BehringerメーカーV-AMP PROの使用説明書/サービス説明書
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Version 1.1 M a r ch 2 0 0 3 Users Manual ENGLISH V-AMPIRE/V-AMP PRO/V-AMP 2 V-AMP PRO V-AMP 2 V-AMPIRE.
2 V-AMPIRE/V-AMP PRO/V-AMP 2 This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosurevoltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature.
3 V-AMPIRE/V-AMP PRO/V-AMP 2 V-AMPIRE/ V-AMP PRO/V-AMP 2 V-AMPIRE/V-AMP PRO/V-AMP 2 Ultra-flexible virtual guitar amps with tube simulation and digital multi-effects processor s 32 authentic virtual a.
4 V-AMPIRE/V-AMP PRO/V-AMP 2 FOREWORD Dear Customer, welcome to the team of BEHRINGER users, and thank you very much for expressing your confi- dence in us by pur- chasing this virtual guitar amplifier.
5 V-AMPIRE/V-AMP PRO/V-AMP 2 2. CONTROL ELEMENTS On the added view sheet you will find the corresponding illustrations for all control elements. The numbering of most of the control elements is the same for all three products. Because of the different design and some varying elements, the numbering is not always consistent.
6 V-AMPIRE/V-AMP PRO/V-AMP 2 s A : Accesses the MIDI functions. Use the arrow keys to set the MIDI channels (1 through 16) for transmitting and receiving MIDI data. If you use key A in EDIT mode to select the MIDI function and then press the TAP key, the MIDI OUT jack is set to act as a MIDI THRU.
7 V-AMPIRE/V-AMP PRO/V-AMP 2 2. CONTROL ELEMENTS The LINE IN (V-AMP PRO only) switch determines which signal source is processed by the V-AMP PRO, either (switch not pressed) the signal applied at the high- impedance INPUT jack, for example, your guitar, or (switch pressed) the line signal connected to the PRE DSP INSERT (LINE IN, ).
8 V-AMPIRE/V-AMP PRO/V-AMP 2 3. OPERATING MODES AND APPLICATIONS internal speaker. Two speakers with 8 W/ 50 Watts each can be connected to the outputs (the internal speaker automatically shuts off). Our ULTRASTACK BG412 series suits this application ideally.
9 V-AMPIRE/V-AMP PRO/V-AMP 2 3.3.1 V-AMPIRE Not only does the V-AMPIRE has its own built-in speaker, which means you can plug in and play without further equipment, the V-AMPIRE also allows to connect a second external loudspeaker.
10 V-AMPIRE/V-AMP PRO/V-AMP 2 T ab. 3.1: Configurations 4. PRESETS 4. PRESETS Your device features 125 overwritable presets divided into 25 banks. In other words, there are five presets available per bank.
11 V-AMPIRE/V-AMP PRO/V-AMP 2 5. AMP/SPEAKER SIMULATION 4.4 Discarding an edited preset/restoring a single factory preset If you have edited a preset and find that you dont like the edited version, you can, of course, discard it.
12 V-AMPIRE/V-AMP PRO/V-AMP 2 5. AMP/SPEAKER SIMULATION Landaus sounds. In distortion mode it sounds like Gary Moore in his early days, but its also good for heavy metal. BRITISH CLASS A 15 W: Another Vox model, based on the first channel of an AC 15 from 1960.
13 V-AMPIRE/V-AMP PRO/V-AMP 2 AMERICAN BL UES MODERN CLASS A TW EED COMBO CLASSIC CLEAN BRIT. B LUES BRIT. CLASS A BRIT. CLASSIC BRIT. HI GAIN RECTIFIED HI GAIN MODERN HI GAIN FUZZ BOX UL TIMA TE V -A.
14 V-AMPIRE/V-AMP PRO/V-AMP 2 DELAY: This algorithm delays the input signal, with different tempo settings producing interesting delay effects. U2s The Edge has impressivley demonstrated the potential of this effect. PING PONG: A delay effect that changes position in the stereo image.
15 V-AMPIRE/V-AMP PRO/V-AMP 2 pressing the two arrow keys simultaneously. The display will show 40, which means 440 Hz. Use the arrow keys to raise or lower the reference pitch by up to 15 Hz. The display always shows the last two digits as the first digit is always 4.
16 V-AMPIRE/V-AMP PRO/V-AMP 2 MIDI IN: receives MIDI controller data. The receiving channel can be adjusted in EDIT mode by pressing the A button and then using the arrow keys. MIDI OUT/THRU: used for sending data to a computer or any other devices. You can transmit both preset data and parameter changes.
17 V-AMPIRE/V-AMP PRO/V-AMP 2 9. APPENDIX MIDI Ch annel 1-16 1-16 - Mode N N - Note Number N N - Veloc ity N N - After Touch N N - Pitch Bend er N N - Contr ol Ch ange - - - 1 N ( requ est only) Y W a.
18 V-AMPIRE/V-AMP PRO/V-AMP 2 10. SPECIFICATIONS 10. SPECIFICATIONS BEHRINGER continuously strives to assure the highest quality standards possible. Required modifications may be implemented without prior notice. Technical data and the appearance of the unit may deviate from the above values and/or illustrations.
19 V-AMPIRE/V-AMP PRO/V-AMP 2 The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or transmitted in any form or by any means, electro.
デバイスBehringer V-AMP PROの購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Behringer V-AMP PROをまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはBehringer V-AMP PROの技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Behringer V-AMP PROの取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Behringer V-AMP PROで得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Behringer V-AMP PROを既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はBehringer V-AMP PROの不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Behringer V-AMP PROに関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちBehringer V-AMP PROデバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
