SonyメーカーLCL60AMの使用説明書/サービス説明書
ページ先へ移動 of 35
© 201 1 Son y Ele ct ron ic s Inc. A ll r ig hts re se r ved . Rep ro duc tio n in w ho le o r in p ar t wi th ou t wri t ten p er mi ss io n is pr ohi bi ted .
a c r e a t i on Phot ography is creativ e. A photogr apher must mak e a number of critical cho ic es t ha t wi ll d eterm in e th e ou tcom e. On e of th e mo st i nfl ue nti al cho ic es i s th e le ns i tse lf.
30 0m m F2.8 G SA L3 00 F28G Zoom Lenses Fixed Focal Length Lenses G Lenses Ca rl Zei ss L ens es E-mount Lenses 2x T ele conver ter SA L20TC Fisheye Conver ter V C L- E C F 1 10 m m ( 15 mm ) 1 .4x Tele c onv er te r S A L14T C Ultra Wide Conver ter V C L- E C U 1 12 m m ( 18 m m ) 70–20 0 mm F2.
Zoom and focus mec hanisms The job of varying f ocal length in a zoom lens r equires a fairly comple x mechanism that tr anslates zoom ring r otation int o precise gr oup mov ement along the optical axis of the lens.
Aperture and e xposure The aperture in a lens—also kno wn as the “diaphr agm” or “iris”—is an ingenious piece of mechanical engineering that pr ovides a variable-size opening in the optical path oft en used to contr ol the amount of light that passes thr ough the lens.
Other macro lens c haract eristics you should know about Macr o lenses are specif ically designed to deliver optim um optical performance at very short focusing distances , and will usually be sharpest at close range , but that doesn’ t mean that you can only use them for macr o photogr aphy .
Use your lens hood! The lens hoods pr ovided with most int erchangeable-lenses ar e not just accessories to be used occasionally . They ar e an impor tant part of the lens’ s optical system and should alw ays be used in order t o ensure optim um performance.
Snapshots The t erm “snapshot” ref ers to any phot o opportunity that arises spont aneously . Y ou’ re shooting snapshots when you tak e your camer a for a w alk in the park, or on vacation, or ev en when you’ re in “serious” str eet-shooting mode.
Internal f ocusing mechanism In this type of lens, focusing is achiev ed by moving only the int ernal elements. The ov erall length of the lens r emains constant, and the filt er mounting thr ead at the front of the lens r emains stationary during focusing.
Aspherical lens ED glass 100 80 60 40 20 03 69 12 Contrast (%) 100 80 60 40 20 03 69 12 Contrast (%) Distance from optical center of lens ( mm ) Distance from optical center of lens ( mm ) Spatial frequenc y 1 0 line pairs /mm 30 line pairs /mm R: Radial values T : Tangential values Max.
Mid - range z oom DT 1 6 – 50mm F2.8 S SM S A L1 6 5 0 The SAL1650 packs f irst-class optical performance and a versatile zoom r ange into a lens that is r emarkably compact and lightweight. At the wide end you hav e a 16mm focal length that is ideal f or interiors , sweeping landscapes, or creating visual impact with po werful perspective.
Mid - range z oom DT 1 8 – 55 mm F3. 5 – 5.6 S AM S A L1 8 5 5 If you’ re the kind of phot o enthusiast who likes t o carry a camera at all times, whether actively shooting or not, you pr obably.
High magnification z oom DT 1 8 – 25 0 mm F3. 5 – 6 .3 S A L1 8 2 5 0 Although similar to the SAL18200 in zoom r ange and performance , the SAL18250 off ers a bit more “reac h” at the long end that can make a significant dif fer ence if you’ re shooting sports or wildlife, for ex ample.
T elepho to z oom DT 55 – 2 0 0 m m F4 – 5.6 SAM S AL55 20 0 - 2 Cov ering the medium to t elephoto str etch of the “standar d” zoom range with ample F5.6 brightness at the 200mm end, this lens is a lightweight, easy handling choice for shooting sports and other subjects that r equire some telephot o reach.
Fixed focal length lenses, commonly known as "prime lens" or simply as "primes," can complement your photographic vision in a number of ways.
Ultra wide angle 2 0 mm F2 .8 S A L 2 0 F28 This rigor ously correct ed lens gives you a wide angle of vie w for images that benefit fr om dr amatic perspective with minimum dist or tion. It’ s an ideal choice for co vering spr ead-out scenes that you can’ t get far enough way fr om to cov er with a “normal” lens.
Normal DT 35mm F 1 .8 SAM SAL35F 1 8 Ther e’ s a very good reason why 35mm is one of the most popular f ocal lengths for use on APS-C format cameras .
Mid - range t elephot o DT 50mm F 1 .8 SAM S A L 5 0 F 18 On APS-C format camer as, for which it is specif ically designed, the SAL50F18 functions as a moder ate telephot o lens ( equivalent t o 75mm .
T elepho to 1 35mm F2.8 [ T4 . 5 ] STF SAL 1 35F 28 This unique lens has been specif ically designed to deliver smooth tr ansitions between crisp in-focus ar eas and creamily def ocused backgr ound and for eground ar eas.
M ac ro 50 mm F2.8 Macro SA L 5 0 M 28 Photogr aphers who ar e attract ed to det ails need a lens that lets them get in close when necessary , filling the fr ame with their diminutive but fascinating subjects .
Son y G Lenses are an e xceptional breed. They inherit a distinguished pedigr ee from the original Minolt a ® lens line, with industry-leading Sony design and quality assur ance t echnology added to push their perf ormance to the f or efront of twenty-f irst century photogr aphy .
T elepho to z oom 7 0 –30 0mm F4.5 –5.6 G S SM S A L70 3 0 0 G The SAL70300G is the smallest and light est zoom in the current G Lens series, off ering an appealing combination of extended zoom r ange and handling, plus image quality that will satisfy the most demanding photo enth usiast or pr o.
Wide - angle pri me 35mm F 1 .4 G SAL35F 1 4G 35mm prime lenses ar e a staple for man y photogr aphers. The angle of view pr ovided by this f ocal length is one of the most comfortable and versatile on both 35mm full fr ame format and APS-C format camer as, and with that, this lens can be used for anything fr om close-ups to landscapes .
1 . 4x T eleconv er ter S A L14 T C 2.0x T eleconv er ter S A L 2 0 TC T el econv er t er s The SAL14TC and SAL20TC t eleconverters ar e a great w ay to ext end your t elephoto r ange without having to carry more lar ge lenses. The SAL14TC pr ovides a 1.
Wide - angle z oom V ario - Sonnar T * 1 6 –35mm F2.8 Z A S SM S A L1 6 3 5 Z Although it is a wide-angle zoom, and an ideal supplement to a high- performance mid-r ange zoom, the 16–35mm range of this lens will satisfy the cor e focal length requir ements of man y photogr aphers who shoot primarily indoors or in the city .
Mid - range z oom V ario - Sonnar T * 2 4 – 70mm F2.8 ZA S S M SA L 24 70Z If you insist on prime-lens image quality but en vy the conv enience of variable f ocal length, here’ s a lens that brings the best of both worlds together . For many discriminating phot ographers it is a lens that will sta y on the camera most of the time.
Mid - range t elephot o prime Planar T * 85mm F 1 .4 Z A SA L8 5F1 4Z 85mm focal length, F1.4 maximum aperture and pr ecision Carl Zeiss T* coated Planar optics: it all adds up to superlativ e performance and handling for portr aiture or medium-t elephoto landscapes.
E - m oun t Lenses These compact, high-performance lenses are the cornerstone of a new category of still and video cameras that attest to the paradigm-shifting power of Sony innovation.
Wide - angle pri me E 1 6 mm F2.8 S E L16 F 2 8 Combine this compact wide-angle prime lens with any E-mount camer a for a t otally new phot ogr aphic experience.
Wide - angle pri me Sonnar T * E 24 mm F 1 .8 Z A S E L 2 4 F 18 Z Carl Zeiss quality r eally shows off the capabilities of the E-mount syst em, with outstanding r esolution and contr ast that can add legendar y Zeiss depth and dimensionality to y our images.
High magnification z oom E 1 8 – 20 0 m m F3 .5 – 6.3 OS S S E L1 8 2 0 0 If you’ re a phot ographer/videogr apher who needs maximum speed, versatility and mobility t o rapidly r espond to a wide r ange of shooting situations, from portraits and snapshots t o sports, this is a lens you should consider .
Mid - range t elephot o E 50 mm F 1 .8 OSS S E L 5 0 F 18 A focal length that is perf ect for portraitur e and a r ange of other subjects, a bright F1.
Mount Category Page Description Model name Lens configuration ( group/element ) 35mm equivalent focal length ( APS-C ) 1 ( mm ) Angle of view ( APS-C ) 1 Angle of view ( 35mm full-frame ) No. of aperture blades Min. aperture ( F-Stop ) Max. magnification ratio ( x ) Min.
Lens Hood Lens Cap a lens accessories Front Le ns Ca p With log o. F i l te r d ia . 4 9 / 5 5 /6 2/6 7 / 72 / 7 7m m G Front Le ns Ca p Fil te r di a. 5 5/ 62/77 m m Carl Zeiss Front Lens Cap Fi lt er di a. 62/72/77mm Re ar Le ns C ap A LC - R 5 5 Re ar Le ns C ap A LC - R 1E M LCL - 60A M Fit s al l l en se s up to ( L ) 8 0 m m*, ( Dia.
© 201 1 So ny Ele ct ron ic s Inc. A ll r ig hts re se r ved . Rep ro duc tio n in w ho le o r in p ar t wi th ou t wri t ten p er mi ss io n is pr ohi bi ted .
デバイスSony LCL60AMの購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Sony LCL60AMをまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはSony LCL60AMの技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Sony LCL60AMの取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Sony LCL60AMで得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Sony LCL60AMを既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はSony LCL60AMの不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Sony LCL60AMに関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちSony LCL60AMデバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
