 0 1 0 S ma r t A V I § 4 . A d d i n g y o u r c o m p a n y l o g o O ne o f the ma j o r f unc ti o ns o f di g it a l s ig na g e is to g e t y our me s s a g e o ut a nd to i nc re a s e yo ur bra nd re c o g ni tio n.
S m ar tA VI S i gn ag e P r o M a n u a l 1 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 4. 0. 2 7 . C l i ck on " I ns ta l l f ro m US B" , S e le ct the ‘ L o g o ” ta b.
4. A d d i n g y o u r c om p a n y l o g o 1 5 ( c ) 2 0 1 0 S ma r t A V I f ig ure 4. 0. 3 8 . S e l e c t the s a mple _ l o g o in d ia lo g bo x a nd c li c k ‘ Ok ’ ( f ig ure 4. 0 . 3 ) 9 . Yo u ca n i ns ta ll mo re lo g o s f ro m US B th umb d ri ve by pre s s in g " I ns ta ll f ro m US B" butto n.
S m ar tA VI S i gn ag e P r o M a n u a l 1 6 ( c ) 2 0 1 0 S ma r t A V I § 4 . 1 S a m p l e . sl o g o fi l e w i th o u t c l o c k S a m pl e . s lo go fi le wit h o ut c lo c k S a m pl e . s lo go fi le wit h c lo c k pi c ture = l o g o na me .
4. A d d i n g y o u r c om p a n y l o g o 1 7 ( c ) 2 0 1 0 S ma r t A V I § 4 . 2 F i e l d v a l u es fo r . sl o g o fi l e s T he f o l lo wi ng ta b l e d e s c ri be s the d i f f e re nt f ie l d s i n the . s l o go f il e a nd the i r me a ni ng.
S m ar tA VI S i gn ag e P r o M a n u a l 1 8 ( c ) 2 0 1 0 S ma r t A V I § 4 . 3 A d d T i m e a n d D a te to . s l o g o Yo u ha ve the o ptio n o f a dd i ng tim e a nd d a te to y our l o g o by a dd i ng o ne of the f o l lo wi ng f i e ld s to y o ur .
4. A d d i n g y o u r c om p a n y l o g o 1 9 ( c ) 2 0 1 0 S ma r t A V I c o rre s pon d ing s tri ng s f or the c urre nt l o c a le . No o n is tre a te d a s p m a nd mi dn i gh t a s a m. % P L i ke % p but i n lo we rc as e : a m o r pm o r a c o rre s po nd i ng s tri ng f o r the c urre nt l oc a l e .
S m ar tA VI S i gn ag e P r o M a n u a l 2 0 ( c ) 2 0 1 0 S ma r t A V I § 5 . Wi r e l e s s C o n fi g u r a ti o n I mpo rta nt: Be f or e c onf ig uri ng Wir el e s s ne two rk c on ne c ti o .
5 . Wi r el e ss C o n fi gu r at i o n 2 1 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 0. 2 5 . S e l ec t Enc ry p ti o n Ty pe ( WPA 1 /2 s ta nd s f o r WPA o r WPA 2) a nd e nte r the a pp r o pria te e nc ry pti o n ke y . ( f ig ure 5 . 0 . 2) 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 2 2 ( c ) 2 0 1 0 S ma r t A V I § 5 . 1 C o n n e c ti n g to a H i d d e n N e two r k 1 . T urn O f f th e S i g na g e Pro c l ie nt. 2 . I ns e rt the US B wi re le s s ad a pte r in to a ny a va i l abl e US B s lo t o n y our S ig na g e Pro c l i e nt.
5 . Wi r el e ss C o n fi gu r at i o n 2 3 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 1 . 3 6 . Ty pe the na me of th e ne two rk a nd cl i c k o n C on ne c t. ( f ig ure 5 . 1 . 3 ) f ig ure 5 . 1 . 4 7 . N o w y ou w i l l s ee the ne w ne two rk i n yo ur li s t wi th " Hi d d e n N e two rk" na me .
S m ar tA VI S i gn ag e P r o M a n u a l 2 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 5 . 1 . 5 8 . S e le c t E nc ry pti o n Ty p e ( WPA 1 /2 s ta nd s f or WP A or WP A2) a nd e nte r the a p pro p r i a te e nc ry pti o n ke y . ( f ig ure 5 . 1 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 5 ( c ) 2 0 1 0 S ma r t A V I § 6 . S c h e d u l e s , Ta s k s , Te m p l a te s , R S S 1 . Do ubl e c l i c k o n the S ig na g e S e rve r S ta tio n Ma na g e r i c o n e ithe r on y o ur d e s kto p or s ta rt me nu.
S m ar tA VI S i gn ag e P r o M a n u a l 2 6 ( c ) 2 0 1 0 S ma r t A V I 3 . O nc e the S ig na g e S e rve r S ta ti o n M a na g e r i s l o ad e d . Yo u wil l s e e the f ol l ow i ng : C on ne c te d S ig na g e Pro c li e nts . L o opba c k I P.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 7 ( c ) 2 0 1 0 S ma r t A V I § 6 . 1 U se r M a n a g e r O ur us e r ma na g e r a ll o ws S i g na g e Pro us e rs to ma na g e a nd c on tro l the ir ow n us e r d a ta ba s e . E a c h us e r c re a te d i s a ll o we d a s e t o f pe rmi s s i ons .
S m ar tA VI S i gn ag e P r o M a n u a l 2 8 ( c ) 2 0 1 0 S ma r t A V I 6 . 1 . 4 C li c k ' S av e' . Yo u wi l l the n s e e the ne w us e r in the l i s t. ( f i g ure 6 . 1 . 3 ) T o c re a te a ne w us e r, ri g ht c l i c k o r cl i ck on ' Us e r' the n ' N e w Us e r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 2 9 ( c ) 2 0 1 0 S ma r t A V I f ig ure 6 . 1 . 3.
S m ar tA VI S i gn ag e P r o M a n u a l 3 0 ( c ) 2 0 1 0 S ma r t A V I § 6 . 2 T a s k M a n a g er T he ma in f e a ture of S ig na g e Pro is the T as k M a na g e r. T his is whe re y ou s e t up a nd ma na g e a l l o f y o ur pre s e nta tio ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 1 ( c ) 2 0 1 0 S ma r t A V I § 6 . 2. A C r ea te a n e w T a sk f i g ure 6 . 2. 2 1 . Expl or e T as k ta b a nd s e le ct ‘ New T a s k’ .
S m ar tA VI S i gn ag e P r o M a n u a l 3 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 2. 3 2 . S e l e c t the ty pe o f f il e y ou ar e g oi ng to us e .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 3 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 2. 4 3 . S e l e c t the f i l e l o c a te d o n y our ha rd dr i ve ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 3 4 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 S c h e d u l e s - C r ea ti o n , E xp o r t, I m p o r t A s c he dul e i s whe re y o u c o mbi ne a ll o f the d i f f e re nt ta s ks th a t y o u’ ve c re a te d i n c ha pte r 6 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 5 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 3. 2 a . To d o th is y ou m us t us e y o ur mo us e to hi g hl i gh t o ne o f the ta s ks y o u c re a te d in the pre vi o us s te p. ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 3 6 ( c ) 2 0 1 0 S ma r t A V I e nti re ly . § 6 . 3 . A M o d i fy i n g Ta sk s wi th i n t h e S c h e d u l e O nc e yo u ha ve a d de d y o ur ta s k.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 7 ( c ) 2 0 1 0 S ma r t A V I a . S c he d ule s ta rt ty pe : Thi s f e a ture s e le c ts ho w the s c he dul e wi l l o pe ra te . ( f ig ure 6 . 3 . 6 ) · Ru n a t u s e r lo g o n: T hi s wi l l s ta rt the s c he d ule as s o on a s the us e r i s l o g g e d o n.
S m ar tA VI S i gn ag e P r o M a n u a l 3 8 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 6 . 3. 7 § 6 . 3 . B R u n S c h e d u l e a fte r a p o w e r fa i l u r e I f yo u ne e d a s c he d ule to s t.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 3 9 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 1 S e co nd , y o u ne e d to c li c k on the “ pro pe rti e s ” o f the S c he d ul e a nd g o to th e Da y a nd Ti me ta b o n to p . ( f i g ure s 2 a nd 3 ) .
S m ar tA VI S i gn ag e P r o M a n u a l 40 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 41 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3.
S m ar tA VI S i gn ag e P r o M a n u a l 42 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 . C E xp o r t S c h e d u l e a n d u p l o a d i t to a n o ffl i n e b o x v i a U S B fi gu r e 1 1 ) O pe n S ig na g e Pro Ma na g e r, go to " Run" a nd c li c k o n the " T a s k Ma na g e r" .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 43 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2 3 ) G o t o the pro pe rti e s of the S c he d ul e, c hoo s e a n a pp r o pria te ta s k a nd m o ve it t o the ta s k- l i s t by pre s s in g the s ma ll a rro w b ut to n.
S m ar tA VI S i gn ag e P r o M a n u a l 44 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 3 4) G o to the " Da y a nd Ti me " pro p e rti e s o f the s c he d ule a nd in th e " S c he dul e S ta rt T y p e " s e l e c t " Run a t Us e r l o g o n" .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 45 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 4 5 ) G o ba c k to the " Ta s k Ma na g e r" , c li c k o n " F i l e " o n the to p me nu ba r a nd ch o os e " Expo rt S c he d ule " .
S m ar tA VI S i gn ag e P r o M a n u a l 46 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 5 6 ) S e l e c t the s c he dul e s tha t y ou wa nt to e xpor t a nd c he ck th e box w hi c h s ta te s " C opy to i nte rna l s to ra g e " .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 47 ( c ) 2 0 1 0 S ma r t A V I § 6 . 3 . D I m p o r t a S c h ed u l e 1 ) G o to th e " Tas k M an a ge r " a n d c l i c k o n th e " I m p o r t S ch ed u l e " .
S m ar tA VI S i gn ag e P r o M a n u a l 48 ( c ) 2 0 1 0 S ma r t A V I fi gu r e 2 Th e p r o c es s o f i m p o r ti n g sc h e d u l e s a n d ta sk s.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 49 ( c ) 2 0 1 0 S ma r t A V I § 6 . 4 S u p e r S c h e d u l es S upe r S c he d ul e s we re de s ig ne d t o a ll o w m ul ti ple s c he d ule s to run i n o ne , a ls o a l l ow i ng a d ra g a nd d ro p f ri e nd ly us e r in te rf a c e .
S m ar tA VI S i gn ag e P r o M a n u a l 5 0 ( c ) 2 0 1 0 S ma r t A V I § 6 . 5 T e m p l a te C r e a to r T he T e mpla te c re a to r is po we rf ul f e at ure of S i gn a g e Pro . T e mpl a te s a ll o w us e rs to c re a te a nd a s s i g n re g i o ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 1 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 2 3 . O nc e the Te mpla te C re a to r wi nd o w i s o pe n y o u c a n no w cr e a te re g i o ns .
S m ar tA VI S i gn ag e P r o M a n u a l 5 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 3 4. T o c re a te y o ur f i rs t re g io n c li c k o n the ‘ Ad d V i e w’ i c o n a nd d ra g y o ur mo us e a c ro s s the whi te d is pla y e d i to r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 3 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 4 5 . Yo u ma y c o nti nue a d di ng , d e l e ti ng , re s iz ing , a nd mo vin g re g i o ns unti l y o u a re s a ti s f i e d wi th the re s ult s .
S m ar tA VI S i gn ag e P r o M a n u a l 5 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 5 6 . Yo u c a n a l s o a s s ig n a ba c kg ro und i ma g e to y o ur la yo ut by c li c ki ng the ‘ Pro pe rti e s ’ ic o n a nd s e le c ti ng an im a g e f ro m y o ur ha rd d ri ve .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 6 7 . On c e y o u a re s a ti s f ie d wi th y o ur l a y o ut, s a ve the te mpl a te f il e o n y o ur c o mpute r ha rd dr ive . ( f ig ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 5 6 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 7 8 . Fr om the ‘ S c he d ul e Pro pe rti e s ’ di a lo g d o uble c l ic k o n a ny o f the ta s ks f or t his s c he d ule . T his wi ll brin g up the ‘ S c he d ul e T a s k Pro pe rti e s ’ d i a lo g .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 5 . 8 9 . S e le ct the vie w f ro m the dr o pdo wn me nu y ou whe re y o u wo uld l ike the ta s k d is pla y e d. T he n c li c k “ o k” ( f i g ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 5 8 ( c ) 2 0 1 0 S ma r t A V I § 6 . 5 . B L a y o u t e xa m p l e A ty pic a l l ay out us i ng Appli c a ’ s te mpl a te cr e a to r.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 5 9 ( c ) 2 0 1 0 S ma r t A V I § 6 . 6 C r ee p i n g L i n e E d i to r S ig na g e Pro ’ s C re e ping L ine Ed i to r e na b l e s y o u to c re a te a s c ro ll in g ma rq uis a ny whe re o n y o ur s c re e n.
S m ar tA VI S i gn ag e P r o M a n u a l 6 0 ( c ) 2 0 1 0 S ma r t A V I 2 . I n the ‘ Ge ne ra l’ ta b C re epi ng L ine Pro pe rty S he e t y o u a re g i ve n s e ve ra l o ptio ns ; f i g ure 6 .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 1 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 5 · I nput t e xt: T ype y o ur te xt d ir e c tly int o the e d i to r. ( f ig ure 6 . 6 . 3 ) · Us e RS S : I nput th e UR L o f the RS S f e e d o f y o ur ch o ic e .
S m ar tA VI S i gn ag e P r o M a n u a l 6 2 ( c ) 2 0 1 0 S ma r t A V I § 6 . 6 . C Wi n d o w a n d Tr a n sp a r en c y f i g ure 6 . 6 . 8 I n the T e xt Wi nd o w an d T ra ns par e nc y d i a lo g bo x y o u a re g i ve n s e ve ra l a dj us tme nt o ptio ns .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 3 ( c ) 2 0 1 0 S ma r t A V I Abo ve a re s o me e xa mpl e s of d i f f e re nt tra ns p a re nc y s e tti ng s ( f i g ure 6 . 6 . 9 ) § 6 . 6 . D S e t th e p o si t i o n o f c r e e p i n g t ex t f i g ure 6 .
S m ar tA VI S i gn ag e P r o M a n u a l 6 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 1 Yo u a l s o ha ve the a bil i ty to ad j us t the he ig ht a nd wi dt h o f y o ur te xtbo x a s we ll . ( f i g ure 6 . 6 . 1 1 ) No te : Yo u c a n pr e vie w yo ur c h a n ge s a nyt im e by c li c k in g t h e ‘ P r e vie w’ b u t to n.
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 4 3 . I n th e C re e ping L i ne M an ag e r, y o u c a n a d d e xi s ti ng C re e pi ng Li ne s or c re a te ne w o ne s . T o c re a te a ne w on e , c l ic k o n ' Ed i t.
S m ar tA VI S i gn ag e P r o M a n u a l 6 6 ( c ) 2 0 1 0 S ma r t A V I i n a di f f e re nt T a s k tha t is runni ng i n on e S ch ed ule , c li c k on ‘ S to p pre vio us C re e pin g L i ne s .
6 . Sc h ed u l e s, Tas k s , Te m p l at es , R S S 6 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 6 . 6 . 1 2.
S m ar tA VI S i gn ag e P r o M a n u a l 6 8 ( c ) 2 0 1 0 S ma r t A V I § 7 . S c r e e n C o n fi g u r a t i o n - O nc e y o u t urn o n the c l i e nt, yo u a re g re e te d wi th the S i g na g e Pro S pla s h S c re e n.
7 . Sc r e e n C on fi g u r a ti o n 6 9 ( c ) 2 0 1 0 S ma r t A V I · C o nf ig ur e ke ybo a r d S e tti ng s to c o nf ig ure ke ybo ar d. · C o nf ig ur e m o n ito r E a c h tim e y o u c o n.
S m ar tA VI S i gn ag e P r o M a n u a l 7 0 ( c ) 2 0 1 0 S ma r t A V I f ig ure 7. 5 · C o nf ig ur e s c r e e n E a c h tim e y o u c o nne ct a ne w d is pla y to th e S i g na g e Pro C l ie nt y o u wi l l ne e d to a dd o r e d it the s c re e n s e tti ng s .
7 . Sc r e e n C on fi g u r a ti o n 7 1 ( c ) 2 0 1 0 S ma r t A V I · S c re e n M od e s – C o nf ig ure s the vi de o m o de f or yo ur d is pla y. - Us e the up/d ow n ke y s to s c ro ll f o r the d e s i re d re s o l uti o n. - Us e the s pa c e ba r to c he c k the d e s i re d re s o l uti o n.
S m ar tA VI S i gn ag e P r o M a n u a l 7 2 ( c ) 2 0 1 0 S ma r t A V I § 7 . 1 R o ta ti n g a S c r e en I n thi s c ha pte r we wi l l d e s cr ibe ho w to r o ta te the ima g e on the S ig na g e Pro C l i e nt s cr e e n a nd ho w to a pply te mpla te s to i t.
7 . Sc r e e n C on fi g u r a ti o n 7 3 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 2 3 ) S e l e c t " OK " a nd pre s s " Ent e r" , it wi l l c re a te xor g.
S m ar tA VI S i gn ag e P r o M a n u a l 7 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 3 4) Af te r yo u ty pe " a xo rg c f g " c o mma nd yo u wi l l be g ive n th e f o ll o win g .
7 . Sc r e e n C on fi g u r a ti o n 7 5 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 4 5 ) S e l e c t " Ed i t Mo ni to r0 " a nd c l ic k o n " O K" .
S m ar tA VI S i gn ag e P r o M a n u a l 7 6 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 5 6 ) S e le c t the ho ri zo nta l s y nc ra ng e th a t c or re s po nd s to y o ur mo nit o r. I t is re c o mme nd e d th a t y o u s e l e c t a s y nc ra ng e tha t a cc om mo d a te s t he hi g he s t re s o l uti o n f or yo ur d i s pl a y .
7 . Sc r e e n C on fi g u r a ti o n 7 7 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 6 7 ) S e le c t the ve rti c a l re f re s h ra te tha t c o rre s po nd s to y o ur mo nit o r - I f y o u a re uns ure o f thi s s e tti ng , pl e a s e re f e r to y o ur di s pl ay ma nua l.
S m ar tA VI S i gn ag e P r o M a n u a l 7 8 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 7 8 ) E ac h tim e y o u co nne c t a ne w d i s pl a y to the S ig na g e Pro C l i e nt y o u wi ll ne e d to a d d o r e d it the s c re e n s e tti ng s .
7 . Sc r e e n C on fi g u r a ti o n 7 9 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 8 9 ) S e le c t " E d it S c re e n" an d c l i c k " O K".
S m ar tA VI S i gn ag e P r o M a n u a l 8 0 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 9 1 0) S el e c t a p pro p r i a te ro ta tio n di re c ti o ns , s uc h a s c lo c kwi s e o r c o unte rc lo ck wi s e , a nd c l ic k o n " N e xt" .
7 . Sc r e e n C on fi g u r a ti o n 81 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 0 1 1 ) F oun d a ny unne c es s a ry re s o l utio ns th a t a re c he ck e d a nd unc he c k it by s e le ct ing the m a nd pre s s i ng the " S pa c e ba r" .
S m ar tA VI S i gn ag e P r o M a n u a l 8 2 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 1 1 2) F ind th e re s o l uti o n y o u a re us in g on y our S c re e n, s e le c t i t a nd Che c k the box ne xt to it by pre s s i ng o n " S p a ce ba r" .
7 . Sc r e e n C on fi g u r a ti o n 83 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 2 1 3 ) S e l e c t " Wri te xor g. c o nf a nd q uit" a nd c li c k on " O k" .
S m ar tA VI S i gn ag e P r o M a n u a l 8 4 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 3 1 4) Wri te c o nf ig ura tio n f il e by c l i ck i ng o n " O k" .
7 . Sc r e e n C on fi g u r a ti o n 85 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 4 Re boo t th e c li e nt. Af te r re boo tin g the cl i e nt, the s c re en s ho ul d d is pla y the ro ta te d pic ture .
S m ar tA VI S i gn ag e P r o M a n u a l 8 6 ( c ) 2 0 1 0 S ma r t A V I < d iv i d =" 1 " s ty l e =" l e f t: - 1 px; to p: 1 5 0 px; wi dt h: 7 6 9 px; he i g ht: 48 0 px; pos .
7 . Sc r e e n C on fi g u r a ti o n 87 ( c ) 2 0 1 0 S ma r t A V I f i g ure 8 . 1 . 1 5.
S m ar tA VI S i gn ag e P r o M a n u a l 8 8 ( c ) 2 0 1 0 S ma r t A V I T he f ina l l ay out o f th e ro ta te d s cr e e n.
7 . Sc r e e n C on fi g u r a ti o n 89 ( c ) 2 0 1 0 S ma r t A V I § 7 . 2 I n st a l l i n g a n d R e m o vi n g F o n ts 1 . L og g i ng into the c o nf ig ura tio n c o ns o le . · On c e y o u turn o n the c li e nt, y o u a re g re e te d w ith the S ig na g e Pro S pla s h S c re e n.
S m ar tA VI S i gn ag e P r o M a n u a l 9 0 ( c ) 2 0 1 0 S ma r t A V I S ig na g e Pro inte rf a c e ..
8 . U p d at i n g th e Si gn ag e P r o C l i en ts Vi a Sc h e d u l e 9 1 ( c ) 2 0 1 0 S ma r t A V I § 8 . U p d a ti n g th e S i g n a g e P r o C l i e n ts Vi a S c h e d u l e 1 . S e le c t Run the n c li c k " Ta s k ma na g e r" 2 .
S m ar tA VI S i gn ag e P r o M a n u a l 9 2 ( c ) 2 0 1 0 S ma r t A V I f ig ure 9 . 0. 2 S c re e n tha t a tta ch e d to the S i g na g e Pr o C l ie nt wi l l be c o me R ED s a y in g no t to s hutd o wn the pl a y e r.
9 . U p d a te c l i e n ts f i r m war e vi a U SB 9 3 ( c ) 2 0 1 0 S ma r t A V I § 9 . U p d a te c l i e n ts fi r m w a r e v i a U S B Im po r ta n t: Y o u wo ul d ne e d a US B t hu m bd r iv e th a t i s a t l e a s t 2 gb in c a pa c it y.
S m ar tA VI S i gn ag e P r o M a n u a l 9 4 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 0 . 0. 3 - O n y o ur PC , g o to S T ART - >R UN- >C MD ( f i gu re 1 0 .
9 . U p d a te c l i e n ts f i r m war e vi a U SB 9 5 ( c ) 2 0 1 0 S ma r t A V I f ig ure 1 0 . 0. 4 4. Af te r the US B wri ti ng i s d o ne , brin g t he US B to th e S i g na g e Pro c l ie nt a nd in s e rt i nto the US B po rt.
S m ar tA VI S i gn ag e P r o M a n u a l 9 6 ( c ) 2 0 1 0 S ma r t A V I § S p e c i f i c a ti o n s F o r m Fa c to r uAT X ( 6 . 75 i nc he s by 6 .
S p e c i fi c at i on s 97 ( c ) 2 0 1 0 S ma r t A V I F o r m a ts S up po r te d • Vi d e o ( AVI , MP EG 1 , MPE G 2, MPE G 4, WM V, F L A, DI VX) , • F la s h ( S WF ) • S til l I ma g e s.
S m ar tA VI S i gn ag e P r o M a n u a l 9 8 ( c ) 2 0 1 0 S ma r t A V I § S a m p l e N e two r k C o n fi g u r a t i o n #1 C o nf ig u r a ti o n #1 R o ut e r /S wit c h/H ub wit h DH C P S e r ve r in th e a s a m e n e two r k * 1 .
S am p l e N e two r k C on fi g u r a ti o n #1 9 9 ( c ) 2 0 1 0 S ma r t A V I * S a me Ne two rk me a ns tha t C l i e nt a nd S e rve r a re in o ne bro a d c a s t d o ma in, s o the y c a n c o mmuni c a te t o e a c h o the r wi tho ut g a te wa y.
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 0 ( c ) 2 0 1 0 S ma r t A V I § S a m p l e N e two r k C o n fi g u r a t i o n #2 C o nf ig u r a ti o n #2 R o ut e r /S wit c h/H ub wit h o ut a D.
S am p l e N e two r k C on fi g u r a ti o n #2 1 0 1 ( c ) 2 0 1 0 S ma r t A V I 2 . Do uble - c l ic k o n the N e two rk C o nne c tio ns I c on. 3 . R i g ht- c li c k o n the L oc a l Ar e a C o nne c ti o n I c on ( or y o ur cur re nt c o nne c tio n) a nd c l ic k Pr o pe rti e s .
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 2 ( c ) 2 0 1 0 S ma r t A V I 4. S e le c t I nte rne t Pro to c o l ( TC P/I P) a nd C li c k the Pro pe rti e s But to n.
S am p l e N e two r k C on fi g u r a ti o n #2 1 0 3 ( c ) 2 0 1 0 S ma r t A V I 5 . Ent e r the I P Ad dr e s s , S ubne t Ma s k, De f a ult G a te wa y an d D N S S e rve rs . Fo r a n e xa mpl e pl e a s e s e e the be g i nni ng o f thi s c ha pte r whe re i t s a y s " Ma nua l l y a s s i gn I P ad dr e s s to the s e rve r" .
S m ar tA VI S i gn ag e P r o M a n u a l 1 0 4 ( c ) 2 0 1 0 S ma r t A V I T he c o mma nd f o r the ne two rk co nf ig ura tio n o n the S ig na g e Pro i s " C tr l Al t + 3" .
デバイスSmart-AVI AP-SNCL-M40GSの購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Smart-AVI AP-SNCL-M40GSをまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはSmart-AVI AP-SNCL-M40GSの技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Smart-AVI AP-SNCL-M40GSの取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Smart-AVI AP-SNCL-M40GSで得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Smart-AVI AP-SNCL-M40GSを既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はSmart-AVI AP-SNCL-M40GSの不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Smart-AVI AP-SNCL-M40GSに関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちSmart-AVI AP-SNCL-M40GSデバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
