GenesisメーカーG5.3の使用説明書/サービス説明書
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ver 1.0 1 1 1 1 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Owner s Manual and Set-up Guide: Genesis 5.3 Loudspeak er Contents A QUICK START SET-U P GUIDE 3 U NPACKING 3 R OOM P LACEMENT 3 SET-UP GUIDE 4 P O.
ver 1.0 2 2 2 2 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ A Message fr om Genesis Congr atulat ions ! You are no w the owner of one of th e fine st loud speaker sys tems in the wor ld. Ba sed on tech nolo gies d evel oped and ev olve d ove r the pas t fou r deca des, th e Gene sis 5.
ver 1.0 3 3 3 3 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ A Quic k Star t Set-u p Guide Now that you have yo ur new Ge nesi s 5.3 lo udsp eake r syst em, we real ize that yo u can’ t wait to hook it u p a nd s tart p layi ng! Howev er, please rea d this quick set up guid e (even if your deale r is set ting it up for you !) before yo u proce ed.
ver 1.0 4 4 4 4 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Set-up Guide Positioni ng A good starti ng p o s it i on f o r th e G enesi s 5 is about 20% of the wa y into the r oom as me asured from the front wall (the wall yo u look at as you are seated li ste ning to the sp eake rs).
ver 1.0 5 5 5 5 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ G5 into an unsw itched out let, or a swit ched ou tlet that can a lways be left O N. The bui lt-in ampli fier ha s an auto-se nsing circu it th at wi ll put the amplif ier int o stand- by when th ere is no music bein g played for aro und 25 mi nutes.
ver 1.0 6 6 6 6 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ invert the hig h-level inputs whe n the b ass section of the G5 is driv en by t he pream plifie r.
ver 1.0 7 7 7 7 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Contro ls There are a to tal of fi ve co ntrol knob s in two ro ws o n the b ack plate of the Gene sis 5 lo udspea ker. The upper left knob on the back plat e marked “ Tw eeter ” is a volume control for the front t weeter.
ver 1.0 8 8 8 8 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ T uning the system Two chan nel ster eo mus ic is the be st way to beg in your setup procedur e. W e sugg est t hat m ulti-c hanne l and vid eo sour ces be used onl y after you ha ve set up the sys tem to prope rly rep roduce music.
ver 1.0 9 9 9 9 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ music accompan iment shoul d sound as if it were cut from one clot h, not sep arate . If the voic e soun ds “thin” or doe s not ha ve enough “ chest” to its so und, t urn th e woofers amplifi er’ s gain up till it doe s.
ver 1.0 10 10 10 10 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Imaging a nd Soundst age If your v ocal selection is a we ll-recorded audi ophile CD or LP, t he perform er should appe ar to come fr om behind the loudsp eaker s and be at t he ap propr iate h eight a nd s ize for a p erson.
ver 1.0 11 11 11 11 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ music. W hen these speak ers are pr operly se t up, you wi ll have a sweet sp ot wide eno ugh for yo u and yo ur spouse . W hen you swa y sid e to side while en joying th e music, the im age and tonali ty of the system sh ould also not waver.
ver 1.0 12 12 12 12 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ bright and you will have to turn the t weeter control do wn significantly. On the other hand, large sofas and arm-chairs tend to absor b frequencies in the lower mid-range a nd mid-bass.
ver 1.0 13 13 13 13 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ The LF E input bypa sses t he int ernal c ross over, a nd h ence us es the home t heatre proce ssor’s cro ssover.
ver 1.0 14 14 14 14 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Distri buting the bass is al so help ful for r eprod uctio n of multi- chann el music because yo u get inc redible a rticula tion and deta il in the bass all arou nd the room.
ver 1.0 15 15 15 15 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Second ly, you ma y make th e mid bass produc ed by the top of the woofer out of propor tio n with the mi d bass pr oduced by the bot tom of the m id-b ass couple r. Thi s would tend to sound "boomy" in the mid bass regions.
ver 1.0 16 16 16 16 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ small a mount of absorpt ion. Hence, a c urtain ed glas s win dow would just be a bout per fect.
ver 1.0 17 17 17 17 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ sound . This abi lity is us eful in fin e tuni ng your system because if every recording you listen to has a similarity of sound (too much or too little of a certain frequency for instance) then you can be fairl y certain that you have yet to perfe ct your s et-u p.
ver 1.0 18 18 18 18 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ T he T ec hnology The Genesis Ri bbon Tweet er Rev iewers in th e Audiophi le press hav e often re marked that the Genesi s circ ular r ibbon tweete r is the w orld ’s bes t.
ver 1.0 19 19 19 19 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ Mid-Bass Co uplers In order to c reate a “so und brid ge” b etween th e midran ge an d the bass sect ion, th e G5 incorp orates two 6. 5inch meta l cone mid- bass co uple rs. One fron t and one rea r fir ing, agai n worki ng as a dip ole.
ver 1.0 20 20 20 20 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ mode rate levels . The Genesis se rvo bass sys tem reduce s this distort ion to be low one per cent at almos t any out put leve l.
ver 1.0 21 21 21 21 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ cones a nd t he loud spe aker en closure all work in u nison to prod uce bass ou tput that d esce nds eve nly to below yo ur heari ng lim its.
ver 1.0 22 22 22 22 ~ÄëçäìíÉ=ÑáÇÉäáíó ™ floor-bor ne vibrat ions d o not affe ct the imag ing an d so undsta ge of t he louds peaker. 3) The st ain less s teel s pikes rigidl y coup le t he su spens ion system to the floo r.
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