AdobeメーカーPhotoshop CS5の使用説明書/サービス説明書
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Usin g ADOBE ® P HOT OSHOP ® CS 5.
Last updated 12/5/2011 Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html.
iii Last updated 12/5/2011 Contents Chapter 1: What’s new Chapter 2: Photoshop companion apps Connecting Photoshop companion apps to Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
iv USING PHOTOSHOP Contents Last updated 12/5/2011 Chapter 7: Retouching and transforming Adjusting crop, rotation, and canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
v USING PHOTOSHOP Contents Last updated 12/5/2011 Chapter 12: Filters Filter basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
vi USING PHOTOSHOP Contents Last updated 12/5/2011 Chapter 18: 3D Essential 3D concepts and tools (Photoshop Extended) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521 3D panel settings (Photoshop Extended) .
1 Last updated 12/5/2011 Chapter 1: What’s new Companion apps for Photoshop 12.0.4 or later Mix color swatches, select and manage Photoshop tools, and paint watercolor images using three iPad apps. See “ Using Adobe Color Lava ” on page 7, “ Using Adobe Nav ” on page 4, and “ Using Adobe Eazel ” on page 9.
2 USING PHOTOSHOP What’s new Last updated 12/5/2011 Streamlined creative reviews Collaborate with colleagues and quickly get client feedback with CS Review , an online service that accelerates the review process.
3 Last updated 12/5/2011 Chapter 2: Photoshop companion apps Important: To troubleshoot issues with companion apps, please visit the Adobe companion apps user forum . Phone support is not provided. Ask questions, request features, and report problems at feedback.
4 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 Create a remote connection in Photoshop. 2 In the Service Name field of the Remote Connections dialog box, enter a descriptive name. 3 In the Password field, enter a six-digit password.
5 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 Important: Adobe Nav is available in English, French, German, and Japanese. Other language versions of Photoshop can connect to Adobe Nav, but only in those languages. Adobe Nav requires Photoshop 12.
6 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 • To add, delete, or move tools, tap Edit. Then, do one of the following: • To move a tool, drag it. • To delete a tool, tap the X in the upper-left corner of the tool button. • To add a tool, drag it from the menu at right onto the grid.
7 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 Using Adobe Color Lava Adobe Color Lava for Photoshop lets you create themed color swatches on the iPad. When Adobe Color Lava is connected to Photoshop, you can set Adobe Color Lava swatches as the foreground color.
8 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 Work with swatches in Adobe Color Lava Swatch sets appear on the right side of the Adobe Color Lava app. The active, or selected, swatch is larger than the other four swatches. • To select a swatch, tap it.
9 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 • To rename or delete a theme, tap the Edit button or touch and hold a theme. Then, do one of the following: • Tap the X in the upper-left corner of a theme to delete it. • Tap a theme name to rename it.
10 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 Note: Adobe Eazel automatically detects right and left hands. Brush sample Shows the color, size, and opacity of the current brush. Thumb control Undo, redo, and erase all. Index finger control Choose a color.
11 USING PHOTOSHOP Photoshop companion apps Last updated 12/5/2011 • To change a swatch, drag your index finger to it to select it. Continue to drag to the color wheel or to a color in the artwork on the canvas. Specify stroke size and opacity in Adobe Eazel • To make the brush larger, drag up with your third finger.
12 Last updated 12/5/2011 Chapter 3: Workspace For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Workspace basics For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
13 USING PHOTOSHOP Workspace Last updated 12/5/2011 Default Illustrator workspace A. Tabbed Document windows B. Application bar C. Workspace switcher D.
14 USING PHOTOSHOP Workspace Last updated 12/5/2011 If you are using a Mac and prefer the traditional, free-form user interface, you can turn off the Application frame. In Adobe Illustrator®, for example, select Window > Application Frame to toggle it on or off.
15 USING PHOTOSHOP Workspace Last updated 12/5/2011 Note: In Photoshop you can also choose Window > Arrange > Float in Window to float a single Document window, or Window > Arrange > Float All In Windows to float all of the Document windows at once.
16 USING PHOTOSHOP Workspace Last updated 12/5/2011 Navigator panel now in its own dock You can prevent panels from filling all the space in a dock. Drag the bottom edge of the dock up so it no longer meets the edge of the workspace. Move panels As you move panels, you see blue highlighted drop zones , areas where you can move the panel.
17 USING PHOTOSHOP Workspace Last updated 12/5/2011 Manipulate panel groups • To move a panel into a group, drag the panel’s tab to the highlighted drop zone in the group. Adding a panel to a panel group • To rearrange panels in a group, drag a panel’s tab to a new location in the group.
18 USING PHOTOSHOP Workspace Last updated 12/5/2011 Panels collapsed to icons Panels expanded from icons • To collapse or expand all panel icons in a column, click the double arrow at the top of the dock. • To expand a single panel icon, click it.
19 USING PHOTOSHOP Workspace Last updated 12/5/2011 • (Flash) Choose New Workspace from the workspace switcher in the Application bar. • (Fireworks) Choose Save Current from the workspace switcher in the Application bar. 2 Type a name for the workspace.
20 USING PHOTOSHOP Workspace Last updated 12/5/2011 To rearrange the order of workspaces in the application bar, drag them. Hide tool tips When you position the pointer over most tools and options, descriptions appear in tool tips by default. If you find tool tips visually distracting, you can hide them.
21 USING PHOTOSHOP Workspace Last updated 12/5/2011 Working with sliders About pop-up sliders Some panels, dialog boxes, and options bars contain settings that use pop-up sliders (for example, the Opacity option in the Layers panel). If there is a triangle next to the text box, you can activate the pop-up slider by clicking the triangle.
22 USING PHOTOSHOP Workspace Last updated 12/5/2011 Viewing the Brush pop-up panel in the options bar A. Click to show the pop-up panel. B. Click to view the pop-up panel menu.
23 USING PHOTOSHOP Workspace Last updated 12/5/2011 Display and define menus Display context menus Context menus display commands relevant to the active tool, selection, or panel. They are distinct from the menus across the top of the workspace. Viewing the context menu for the Eyedropper tool 1 Position the pointer over an image or panel item.
24 USING PHOTOSHOP Workspace Last updated 12/5/2011 Choosing a color for a menu item using the Keyboard Shortcuts & Menus dialog box Delete a set of menus 1 Do one of the following: • Choose Edit > Menus. • Choose Window > Workspace > Keyboard Shortcuts & Menus and click the Menu tab.
25 USING PHOTOSHOP Workspace Last updated 12/5/2011 You can view information about any tool by positioning the pointer over it. The name of the tool appears in a tool tip below the pointer.
26 USING PHOTOSHOP Workspace Last updated 12/5/2011 Tool galleries Selection tools gallery Crop and slice tools gallery Retouching tools gallery The marquee tools make rectangular, elliptical, single row, and single column selections. The Move tool moves selections, layers, and guides.
27 USING PHOTOSHOP Workspace Last updated 12/5/2011 Painting tools gallery The Clone Stamp tool paints with a sample of an image. The Pattern Stamp tool paints with part of an image as a pattern. The Eraser tool erases pixels and restores parts of an image to a previously saved state.
28 USING PHOTOSHOP Workspace Last updated 12/5/2011 Drawing and type tools gallery Navigation, notes, and measuring tools gallery The History Brush tool paints a copy of the selected state or snapshot into the current image window.
29 USING PHOTOSHOP Workspace Last updated 12/5/2011 3D tools gallery (Photoshop Extended) The Eyedropper tool samples colors in an image. The Color Sampler tool displays color values for up to four areas. The Ruler tool measures distances, locations, and angles.
30 USING PHOTOSHOP Workspace Last updated 12/5/2011 Selecting and displaying tools Select a tool ❖ Do one of the following: • Click a tool in the Tools panel. If there is a small triangle at a tool’s lower right corner, hold down the mouse button to view the hidden tools.
31 USING PHOTOSHOP Workspace Last updated 12/5/2011 Show Only Crosshair While Painting Improves performance with large brushes. 3 Click OK. The Painting Cursors options control the pointers for the fo.
32 USING PHOTOSHOP Workspace Last updated 12/5/2011 Viewing the Tool Preset picker A. Click the Tool Preset picker in the options bar to show the Tool Preset pop-up panel. B. Select a preset to change the tool’s options to the preset, which applies each time you select the tool until you choose Reset Tool from the panel menu.
33 USING PHOTOSHOP Workspace Last updated 12/5/2011 Viewing images Change the screen mode You can use the screen mode options to view images on your entire screen.
34 USING PHOTOSHOP Workspace Last updated 12/5/2011 You can also use rotate gestures on MacBook computers with multi-touch trackpads. 1 In the toolbox, select the Rotate View tool . (If the tool isn’t visible, hold down the Hand tool.) 2 Do any of the following: • Drag in the image.
35 USING PHOTOSHOP Workspace Last updated 12/5/2011 Navigator panel A. Panel menu button B. Thumbnail display of artwork C. Proxy preview area D. Zoom text box E. Zoom Out button F. Zoom slider G. Zoom In button Zoom in or out Use the Zoom tool or the View menu commands to zoom in or zoom out of an image.
36 USING PHOTOSHOP Workspace Last updated 12/5/2011 Zoom a preset amount ❖ Do any of the following: • Select the Zoom tool , and click either the • Zoom In • or • Zoom Out • button in the options bar. Then, click the area you want to zoom in or out.
37 USING PHOTOSHOP Workspace Last updated 12/5/2011 The area inside the zoom marquee is displayed at the highest possible magnification. To move the marquee around the artwork in Photoshop, begin dragging a marquee and then hold down the spacebar.
38 USING PHOTOSHOP Workspace Last updated 12/5/2011 View images in multiple windows The document window is where your images appear. You can open multiple windows to display different images or different views of the same one. A list of open windows appears in the Window menu.
39 USING PHOTOSHOP Workspace Last updated 12/5/2011 3 Choose Window > Arrange > Match All. Without Match All command (top), and with Match All command (bottom) selected 4 Select the Zoom tool or the Hand tool. 5 Select one of the images, hold down the Shift key, and click in or drag an area of an image.
40 USING PHOTOSHOP Workspace Last updated 12/5/2011 • Depending on the options selected, the Info panel displays status information, such as document size, document profile, document dimensions, scratch sizes, efficiency, timing, and current tool.
41 USING PHOTOSHOP Workspace Last updated 12/5/2011 Clicking an eyedropper icon and choosing a readout mode from the pop-up menu 4 For Ruler Units, choose a unit of measurement. 5 Under Status information, select from the following to display file information in the Info panel: Document Sizes Displays information on the amount of data in the image.
42 USING PHOTOSHOP Workspace Last updated 12/5/2011 File information view options when Version Cue is enabled 2 Choose a view option from the pop-up menu: Note: If you have Version Cue enabled, choose from the Show submenu. Version Cue Displays the Version Cue workgroup status of your document, such as open, unmanaged, unsaved, and so forth.
43 USING PHOTOSHOP Workspace Last updated 12/5/2011 To show or hide rulers, choose View > Rulers. Change a ruler’s zero origin 1 (Optional) Choose View > Snap To, then choose any combination of options from the submenu. This snaps the ruler origin to guides, slices, or document bounds.
44 USING PHOTOSHOP Workspace Last updated 12/5/2011 Image Size , and Canvas Size commands let you specify image width in terms of columns. Using columns is convenient when you plan to import an image into a page-layout program, such as Adobe InDesign®, and you want the image to fit exactly within a certain number of columns.
45 USING PHOTOSHOP Workspace Last updated 12/5/2011 Smart Guides help you align shapes, slices, and selections. They appear automatically when you draw a shape, or create a selection or slide. You can hide Smart Guides if you need to. The grid is useful for laying out elements symmetrically.
46 USING PHOTOSHOP Workspace Last updated 12/5/2011 • Hold down Shift and drag from the horizontal or vertical ruler to create a guide that snaps to the ruler ticks. The pointer changes to a double-headed arrow when you drag a guide. 3 (Optional) If you want to lock all guides, choose View > Lock Guides.
47 USING PHOTOSHOP Workspace Last updated 12/5/2011 Specify what to snap to ❖ Choose View > Snap To, and choose one or more options from the submenu: Guides Snaps to guides. Grid Snaps to the grid. You cannot select this option when the grid is hidden.
48 USING PHOTOSHOP Workspace Last updated 12/5/2011 Each type of library has its own file extension and default folder. Preset files are installed on your computer inside the Presets folder in the Adobe Photoshop application folder. To open the Preset Manager, choose Edit > Preset Manager.
49 USING PHOTOSHOP Workspace Last updated 12/5/2011 • If the Preset Manager currently displays presets as thumbnails, double-click a preset, enter a new name, and click OK. • If the Preset Manager currently displays presets as a list or text only, double-click a preset, enter a new name inline, and press Enter (Windows) or Return (Mac OS).
50 USING PHOTOSHOP Workspace Last updated 12/5/2011 b In the View tab, under Hidden files and folders, select Show hidden files and folders. c Click OK.
51 USING PHOTOSHOP Workspace Last updated 12/5/2011 Plug-ins About plug-in modules Plug-in modules are software programs developed by Adobe Systems and by other software developers in conjunction with Adobe Systems to add features to Photoshop. A number of importing, exporting, and special-effects plug-ins come with your program.
52 USING PHOTOSHOP Workspace Last updated 12/5/2011 • (Mac OS) Choose Photoshop > About Plug-in, and then choose a plug-in from the submenu. Undo and history Use the Undo or Redo commands The Undo and Redo commands let you undo or redo operations.
53 USING PHOTOSHOP Workspace Last updated 12/5/2011 3 Click OK. Using the History panel You can use the History panel to jump to any recent state of the image created during the current working session. Each time you apply a change to an image, the new state of that image is added to the panel.
54 USING PHOTOSHOP Workspace Last updated 12/5/2011 • If you select a state and then change the image, eliminating the states that came after, you can use the Undo command to undo the last change and restore the eliminated states. • By default, deleting a state deletes that state and those that came after it.
55 USING PHOTOSHOP Workspace Last updated 12/5/2011 2 Select an option: Automatically Create First Snapshot Automatically creates a snapshot of the initial state of the image when the document is opened. Automatically Create New Snapshot When Saving Generates a snapshot every time you save.
56 USING PHOTOSHOP Workspace Last updated 12/5/2011 Detailed Includes the text that appears in the Actions panel in addition to the Concise information.
57 USING PHOTOSHOP Workspace Last updated 12/5/2011 • To rename a snapshot, double-click the snapshot and enter a name. • To delete a snapshot, select the snapshot and either choose Delete from the panel menu, click the Delete icon , or drag the snapshot to the Delete icon.
58 USING PHOTOSHOP Workspace Last updated 12/5/2011 The following guidelines can help you assign scratch disks: • For best performance, scratch disks should be on a different drive than any large files you are editing. • Scratch disks should be on a different drive than the one your operating system uses for virtual memory.
59 USING PHOTOSHOP Workspace Last updated 12/5/2011 If OpenGL is present on your system, you can enable it in the Preferences dialog box. 1 Do one of the following: • (Windows) Choose Edit > Preferences > Performance. • (Mac OS) Choose Photoshop > Preferences > Performance.
60 Last updated 12/5/2011 Chapter 4: Understanding and opening images For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
61 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 You can freely move or modify vector graphics without losing detail or clarity, because they are resolution- independent—they maintain crisp edges when resized, printed to a PostScript printer, saved in a PDF file, or imported into a vector-based graphics application.
62 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 More Help topics “ About masks and alpha channels ” on page 236 “ About spot colors ” on page 458 Bit depth Bit depth specifies how much color information is available for each pixel in an image.
63 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Image size and resolution For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
64 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Pixel dimensions equal document (output) size times resolution. A. Original dimensions and resolution B. Decreasing the resolution without changing pixel dimensions (no resampling) C.
65 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 About monitor resolution Your monitor’s resolution is described in pixel dimensions. For example, if your monitor resolution and your photo’s pixel dimensions are the same size, the photo will fill the screen when viewed at 100%.
66 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Screen frequency examples A. 65 lpi: Coarse screen typically used to print newsletters and grocery coupons B. 85 lpi: Average screen typically used to print newspapers C. 133 lpi: High-quality screen typically used to print four-color magazines D.
67 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Keep in mind that resampling can result in poorer image quality. For example, when you resample an image to larger pixel dimensions, the image loses some detail and sharpness. Applying the Unsharp Mask filter to a resampled image can help refocus the image details.
68 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 7 dialog box, with the old file size in parentheses. 8 Make sure that Resample Image is selected, and choose an interpolation method. 9 If your image has layers with styles applied to them, select Scale Styles to scale the effects in the resized image.
69 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Determine a suggested resolution for an image If you plan to print your image using a halftone screen, the range of suitable image resolutions depends on the screen frequency of your output device.
70 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Import images from a digital camera using WIA (Windows only) Certain digital cameras import images using Windows Image Acquisition (WIA) support.
71 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Import images using a TWAIN interface TWAIN is a cross-platform interface for acquiring images captured by certain scanners, digital cameras, and frame grabbers. 1 Install the TWAIN software provided by the device manufacturer.
72 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 To match the width, height, resolution, color mode, and bit depth of the new image to that of any open image, choose a filename from the bottom section of the Preset menu. 5 Set the Resolution, Color Mode, and bit depth.
73 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Note: Photoshop uses plug-in modules to open and import many file formats. If a file format does not appear in the Open dialog box or in the File > Import submenu, you may need to install the format’s plug-in module.
74 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Open PDF files Adobe Portable Document Format (PDF) is a versatile file format that can represent both vector and bitmap data. It has electronic document search and navigation features.
75 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 • To scale the pages exactly to the Width and Height values, deselect Constrain Proportions.
76 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Placing files The Place command adds a photo, art, or any Photoshop-supported file as a Smart Object to your document. Smart Objects can be scaled, positioned, skewed, rotated, or warped without degrading the image.
77 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 • Click Cancel in the options bar, or press Esc to cancel the placement. More Help topics “ Scale, rotate, skew, distort,.
78 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Note: If the PDF and the AICB (No Transparency Support) options are turned off in the File Handling & Clipboard preferences of Adobe Illustrator, the art is automatically rasterized as it’s pasted into the Photoshop document.
79 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Merging images of different exposures to create an HDR image A. Image with shadow detail but highlights clipped B.
80 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 • Vary the shutter speed to create different exposures. Changing the aperture changes the depth of field in each exposure and can produce lower-quality results. Changing the ISO or aperture may also cause noise or vignetting in the image.
81 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Options for 16- or 8-bit images HDR images contain luminance levels that far exceed the dynamic range that 16- or 8-bpc images can store. To produce an image with the dynamic range you want, adjust exposure and contrast when converting from 32-bpc to lower bit depths.
82 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Compensate for moving objects If images have different content due to moving objects like cars, people, or foliage, select Remove Ghosts in the Merge To HDR Pro dialog box.
83 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 3 If you chose Exposure And Gamma, move the Exposure and Gamma sliders to adjust the brightness and contrast of the image preview.
84 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Display the HDR Color Picker ❖ With a 32-bpc image open, do one of the following: • In the toolbox, click the foreground or background color selection box. • In the Color panel, click the Set • Foreground Color • or Set • Background Color • selection box.
85 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 When editing or painting on HDR images, you can preview your work at different exposure settings using either the 32-Bit Exposure slider in the document info area or the 32-Bit Preview Options dialog box (View > 32-Bit Preview Options).
86 USING PHOTOSHOP Understanding and opening images Last updated 12/5/2011 Modes RGB Color, Grayscale, conversion to 8 Bits/Channel or 16 Bits/Channel. Pixel Aspect Ratio Support for square and non-square documents. Selections Invert, Modify Border, Transform Selection, Save Selection and Load Selection.
87 Last updated 12/5/2011 Chapter 5: Color fundamentals For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . About color Understanding color Knowing how colors are created and how they relate to each other lets you work more effectively in Photoshop.
88 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Subtractive colors (CMYK) C. Cyan M. Magenta Y. Yellow K. Black The color wheel If you’re new to adjusting color components, it helps to keep a standard color wheel diagram on hand when you work on color balance.
89 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Adobe RGB , sRGB, ProPhoto RGB, and so on. Each device, like your monitor or printer, has its own color space and can only reproduce colors in its gamut.
90 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 RGB Color mode Photoshop RGB Color mode uses the RGB model, assigning an intensity value to each pixel. In 8-bits-per-channel images, the intensity values range from 0 (black) to 255 (white) for each of the RGB (red, green, blue) components in a color image.
91 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 The Lab Color mode has a lightness component (L) that can range from 0 to 100. In the Adobe Color Picker and Color panel, the a component (green-red axis) and the b component (blue-yellow axis) can range from +127 to –128.
92 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 • Color channels in the original image become spot color channels in the converted image. • Converting a CMYK image to Multichannel mode creates cyan, magenta, yellow, and black spot channels.
93 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Convert an image to Bitmap mode Converting an image to Bitmap mode reduces the image to two colors, greatly simplifying the color information in the image and reducing its file size. When converting a color image to Bitmap mode, first convert it to Grayscale mode.
94 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Original grayscale image, and 50% Threshold conversion method Pattern Dither conversion method, and Diffusion Dither conversion method Convert a Bitmap mode image to Grayscale mode You can convert a Bitmap mode image to Grayscale mode in order to edit it.
95 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Conversion options for indexed-color images When converting an RGB image to indexed color, you can specify a number of conversion options in the Indexed Color dialog box. Palette Type A number of palette types are available for converting an image to indexed color.
96 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 • Previous Uses the custom palette from the previous conversion, making it easy to convert several images with the same custom palette.
97 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Edit colors and assign transparency with a color table You can edit colors in the color table to produce special effects, or assign transparency in the image to a single color in the table. 1 Open the indexed-color image.
98 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Spectrum Displays a palette based on the colors produced as white light passes through a prism—from violet, blue, and green to yellow, orange, and red. System (Mac OS) Displays the standard Mac OS 256-color system palette.
99 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Choose colors in the toolbox The current foreground color appears in the upper color selection box in the toolbox; the current background color appears in the lower box. Foreground and background color boxes in toolbox A.
100 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 5 Do one of the following: • To select a new foreground color, click in the image. Alternatively, position the pointer over the image, press the mouse button, and drag anywhere on the screen.
101 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 More Help topics “ About the HDR Color Picker ” on page 83 Display the Color Picker • In the toolbox, click the foreground or background color selection box. • In the Color panel, click the Set • Foreground Color • or Set • Background Color • selection box.
102 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 2 To visually select a color using the color slider and color field, click either R, G, or B and then adjust the slider and color field. The color you click appears in the color slider with 0 (none of that color) at the bottom and 255 (maximum amount of that color) at the top.
103 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Choosing color with HUD picker A. Shade B. Hue To instead select a color from the image, hold down Alt (Windows) or Option (Mac OS) to access the Eyedropper tool.
104 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 • Current Colors to display the spectrum of colors between the current foreground color and the current background color.
105 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Change a non-web color to a web-safe color If you select a non-web color, an alert cube appears next to the color rectangle in the Adobe Color Picker. ❖ Click the alert cube to select the closest web color.
106 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 3 Locate the color you want by entering the ink number or by dragging the triangles along the scroll bar.
107 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 For more information, see your operating system documentation. Add and delete color swatches Color swatches can be added or deleted from the Swatches panel. You can also add a color swatch from the Color Picker by clicking the Add To Swatches button.
108 USING PHOTOSHOP Color fundamentals Last updated 12/5/2011 Replace Swatches Replaces the current list with a different library. Select the library file you want to use, and click Load. Photoshop gives your the option of saving the current set of swatches before replacing them.
109 Last updated 12/5/2011 Chapter 6: Color and tonal adjustments For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
110 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Histogram panel (Expanded view) A. Channel menu B. panel menu C. Uncached Refresh button D. Cached Data Warning icon E. Statistics Adjust the view of the Histogram panel ❖ Choose a view from the Histogram panel menu.
111 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 View a specific channel in the histogram If you chose the Expanded View or All Channels View of the Histogram panel, you can choose a setting from the Channel menu.
112 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Cache Level Shows the current image cache used to create the histogram. When the cache level is higher than 1, the histogram is displayed faster. In this case, the histogram is derived from a representative sampling of pixels in the image (based on the magnification).
113 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 • Choose Uncached Refresh from the Histogram panel menu. For information about cache level, see “ Histogram panel overview ” on page 109. View color values in an image You can use the Info panel to see the color value of pixels as you make color corrections.
114 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 View color information while adjusting color You can view color information for specific pixels in the image while adjusting color with an adjustment dialog box or the Adjustments panel.
115 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Understanding color adjustments Before making color and tonal adjustments The powerful tools in Photoshop can enhance, repair, and correct the color and tonality (lightness, darkness, and contrast) in an image.
116 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Begin tonal corrections by adjusting the values of the extreme highlight and shadow pixels in the image, setting an overall tonal range for the image. This process is known as setting the highlights and shadows or setting the white and black points .
117 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 The Adjustments panel For a video on the Adjustments panel, see www.adobe.com/go/lrvid4002_ps . Apply a correction using the Adjustments panel 1 In the Adjustments panel, click an adjustment icon or an adjustment preset, or choose an adjustment from the panel menu.
118 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Save and apply presets using the Adjustments panel The Adjustments panel has a list of presets for common color and tonal adjustments. In addition, you can save and apply presets for Levels, Curves, Exposure, Hue/Saturation, Black & White, Channel Mixer, and Selective Color.
119 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Selective Color command Adjusts the amount of process colors in individual color components. See “ Make selective color adjustments ” on page 145. Channel Mixer command Modifies a color channel and makes color adjustments not easily done with other color adjustment tools.
120 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Reapply adjustment settings Once an adjustment setting is saved, it’s stored as a preset and can be reapplied. • In the Adjustments panel, expand a set of adjustment presets and select from the menu list.
121 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Photoshop automatically brings all colors into gamut when you convert an RGB image to CMYK.
122 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Levels dialog box A. Shadows B. Midtones C. Highlights D. Apply Auto Color Correction Adjust tonal range using Levels The outer two Input Levels sliders map the black point and white point to the settings of the Output sliders.
123 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Adjusting black and white points with Levels Input sliders 5 (Optional) To identify areas in the image that are being clipped (co.
124 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: You can also choose Image > Adjustments > Levels. But keep in mind that this method makes direct adjustments to the image layer and discards image information. Settings are adjusted in the Levels dialog box.
125 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Default Curves settings for CMYK and RGB images A. Default orientation of CMYK tonal output bar B. CMYK Input and Output values in percentages C. Default orientation of CMYK tonal input bar D.
126 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Adjust color and tonality with Curves You can adjust the tonality and color of an image by changing the shape of the curve in the Curves adjustment.
127 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 With the On-image adjustment tool selected, click three areas of an image to add points to the curve. Increased image contrast resulting from lightening the highlights and darkening displayed by an S-curve.
128 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 2 To preview clipping as you adjust black and white points, do one of the following: • Hold down Alt (Windows) or Option (Mac OS) as you drag the sliders.
129 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 2 Click the Levels or Curves icon in the Adjustments panel, or choose Layer > New Adjustment Layer, and then choose Levels or Curves. Note: You can also choose Image > Adjustments, and then choose Level or Curves.
130 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Color wheel A. Saturation B. Hue You can also select the On-image adjustment tool in the Adjustments panel and then Ctrl-click (Windows) or Command-click (Mac OS) on a color in the image.
131 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 • Drag the center area to move the entire adjustment slider (which includes the triangles and vertical bars) to select a different color area. • Drag one of the vertical white bars to adjust the range of the color component.
132 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Adjust color saturation using Vibrance Vibrance adjusts the saturation so that clipping is minimized as colors approach full saturation. This adjustment increases the saturation of less-saturated colors more than the colors that are already saturated.
133 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Color Sliders Adjust the gray tones of specific colors in an image. Drag a slider left to darken or right to lighten the gray tones of an image’s original color. • To adjust a particular color component, select the On-image adjustment tool and then click in the image.
134 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: To increase shadow detail in an otherwise well-exposed image, try values in the 0-25% range for Shadows Amount and Shadows Tonal Width.
135 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 not to make the clipping values too large, because doing so reduces detail in the shadows or highlights (the intensity values are clipped and rendered as pure black or pure white).
136 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: You can also choose Image > Adjustments > Exposure. But keep in mind that this method makes direct adjustments to the image layer and discards image information. Adjustment layers for 32-bit images are available in Photoshop Extended only.
137 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Using Levels to preserve highlight and shadow details for printing The Output Levels sliders let you set the shadow and highlight levels to compress the image into a range less than 0 to 255.
138 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 4 To assign highlight values to the lightest area of the image, double-click the Set White Point Eyedropper tool in the Levels or Curves adjustment to display the Color Picker. Enter the values you want to assign to the lightest area in the image, and click OK.
139 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Matching, replacing, and mixing colors Match the color in different images The Match Color command matches colors between multiple images, between multiple layers, or between multiple selections.
140 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 7 To adjust the color saturation in the target image, adjust the Color Intensity slider. Alternatively, enter a value in the Color Intensity box. The maximum value is 200, the minimum is 1 (which produces a grayscale image), and the default is 100.
141 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Remove a color cast with Match Color The Match Color command can adjust the brightness, color saturation, and color balance in an image. The advanced algorithms in the Match Color command give you better control over luminance and color components of the image.
142 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 The selection becomes a mask on the adjustment layer. 3 In the Adjustments panel, change Hue and Saturation settings to replace the object’s color. If original color tints the new color, select Colorize, and readjust settings.
143 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Use the Color Replacement tool The Color Replacement tool paints over a targeted color with a replacement color. While this tool is good for quick edits, it often proves unsatisfactory, particularly with dark colors and black.
144 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 More Help topics “ Save adjustment settings ” on page 119 “ Reapply adjustment settings ” on page 120 Mix color channels 1 In the Channels panel, select the composite color channel.
145 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: You can also choose Image > Adjustments > Channel Mixer. But keep in mind that this method makes direct adjustments to the image layer and discards image information.
146 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: You can also choose Image > Adjustments > Selective Color. But keep in mind that this method makes direct adjustments to the image layer and discards image information.
147 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Warming Filter (81) and Cooling Filter (82) Use light-balancing filters for minor adjustments in the color quality of an image. The Warming Filter (81) makes the image warmer (more yellow), and the Cooling Filter (82) makes the image cooler (bluer).
148 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Note: Use Legacy is automatically selected when editing Brightness/Contrast adjustment layers created with previous versions of Photoshop. 1 Do one of the following: • Click the Brightness/Contrast icon in the Adjustments panel.
149 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 By default, when identifying the lightest and darkest pixels in an image, Auto Contrast clips the white and black pixels by 0.5%—that is, it ignores the first 0.5% of either extreme.
150 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Set Auto adjustment options The Auto Color Correction options control the automatic tone and color corrections available in both Levels and Curves. It also controls the settings for the Auto Tone, Auto Contrast, and Auto Color commands.
151 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 • To save the settings as the default, select Save as Defaults, and then click OK. The next time you access Levels or Curves in the Adjustments panel, you can apply the same setting by clicking the Auto button.
152 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Using the Equalize command The Equalize command redistributes the brightness values of the pixels in an image so that they more evenly represent the entire range of brightness levels.
153 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 Create a two-valued black and white image The Threshold adjustment converts grayscale or color images to high-contrast, black-and-white images. You can specify a certain level as a threshold.
154 USING PHOTOSHOP Color and tonal adjustments Last updated 12/5/2011 2 In the Adjustments panel, specify the gradient fill you want to use: • To choose from a list of gradient fills, click the triangle to the right of the gradient fill.
155 Last updated 12/5/2011 Chapter 7: Retouching and transforming For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
156 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • To scale the marquee, drag a handle. To constrain the proportions, hold down Shift as you drag a corner handle. • To rotate the marquee, position the pointer outside the bounding box (the pointer turns into a curved arrow), and drag.
157 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Steps to transform perspective A. Draw initial cropping marquee B. Adjust cropping marquee to match the object’s edges C. Extend the cropping bounds D. Final image 1 Select the Crop tool and set the crop mode.
158 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 For best results, you should keep 1/8 inch between the images in your scan, and the background (typically the scanner bed) should be a uniform color with little noise. The Crop and Straighten Photos command works best on images with clearly delineated outlines.
159 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Rotating images A. Flip Horizontal B. Original image C. Flip Vertical D. Rotate 90° CCW E. Rotate 180° F. Rotate 90° CW ❖ Choose Image > Image Rotation, and choose one of the following commands from the submenu: 180° Rotates the image by a half-turn.
160 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 4 Choose an option from the Canvas Extension Color menu: • Foreground to fill the new canvas with the current foreground color .
161 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 (Photoshop Extended) For timeline-based animations, the Clone Source panel also has options for specifying the frame relationship between the sample source video/animation frame and the target video/animation frame.
162 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 5 (Optional) In the Clone Source panel, click a clone source button and set an additional sampling point. You can set up to five different sampling sources. The Clone Source panel saves the sampled sources until you close the document.
163 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • To rotate the sample source, enter a degree value or scrub the Rotate The Clone Source icon . • To reset the sample source to its original size and orientation, click the Reset Transform button .
164 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Sampled pixels and healed image 1 Select the Healing Brush tool . 2 Click the brush sample in the options bar and set brush optio.
165 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 If there is a strong contrast at the edges of the area you want to heal, make a selection before you use the Healing Brush tool. The selection should be bigger than the area you want to heal but should precisely follow the boundary of contrasting pixels.
166 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 The create a larger or more precise selection for the Content-Aware option, use the Edit > Fill command. (See “ Content-aware, pattern, or history fills ” on page 321.) 5 Select Sample All Layers in the options bar to sample data from all visible layers.
167 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 2 Do one of the following: • Drag in the image to select the area you want to repair, and select Source in the options bar. • Drag in the image to select the area from which you want to sample, and select Destination in the options bar.
168 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Smudge image areas The Smudge tool simulates the effect you see when you drag a finger through wet paint. The tool picks up color where the stroke begins and pushes it in the direction you drag.
169 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 3 Drag over the part of the image you want to sharpen. More Help topics “ Sharpen filters ” on page 361 “ Blending mode exa.
170 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 More Help topics “ Select a preset brush ” on page 299 Correcting image distortion and noise About lens distortion Barrel distortion is a lens defect that causes straight lines to bow out toward the edges of the image.
171 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Search Criteria Filters the Lens Profiles list. By default, profiles based on image sensor size appear first. To list RAW profiles first, click the pop-up menu , and select Prefer RAW Profiles.
172 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Note: To avoid unintended scaling when adjusting perspective or angle settings, deselect Auto Scale Image on the Auto Correction tab. Scale Adjusts the image scale up or down. The image pixel dimensions aren’t changed.
173 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Luminance noise may be more pronounced in one channel of the image, usually the blue channel.
174 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 For greatest control use the Unsharp Mask (USM) filter or the Smart Sharpen filter to sharpen your images. Although Photoshop also has the Sharpen, Sharpen Edges, and Sharpen More filter options, these filters are automatic and do not provide controls and options.
175 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Sharpen using Unsharp Mask The Unsharp Mask sharpens an image by increasing contrast along the edges in an image. The Unsharp Mask does not detect edges in an image. Instead, it locates pixels that differ in value from surrounding pixels by the threshold you specify.
176 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 4 Drag the Amount slider or enter a value to determine how much to increase the contrast of pixels. For high- resolution printed images, an amount between 150% and 200% is usually recommended.
177 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • With the duplicate channel selected, choose Filter > Stylize > Find Edges. • Choose Image > Adjustments > Invert to invert the image. Find Edges filter applied and image inverted • With the inverted image still selected, choose Filter > Other > Maximum.
178 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Add lens blur Adds blur to an image to give the effect of a narrower depth of field so that some objects in the image stay in focus and others areas are blurred.
179 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 To make a transformation, first select an item to transform and then choose a transformation command. If necessary, adjust the reference point before manipulating the transformation.
180 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Important: You cannot transform the background layer. To transform it, first convert it to a regular layer. • To transform part of a layer, select the layer in the Layers panel, and then select part of the image on that layer.
181 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • If you chose Warp, choose a warp from the Warp Style pop-up menu in the options bar, or to perform a custom warp, drag the control points, a line, or an area within the mesh to change the shape of the bounding box and mesh.
182 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Transform freely The Free Transform command lets you apply transformations (rotate, scale, skew, distort, and perspective) in one continuous operation. You can also apply a warp transformation.
183 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • To cancel the transformation, press Esc or click the Cancel button in the options bar.
184 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • To the manipulate the shape, drag the control points, a segment of the bounding box or mesh, or an area within the mesh. When adjusting a curve, use the control point handles. This is similar to adjusting the handles in the curved segment of a vector graphic.
185 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Expansion Expands or contracts the outer edge of the mesh. Show Mesh Deselect to show only adjustment pins, providing a clearer preview of your transformations. To temporarily hide adjustment pins, press the H key.
186 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Content-aware scaling Resize images and protect content Content-Aware Scale resizes an image without changing important visual content such as people, buildings, animals, and so forth.
187 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Protect Chooses an alpha channel that specifies an area to protect. Protect Skin Tones Attempts to preserve regions that contain skin-tones. 4 Drag a handle on the bounding box to scale the image.
188 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Liquify dialog box A. Toolbox B. Preview image C. Options Magnify or reduce the preview image ❖ Select the Zoom tool in the Liq.
189 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Twirl Clockwise tool Rotates pixels clockwise as you hold down the mouse button or drag. To twirl pixels counterclockwise, hold down Alt (Windows) or Option (Mac OS) as you hold down the mouse button or drag.
190 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 6 Do one of the following: • Click OK to close the Liquify dialog box and apply the changes to the active layer. • Click Cancel to close the Liquify dialog box without applying changes to the layer.
191 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Intersect With Selection Uses only pixels that are selected and currently frozen. Invert Selection Uses selected pixels to invert the current frozen area. Note: If a selection exists, the filter limits the preview and processing to the rectangular area containing that selection.
192 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Remove all distortions ❖ Click the Restore All button in the Reconstruct Option area of the dialog box. This removes distortions even in frozen areas. Reconstruct part of a distorted image 1 Freeze areas you want to keep distorted.
193 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Affine Reconstructs unfrozen areas to match all distortions that exist at the start point, including displacement, rotation, horizontal and vertical scaling, and skew. Work with meshes Using a mesh helps you see and keep track of distortions.
194 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Photoshop Extended users can also measure objects in an image, and export 3D information and measurements to DXF and 3DS formats for use in 3D applications. For a video on using Vanishing Point, see www.
195 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Stamp tool Paints with a sample of the image. Unlike the Clone Stamp tool, the Stamp tool in Vanishing Point can’t clone elements from another image.
196 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 • To copy something in perspective from one Photoshop document to another, first copy the item while in Vanishing Point in one document. When you paste the item in another document while in Vanishing Point, the item’s perspective is preserved.
197 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 5. (Photoshop Extended only) Export 3D information and measurements to DXF or 3DS format. Textures are also exported to 3DS format. For detailed information, see “ Export measurements, textures, and 3D information ” on page 207.
198 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Dragging an edge node to increase the size of a plane to accommodate your edits The bounding box and grid of a perspective plane is normally blue.
199 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 2 (Optional) Do one of the following to change the angle of the newly torn off plane: • With either the Edit Plane tool or Create Plane tool selected, Alt-drag (Windows) or Option-drag (Mac OS) the center edge node on the side that’s opposite from the axis of rotation.
200 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 About selections in Vanishing Point Selections can be helpful when you’re painting or retouching to correct flaws, add elements, or enhance an image.
201 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Copying a selection and moving a selection from one perspective plane to another More Help topics “ Fill selections with anothe.
202 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Note: To select an entire plane, double-click the Marquee tool in the plane. Move selections in Vanishing Point 1 Make a selection in a perspective plane.
203 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 The filled selection becomes a floating selection that you can scale, rotate, move, or clone using the Transform tool, or move or clone using the Marquee tool. Ctrl-dragging (Windows) or Command-dragging (Mac OS) a selection A.
204 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Paste an item into Vanishing Point You can paste an item from the clipboard in Vanishing Point. The copied item can be from the same document or a different one. Once pasted into Vanishing Point, the item becomes a floating selection that you can scale, rotate, move or clone.
205 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 4 Choose a Healing mode: • To paint without blending with the color, lighting, and shading of the surrounding pixels, choose Off. • To paint and blend the strokes with the lighting of the surrounding pixels while retaining the selected color, choose Luminance.
206 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 7 Drag over the area of the image you want to paint. Hold the Shift key down to drag a straight line that conforms to the plane’s perspective. You can also click a point with the Stamp tool and then Shift-click another point to paint a straight line in perspective.
207 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Move a measurement in Vanishing Point In Vanishing Point, you can move a measurement line without changing its orientation (angle) or length. 1 Select the Measure tool. 2 Click anywhere along the length of an existing measurement and drag.
208 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Render grids to Photoshop By default, the Vanishing Point grids are invisible when viewing an image in the Photoshop document window, even though the grids are preserved in the image and appear whenever you launch Vanishing Point.
209 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Keep the camera level Although Photomerge can process slight rotations between pictures, a tilt of more than a few degrees can result in errors when the panorama is assembled. Using a tripod with a rotating head helps maintain camera alignment and viewpoint.
210 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Applying Cylindrical Mapping A. Original B. Cylindrical Mapping applied Spherical Aligns and transforms the images as if they were for mapping the inside of a sphere. If you have taken a set of images that cover 360 degrees, use this for 360 degree panoramas.
211 USING PHOTOSHOP Retouching and transforming Last updated 12/5/2011 Do not include images that cover the top (zenith) or bottom (nadir) of the scene. You’ll add these images later. 3 Select Spherical for the Layout. If you photographed with a fisheye lens, select the Auto layout and Geometric Distortion Correction.
212 Last updated 12/5/2011 Chapter 8: Selecting and masking For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Making selections For detailed instructions, click the links below.
213 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Deselect selections ❖ Do one of the following: • Choose Select > Deselect. • If you are using the Rectangle Marquee tool, the Elliptical Marquee tool, or the Lasso tool, click anywhere in the image outside the selected area.
214 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Dragging a marquee from the corner of an image (left), and from the center of an image (right) by pressing Alt/Option as you dr ag • With the Single Row or Single Column Marquee tool, click near the area you want to select, and then drag the marquee to the exact location.
215 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 3 (Optional) Set feathering and anti-aliasing in the options bar. See “ Soften the edges of selections ” on page 224.
216 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 On an image with well-defined edges, try a higher width and higher edge contrast, and trace the border roughly. On an image with softer edges, try a lower width and lower edge contrast, and trace the border more precisely.
217 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 3 To change the brush tip size, click the Brush pop-up menu in the options bar, and type in a pixel size or drag the slider. Use the Size pop-up menu options to make the brush tip size sensitive to pen pressure or a stylus wheel.
218 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Selection options A. New B. Add To C. Subtract From D. Intersect With 3 In the options bar, specify any of the following: Tolerance Determines the color range of selected pixels. Enter a value in pixels, ranging from 0 to 255.
219 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 4 Position the Eyedropper pointer over the image or preview area, and click to sample the colors you want included. Sampling color 5 Adjust the range of colors selected using the Fuzziness slider or by entering a value.
220 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 7 To preview the selection in the image window, choose a Selection Preview option: None Shows the original image. Grayscale shows white for completely selected pixels, gray for partially selected ones, and black for unselected ones.
221 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 You can apply geometric transformations to change the shape of a selection border. (See “ Apply transformations ” on page 178.
222 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 2 Using any selection tool, do one of the following: • Select the Intersect With Selection option in the options bar, and drag. • Hold down Alt+Shift (Windows) or Option+Shift (Mac OS) and drag over the portion of the original selection that you want to select.
223 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Expand a selection to include areas with similar color Do one of the following: • Choose Select > Grow to include all adjacent pixels falling within the tolerance range specified in the Magic Wand options.
224 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Shift Edge Moves soft-edged borders inward with negative values or outward with positive ones. Shifting these borders inward can help remove unwanted background colors from selection edges.
225 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Selection without feathering and with feathering. A. Selection with no feather, same selection filled with pattern B.
226 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Moving, copying, and deleting selected pixels Move a selection 1 Select the Move tool . 2 Move the pointer inside the selection border, and drag the selection to a new position. If you have selected multiple areas, all move as you drag.
227 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Copy a selection 1 Select the area you want to copy. 2 Choose Edit > Copy, or Edit > Copy Merged. Copy a selection while dragging 1 Select the Move tool , or hold down Ctrl (Windows) or Command (Mac OS) to activate the Move tool.
228 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Using the Paste Into command A. Window panes selected B. Copied image C. Paste Into command D. Layer thumbnails and layer mask in Layers panel E. Pasted image repositioned 4 Select the Move tool , or hold down the Ctrl (Windows) or Command (Mac OS) key to activate the Move tool.
229 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 More Help topics “ About Smart Objects ” on page 275 “ About file compression ” on page 426 “ Remove fringe pixels from a sel.
230 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Deleting a selection on a background layer replaces the original color with the background color. Deleting a selection on a standard layer replaces the original color with layer transparency.
231 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Resize or hide channel thumbnails ❖ Choose Panel Options from the Channels panel menu.
232 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 • To edit a channel, select it and then use a painting or editing tool to paint in the image. You can paint on only one channel at a time. Paint with white to add the selected channel’s color at 100% intensity.
233 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 • Choose Select > All, and then choose Edit > Copy. Select the channel in the destination image and choose Edit > Paste. The pasted channel overwrites the existing channel. Split channels into separate images You can split channels of flattened images only.
234 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Delete a channel You may want to delete spot or alpha channels you no longer need before saving an image. Complex alpha channels can substantially increase the disk space required for an image.
235 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 6 For Blending, choose a blending option. For information on the Add and Subtract options, see “ Add and Subtract blending modes ” on page 235 . For information on other blending options, see “ Blending mode descriptions ” on page 312.
236 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Because higher pixel values represent lighter colors, adding channels with overlapping pixels lightens the image. Black areas in both channels remain black (0 + 0 = 0). White in either channel results in white (255 + any value = 255 or greater).
237 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 To save a selection more permanently, you can store it as an alpha channel. The alpha channel stores the selection as an editable grayscale mask in the Channels panel. Once stored as an alpha channel, you can reload the selection at any time or even load it into another image.
238 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Selecting in Standard mode and Quick Mask mode A. Standard mode B. Quick Mask mode C. Selected pixels appear as white in channel thumbnail D.
239 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 5 Click the Standard Mode button in the toolbox to turn off the quick mask and return to your original image.
240 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 2 Paint on the new channel to mask out image areas. Select areas of the image before you create the channel for the mask.
241 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Save a selection to a new channel 1 Select the area or areas of the image you want to isolate. 2 Click the Save Selection button at the bottom of the Channels panel. A new channel appears, named according to the sequence in which it was created.
242 USING PHOTOSHOP Selecting and masking Last updated 12/5/2011 Load a saved selection Note: If you are loading a saved selection from another image, make sure to open it. Also, make sure your destination image is active. 1 Choose Select > Load Selection.
243 Last updated 12/5/2011 Chapter 9: Layers For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Layer basics About layers For a video about layers, see www.adobe.com/go/vid0001 Photoshop layers are like sheets of stacked acetate.
244 USING PHOTOSHOP Layers Last updated 12/5/2011 A special type of layer, called a Smart Object , contains one or more layers of content. You can transform (scale, skew, or reshape) a Smart Object without directly editing image pixels. Or, you can edit the Smart Object as a separate image even after placing it in a Photoshop image.
245 USING PHOTOSHOP Layers Last updated 12/5/2011 Convert background and layers When you create a new image with a white background or a colored background, the bottommost image in the Layers panel is called Background . An image can have only one background layer.
246 USING PHOTOSHOP Layers Last updated 12/5/2011 Opacity Specifies an opacity level for the layer or group. Fill With Mode-Neutral Color Fills the layer with a preset, neutral color. Note: To add currently selected layers to a new group, choose Layer > Group Layers, or Shift-click the New Group button at the bottom of the Layers Panel.
247 USING PHOTOSHOP Layers Last updated 12/5/2011 • Select the Move tool , and drag from the source image to the destination image. The duplicate layer or group appears above the active layer in the Layers panel of the destination image.
248 USING PHOTOSHOP Layers Last updated 12/5/2011 Change transparency preferences 1 In Windows, choose Edit > Preferences > Transparency & Gamut; in Mac OS, choose Photoshop > Preferences > Transparency & Gamut.
249 USING PHOTOSHOP Layers Last updated 12/5/2011 • In the options bar, select Auto Select, then choose Group from the drop-down menu, and click in the document on the content you want to select. The top group containing pixels under the cursor is selected.
250 USING PHOTOSHOP Layers Last updated 12/5/2011 Moving, stacking, and locking layers Change the stack order of layers and groups ❖ Do one of the following: • Drag the layer or group up or down in the Layers panel. Release the mouse button when the highlighted line appears where you want to place the layer or group.
251 USING PHOTOSHOP Layers Last updated 12/5/2011 You can select the layers that you want to move directly in the document window. In the Move tool’s options bar, select Auto Select, the choose Layer from the drop-down menu. Shift-c lick to select multiple layers.
252 USING PHOTOSHOP Layers Last updated 12/5/2011 Bottom Edges Spaces the layers evenly, starting from the bottom pixel of each layer. Left Edges Spaces the layers evenly, starting from the left pixel of each layer. Horizontal Centers Spaces the layers evenly, starting from the horizontal center of each layer.
253 USING PHOTOSHOP Layers Last updated 12/5/2011 Scene Collage Aligns layers and matches overlapping content, without changing the shape of the objects in the image (for example, a circle will still be a circle). Reposition Only Aligns the layers and matches overlapping content, but does not transform (stretch or skew) any of the source layers.
254 USING PHOTOSHOP Layers Last updated 12/5/2011 5 Select the Auto-Blend Objective: Panorama Blends overlapping layers into a panorama image. Stack Images Blends the best details in each corresponding area. This options works best with aligned layers.
255 USING PHOTOSHOP Layers Last updated 12/5/2011 2 Click one or more lock options in the Layers panel. Lock Transparent Pixels Confines editing to the opaque portions of the layer. This option is equivalent to the Preserve Transparency option in earlier versions of Photoshop.
256 USING PHOTOSHOP Layers Last updated 12/5/2011 Shape Rasterizes a shape layer. Fill Content Rasterizes the fill of a shape layer, leaving the vector mask. Vector Mask Rasterizes the vector mask on a layer, turning it into a layer mask. Smart Object Converts a Smart Object into a raster layer.
257 USING PHOTOSHOP Layers Last updated 12/5/2011 Merge and stamp layers When you have finalized the content of layers, you can merge them to reduce the size of your image files. When you merge layers, the data on the top layers replaces any data it overlaps on the lower layers.
258 USING PHOTOSHOP Layers Last updated 12/5/2011 Flatten all layers Flattening reduces file size by merging all visible layers into the background and discarding hidden layers.
259 USING PHOTOSHOP Layers Last updated 12/5/2011 For a video on using blending modes, see www.adobe.com/go/vid0012 . Descriptions and examples of each mode “Blending modes” on page 312 Filling new layers with a neutral color You can’t apply certain filters (such as the Lighting Effects filter) to layers with no pixels.
260 USING PHOTOSHOP Layers Last updated 12/5/2011 4 Choose an option from the Knockout pop-up menu: • Select Shallow to knock out to the first possible stopping point, such as the first layer after the layer group or the base layer of the clipping mask.
261 USING PHOTOSHOP Layers Last updated 12/5/2011 • Select Blend Clipped Layers As Group to apply the blending mode of the base layer to all layers in the clipping mask. Deselecting this option, which is always selected by default, maintains the original blending mode and appearance of each layer in the group.
262 USING PHOTOSHOP Layers Last updated 12/5/2011 • Select an individual color channel (for example, red, green, or blue in an RGB image) to specify blending in that channel. 3 Use the This Layer and Underlying Layer sliders to set the brightness range of the blended pixels—measured on a scale from 0 (black) to 255 (white).
263 USING PHOTOSHOP Layers Last updated 12/5/2011 Apply preset styles You can apply preset styles from the Styles panel. The layer styles that come with Photoshop are grouped into libraries by function. For example, one library contains styles for creating web buttons; another library contains styles adding effects to text.
264 USING PHOTOSHOP Layers Last updated 12/5/2011 Layer Style dialog box. Click a check box to apply the current settings without displaying the effect’s options.
265 USING PHOTOSHOP Layers Last updated 12/5/2011 When you next open the dialog box, your custom defaults are automatically applied. If you adjust settings and want to return to your custom defaults, click Reset To Default. To return to Photoshop’s original defaults, see “ Restore all preferences to default settings ” on page 50.
266 USING PHOTOSHOP Layers Last updated 12/5/2011 Noise Specifies the number of random elements in the opacity of a glow or shadow. Enter a value or drag the slider. Opacity Sets the opacity of the layer effect. Enter a value or drag the slider. Pattern Specifies the pattern of a layer effect.
267 USING PHOTOSHOP Layers Last updated 12/5/2011 Modify layer effects with contours When you create custom layer styles, you can use contours to control the shape of Drop Shadow, Inner Shadow, Inner Glow, Outer Glow, Bevel and Emboss, and Satin effects over a given range.
268 USING PHOTOSHOP Layers Last updated 12/5/2011 Display or hide layer styles When a layer has a style, an “fx” icon appears to the right of the layer’s name in the Layers panel. Hide or show all layer styles in an image ❖ Choose Layer > Layer Style > Hide All Effects or Show All Effects.
269 USING PHOTOSHOP Layers Last updated 12/5/2011 Remove an effect from a style 1 In the Layers panel, expand the layer style to see its effects. 2 Drag the effect to the Delete icon . Remove a style from a layer 1 In the Layers panel, select the layer containing the style you want to remove.
270 USING PHOTOSHOP Layers Last updated 12/5/2011 • Select a style in the Styles area of the Layer Style dialog box. Then choose Rename Style from the pop-up menu, enter a new name, and click OK. • When using a shape or Pen tool, select a style from the Style pop-up panel in the options bar.
271 USING PHOTOSHOP Layers Last updated 12/5/2011 Adjustment and fill layers About adjustment and fill layers An adjustment layer applies color and tonal adjustments to your image without permanently changing pixel values.
272 USING PHOTOSHOP Layers Last updated 12/5/2011 Adjustment and fill layers A. Adjustment layer confined to “Log home” layer only B. Layer thumbnail C. Fill layer D. Layer mask Create an adjustment layer For information on specific adjustment layer options, see “ Color and tonal adjustments ” on page 109.
273 USING PHOTOSHOP Layers Last updated 12/5/2011 Create an adjustment or fill layer mask using a selection or path 1 In the Layers panel, select the layer to which you want to apply the adjustment or fill layer. 2 In the image, create a pixel selection, or create and select a closed path.
274 USING PHOTOSHOP Layers Last updated 12/5/2011 2 Make the desired changes in the Adjustments panel. Note: Inverted adjustment layers do not have editable settings.
275 USING PHOTOSHOP Layers Last updated 12/5/2011 More Help topics “ About adjustment and fill layers ” on page 271 “ Crop images ” on page 155 “ About layer and vector masks ” on page 283.
276 USING PHOTOSHOP Layers Last updated 12/5/2011 Create Smart Objects ❖ Do any of the following: • Choose File > Open As Smart Object, select a file, and click Open. • Choose File > Place to import files as Smart Objects into an open Photoshop document.
277 USING PHOTOSHOP Layers Last updated 12/5/2011 Photoshop updates the Smart Object to reflect the changes you made. (If you don’t see the changes, make the Photoshop document containing the Smart Object active). Replace the contents of a Smart Object You can replace the image data in one Smart Object or multiple linked instances.
278 USING PHOTOSHOP Layers Last updated 12/5/2011 Use filter masks to selectively mask Smart Filter effects. See “ Mask Smart Filters ” on page 279.
279 USING PHOTOSHOP Layers Last updated 12/5/2011 Hide Smart Filters ❖ Do one of the following: • To hide a single Smart Filter, click the eye icon next to the Smart Filter in the Layers panel.
280 USING PHOTOSHOP Layers Last updated 12/5/2011 More Help topics “ Select and display the layer mask channel ” on page 287 “ Load a layer or layer mask’s boundaries as a selection ” on page 289 Mask Smart Filter effects 1 Click the filter mask thumbnail in the Layers panel to make it active.
281 USING PHOTOSHOP Layers Last updated 12/5/2011 Delete a Smart Filter mask • Click the filter mask thumbnail in the Layers panel, then click the Delete icon in the Masks panel. • Drag the filter mask thumbnail in the Layers panel to the Delete icon.
282 USING PHOTOSHOP Layers Last updated 12/5/2011 2 Click the Create New Layer Comp button at the bottom of the Layer Comps panel. The new comp reflects the current state of layers in the Layers panel.
283 USING PHOTOSHOP Layers Last updated 12/5/2011 Delete a layer comp ❖ Do one of the following: • Select the layer comp in the Layer Comps panel and click the Delete icon in the panel, or choose Delete Layer Comp from the panel menu. • Drag it to the Delete icon in the panel.
284 USING PHOTOSHOP Layers Last updated 12/5/2011 Masking layer A. Layer mask thumbnail B. Vector mask thumbnail C. Vector Mask Link icon D. Add Mask You can edit a layer mask to add or subtract from the masked region.
285 USING PHOTOSHOP Layers Last updated 12/5/2011 Add layer masks When you add a layer mask, you can hide or show all of the layer, or base the mask on a selection or transparency. Later, you’ll paint on the mask to precisely hide portions of the layer, revealing the layers beneath.
286 USING PHOTOSHOP Layers Last updated 12/5/2011 4 Do one of the following: • To subtract from the mask and reveal the layer, paint the mask with white. • To make the layer partially visible, paint the mask with gray. Darker grays make the level more transparent, lighter grays make it more opaque.
287 USING PHOTOSHOP Layers Last updated 12/5/2011 Select and display the layer mask channel For easier editing of a layer mask, you can display the grayscale mask by itself or as a rubylith overlay on the layer. ❖ Do one of the following: • Alt-click (Windows) or Option-click (Mac OS) the layer mask thumbnail to view only the grayscale mask.
288 USING PHOTOSHOP Layers Last updated 12/5/2011 • To create a vector mask that hides the entire layer, Alt-click (Windows) or Option-click (Mac OS) the Vector Mask button in the Masks panel, or choose Layer > Vector Mask > Hide All.
289 USING PHOTOSHOP Layers Last updated 12/5/2011 Unlinking layers and masks By default, a layer or group is linked to its layer mask or vector mask, as indicated by the link icon between the thumbnails in the Layers panel. The layer and its mask move together in the image when you move either one with the Move tool .
290 USING PHOTOSHOP Layers Last updated 12/5/2011 Mask layers with clipping masks A clipping mask lets you use the content of a layer to mask the layers above it.
291 USING PHOTOSHOP Layers Last updated 12/5/2011 Combine multiple images into a group portrait You can use the Auto-Align Layers command from the Edit menu to make a composite photo from a pair of nearly identical images that may contain some unwanted areas.
292 Last updated 12/5/2011 Chapter 10: Painting For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Painting tools For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
293 USING PHOTOSHOP Painting Last updated 12/5/2011 Note: The Rotation tool rotates the canvas, which can facilitate easier painting. See “ Use the Rotate View tool ” on page 33. 1 Choose a foreground color. (See “ Choose colors in the toolbox ” on page 99.
294 USING PHOTOSHOP Painting Last updated 12/5/2011 Increasing paint wetness A. 0% B. 100% Load Specifies the amount of paint loaded in the reservoir. At low load rates, paint strokes dry out more quickly. Increasing load rates A. 1% B. 100% Mix Controls the ratio of canvas paint to reservoir paint.
295 USING PHOTOSHOP Painting Last updated 12/5/2011 Flow Sets the rate at which color is applied as you move the pointer over an area. As you paint over an area, keeping the mouse button down, the amount of color will build up based on the flow rate, up to the opacity setting.
296 USING PHOTOSHOP Painting Last updated 12/5/2011 Example of using the Art History Brush tool A. Original B. Using a small brush C. Using a large brush 1 In the History panel, click the left column of the state or snapshot to use as the source for the Art History Brush tool.
297 USING PHOTOSHOP Painting Last updated 12/5/2011 Change similar pixels with the Magic Eraser tool When you click in a layer with the Magic Eraser tool, the tool changes all similar pixels to transparent. If you’re working in a layer with locked transparency, the pixels change to the background color.
298 USING PHOTOSHOP Painting Last updated 12/5/2011 3 Click the brush sample in the options bar, and set brush options in the pop-up panel: • Choose settings for the Diameter, Hardness, Spacing, Angle, and Roundness options (see “ Standard brush tip shape options ” on page 303).
299 USING PHOTOSHOP Painting Last updated 12/5/2011 • Full Size Brush Tip sizes the cursor to the entire area affected by the brush stroke. For soft brushes, this produces a larger cursor size than the Normal setting, to include the areas of the brush stroke with lighter opacity.
300 USING PHOTOSHOP Painting Last updated 12/5/2011 To dynamically preview brush strokes in the Brush panel, position the pointer over a brush in the Brush Presets panel until the tool tip appears. As you move the pointer over different brushes, the preview area at the bottom of the Brush panel will display sample brush strokes.
301 USING PHOTOSHOP Painting Last updated 12/5/2011 2 Do one of the following in the Brush Presets panel: • Choose New Brush Preset from the panel menu, enter a name for the preset brush, and click OK. • Click the Create New Brush button . Creating and modifying brushes You can create brushes that apply paint to images in a variety of ways.
302 USING PHOTOSHOP Painting Last updated 12/5/2011 Click the check box to the left of the option set to enable or disable the options without viewing them. Create a brush tip from an image 1 Using any selection tool, select the image area you want to use as a custom brush.
303 USING PHOTOSHOP Painting Last updated 12/5/2011 Standard brush tip shape options For standard brush tips, you can set the following options in the Brush panel: Diameter Controls the size of the brush.
304 USING PHOTOSHOP Painting Last updated 12/5/2011 Roundness Specifies the ratio between the brush’s short and long axes. Enter a percentage value, or drag the points in the preview box. A value of 100% indicates a circular brush, a value of 0% indicates a linear brush, and intermediate values indicate elliptical brushes.
305 USING PHOTOSHOP Painting Last updated 12/5/2011 Bristle tip shape options For a video about bristle tips, see www.adobe.com/go/lrvid5009_ps_en Bristle tips let you specify precise bristle characteristics, creating highly realistic, natural-looking strokes.
306 USING PHOTOSHOP Painting Last updated 12/5/2011 Brush stokes without shape dynamics and with shape dynamics Size Jitter and Control Specifies how the size of brush marks vary in a stroke. For more information, see “ Adding brush dynamics ” on page 305.
307 USING PHOTOSHOP Painting Last updated 12/5/2011 More Help topics “ Adding brush dynamics ” on page 305 “ Create a brush and set painting options ” on page 302 Brush scattering Brush scattering determines the number and placement of marks in a stroke.
308 USING PHOTOSHOP Painting Last updated 12/5/2011 Brush strokes without texture (left) and with texture (right) Click the pattern sample, and select a pattern from the pop-up panel. Set one or more of the following options: Invert Inverts the high and low points in the texture based on the tones in the pattern.
309 USING PHOTOSHOP Painting Last updated 12/5/2011 A. Primary brush tip stroke (hard round 55). B. Secondary brush tip stroke (grass). C. Dual brush stroke (using both). Mode Sets a blending mode to use when combining brush marks from the primary tip and the dual tip.
310 USING PHOTOSHOP Painting Last updated 12/5/2011 Hue Jitter Specifies a percentage by which the hue of the paint can vary in a stroke. Type a number, or use the slider to enter a value. A lower value changes the hue while maintaining a close proximity to the hue of the foreground color.
311 USING PHOTOSHOP Painting Last updated 12/5/2011 More Help topics “ Adding brush dynamics ” on page 305 “ Create a brush and set painting options ” on page 302 Other brush options Noise Adds additional randomness to individual brush tips. This option is most effective when applied to soft brush tips (brush tips that contain gray values).
312 USING PHOTOSHOP Painting Last updated 12/5/2011 Blending modes The blending mode specified in the options bar controls how pixels in the image are affected by a painting or editing tool. It’s helpful to think in terms of the following colors when visualizing a blending mode’s effect: • The base color is the original color in the image.
313 USING PHOTOSHOP Painting Last updated 12/5/2011 Overlay Multiplies or screens the colors, depending on the base color. Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the base color.
314 USING PHOTOSHOP Painting Last updated 12/5/2011 Lighter Color Compares the total of all channel values for the blend and base color and displays the higher value color.
315 USING PHOTOSHOP Painting Last updated 12/5/2011 Gradients Apply a gradient fill The Gradient tool creates a gradual blend between multiple colors. You can choose from preset gradient fills or create your own. Note: The Gradient tool cannot be used with bitmap or indexed-color images.
316 USING PHOTOSHOP Painting Last updated 12/5/2011 The Neutral Density preset provides a helpful photographic filter for sunsets and other high-contrast scenes. 4 Select an option to determine how the starting point (where the mouse is pressed) and ending point (where the mouse is released) affect gradient appearance.
317 USING PHOTOSHOP Painting Last updated 12/5/2011 6 Position the pointer in the image where you want to set the starting point of the gradient, and drag to define the ending point. To constrain the line angle to a multiple of 45°, hold down Shift as you drag.
318 USING PHOTOSHOP Painting Last updated 12/5/2011 Gradient Editor overview To display the Gradient Editor dialog box, click the current gradient sample in the options bar. (When you hover over the gradient sample, a tool tip reading “Click to edit gradient” appears.
319 USING PHOTOSHOP Painting Last updated 12/5/2011 8 To adjust the location of the starting point or ending point, do one of the following: • Drag the corresponding color stop left or right to the location you want. • Click the corresponding color stop, and enter a value for Location in the Stops section of the dialog box.
320 USING PHOTOSHOP Painting Last updated 12/5/2011 Create a noise gradient A noise gradient is a gradient that contains randomly distributed colors within the range of colors that you specify. Noise gradient with different roughness values. A. 10% roughness B.
321 USING PHOTOSHOP Painting Last updated 12/5/2011 The tolerance defines how similar in color a pixel must be (to the pixel you click) to be filled. Values can range from 0 to 255. A low tolerance fills pixels within a range of color values very similar to the pixel you click.
322 USING PHOTOSHOP Painting Last updated 12/5/2011 3 From the Use menu, select one of the following: Content-Aware Seamlessly fills the selection with similar image content nearby. For the best results, create a selection that extends slightly into the area you want to replicate.
323 USING PHOTOSHOP Painting Last updated 12/5/2011 To create shape or layer borders that can be turned on or off like overlays and are anti-aliased to create softer-edged corners and edges, use the Stroke layer effect instead of the Stroke command. See “ Layer effects and styles ” on page 262.
324 USING PHOTOSHOP Painting Last updated 12/5/2011 You can create new patterns and save them in libraries for use with different tools and commands. Preset patterns are displayed in pop-up panels in the options bar for the Paint Bucket, Pattern Stamp, Healing Brush, and Patch tools, as well as in the Layer Style dialog box.
325 USING PHOTOSHOP Painting Last updated 12/5/2011 2 Enter a new name for the pattern, and click OK. Delete a preset pattern ❖ Do one of the following: • Select the pattern you want to delete, and choose Delete Pattern from the panel menu.
326 Last updated 12/5/2011 Chapter 11: Drawing For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . About drawing Understanding shapes and paths Drawing in Adobe Photoshop involves creating vector shapes and paths.
327 USING PHOTOSHOP Drawing Last updated 12/5/2011 Fill Pixels Paints directly on a layer—much as a painting tool does. When you work in this mode, you’re creating raster images—not vector graphics. You work with the shapes you paint just as you do with any raster image.
328 USING PHOTOSHOP Drawing Last updated 12/5/2011 Drawing from the corner (left) and drawing from the center (right) Note: Drawing from the center out is the default behavior of the Star tool in Illustrator and the Polygon tool in Illustrator and Photoshop.
329 USING PHOTOSHOP Drawing Last updated 12/5/2011 Draw a custom shape You can draw custom shapes by using shapes from the Custom Shape pop-up panel, or save a shape or path to use as a custom shape. 1 Select the Custom Shape tool . (If the tool isn’t visible, hold down the Rectangle tool near the bottom of the toolbox.
330 USING PHOTOSHOP Drawing Last updated 12/5/2011 • To change stroke width, select the shape layer in the Layers panel, and choose Layer >Layer Style > Stroke. • To modify the outline of a shape, click the shape layer’s vector mask thumbnail in the Layers panel or Paths panel.
331 USING PHOTOSHOP Drawing Last updated 12/5/2011 Unconstrained Lets you set the width and height of a rectangle, rounded rectangle, ellipse, or custom shape by dragging. Weight Determines width, in pixels, for the Line tool. To change stroke width for other shape tools, choose Layer > Layer Style > Stroke.
332 USING PHOTOSHOP Drawing Last updated 12/5/2011 Note: The first segment you draw will not be visible until you click a second anchor point. (Select the Rubber Band option in Photoshop to preview path segments.) Also, if direction lines appear, you’ve accidentally dragged the Pen tool; choose Edit > Undo, and click again.
333 USING PHOTOSHOP Drawing Last updated 12/5/2011 4 Position the Pen tool where you want the curve segment to end, and do one of the following: • To create a C-shaped curve, drag in a direction opposite to the previous direction line. Then release the mouse button.
334 USING PHOTOSHOP Drawing Last updated 12/5/2011 For a video on using the Pen tool in Illustrator, see www.adobe.com/go/vid0037 . Finish drawing a path ❖ Complete a path in one of the following ways: • To close a path, position the Pen tool over the first (hollow) anchor point.
335 USING PHOTOSHOP Drawing Last updated 12/5/2011 Draw curves followed by straight lines 1 Using the Pen tool, drag to create the first smooth point of the curved segment, and release the mouse button. 2 Reposition the Pen tool where you want the curved segment to end, drag to complete the curve, and release the mouse button.
336 USING PHOTOSHOP Drawing Last updated 12/5/2011 More Help topics “ Path segments, components, and points ” on page 339 Draw using the magnetic pen options The Magnetic Pen is an option of the Freeform Pen tool that lets you draw a path that snaps to the edges of defined areas in your image.
337 USING PHOTOSHOP Drawing Last updated 12/5/2011 • Hold down Alt (Windows) or Option (Mac OS), and double-click to close the path with a straight segment. Managing paths Paths panel overview The Paths panel (Window > Paths) lists the name and a thumbnail image of each saved path, the current work path, and the current vector mask.
338 USING PHOTOSHOP Drawing Last updated 12/5/2011 3 Draw additional path components if desired. You can easily switch between drawing tools by clicking a tool button in the options bar. Choose a path area option to determine how overlapping path components intersect: Add To Path Area Adds the new area to overlapping path areas.
339 USING PHOTOSHOP Drawing Last updated 12/5/2011 Editing paths Path segments, components, and points A path consists of one or more straight or curved segments. Anchor points mark the end points of the path segments. On curved segments, each selected anchor point displays one or two direction lines , ending in direction points .
340 USING PHOTOSHOP Drawing Last updated 12/5/2011 Separate path components selected Select a path Selecting a path component or path segment displays all of the anchor points on the selected portion, including any direction lines and direction points if the selected segment is curved.
341 USING PHOTOSHOP Drawing Last updated 12/5/2011 Adjust path segments You can edit a path segment at any time, but editing existing segments is slightly different from drawing them. Keep the following tips in mind when editing segments: • If an anchor point connects two segments, moving that anchor point always changes both segments.
342 USING PHOTOSHOP Drawing Last updated 12/5/2011 Drag the anchor point, or drag the direction point. Note: You can also apply a transformation, such as scaling or rotating, to a segment or anchor point.
343 USING PHOTOSHOP Drawing Last updated 12/5/2011 In InDesign, you can also use the Pathfinder panel to join paths. To close the path of an open path, select the path and click Close Path in the Pathfinder panel. To close the end points between two paths, select the paths and click Join Path.
344 USING PHOTOSHOP Drawing Last updated 12/5/2011 Dragging a path to a new location Note: If you drag a path so that the move pointer is over another open image, the path is copied to that image. Reshape a path component 1 Select the path name in the Paths panel, and use the Direct Selection tool to select an anchor point in the path.
345 USING PHOTOSHOP Drawing Last updated 12/5/2011 Delete a path component 1 Select the path name in the Paths panel, and click a path component with the Path Selection tool . 2 Press Backspace (Windows) or Delete (Mac OS) to delete the selected path component.
346 USING PHOTOSHOP Drawing Last updated 12/5/2011 3 To add an anchor point, position the pointer over a path segment and click. To delete an anchor point, position the pointer over an anchor point and click. In Illustrator, you can add anchor points to a path by selecting the object and choosing Object > Path > Add Anchor Points.
347 USING PHOTOSHOP Drawing Last updated 12/5/2011 • To convert a smooth point to a corner point with independent direction lines, drag either direction point.
348 USING PHOTOSHOP Drawing Last updated 12/5/2011 4 Select an Operation option: New Selection Selects only the area defined by the path. Add To Selection Adds the area defined by the path to the original selection. Subtract From Selection Removes the area defined by the path from the current selection.
349 USING PHOTOSHOP Drawing Last updated 12/5/2011 Important: When you fill a path, the color values appear on the active layer. Make sure that a standard or background layer is active before completing the steps below. (You cannot fill a path when a mask, text, fill, adjustment, or Smart Object layer is active.
350 USING PHOTOSHOP Drawing Last updated 12/5/2011 Path selected (left) and stroked (right) Stroke a path using the current Stroke Path options 1 Select the path in the Paths panel.
351 Last updated 12/5/2011 Chapter 12: Filters For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
352 USING PHOTOSHOP Filters Last updated 12/5/2011 Apply a filter from the Filter menu You can apply a filter to the active layer, or to a Smart Object.
353 USING PHOTOSHOP Filters Last updated 12/5/2011 Filter Gallery dialog box A. Preview B. Filter category C. Thumbnail of selected filter D. Show/Hide filter thumbnails E. Filters pop-up menu F. Options for selected filter G. List of filter effects to apply or arrange H.
354 USING PHOTOSHOP Filters Last updated 12/5/2011 • To apply a filter non-destructively, so you can change your filter settings later, select the Smart Object that contains the image content that you want to filter. 2 Choose Filter > Filter Gallery.
355 USING PHOTOSHOP Filters Last updated 12/5/2011 Tips for creating special effects Creating edge effects You can use various techniques to treat the edges of an effect applied to only part of an image. To leave a distinct edge, simply apply the filter.
356 USING PHOTOSHOP Filters Last updated 12/5/2011 Filter effects reference Note: Complete information on using some filters is available in other sections. Search Adobe Help for information on the sharpening, blurring, Lens Correction, Lens Blur, Note: Noise Reduction Note: , Liquify, and Vanishing Point filters.
357 USING PHOTOSHOP Filters Last updated 12/5/2011 Blur filters The Blur filters soften a selection or an entire image, and are useful for retouching. They smooth transitions by averaging the pixels next to the hard edges of defined lines and shaded areas in an image.
358 USING PHOTOSHOP Filters Last updated 12/5/2011 Shape Blur Uses the specified kernel to create the blur. Choose a kernel from the list of custom shape presets, and use the radius slider to adjust its size. You can load different shape libraries by clicking the triangle and choosing from the list.
359 USING PHOTOSHOP Filters Last updated 12/5/2011 Ocean Ripple Adds randomly spaced ripples to the surface of the image so that it appears to be underwater. Pinch Squeezes a selection. A positive value up to 100% shifts a selection toward its center; a negative value up to – 100% shifts a selection outward.
360 USING PHOTOSHOP Filters Last updated 12/5/2011 Pixelate filters The filters in the Pixelate submenu sharply define a selection by clumping pixels of similar color values in cells. Color Halftone Simulates the effect of using an enlarged halftone screen on each channel of the image.
361 USING PHOTOSHOP Filters Last updated 12/5/2011 Sharpen filters The Sharpen filters focus blurred images by increasing the contrast of adjacent pixels. Sharpen and Sharpen More Focus a selection and improve its clarity. The Sharpen More filter applies a stronger sharpening effect than does the Sharpen filter.
362 USING PHOTOSHOP Filters Last updated 12/5/2011 Plaster Molds an image from 3D plaster, and then colorizes the result using the foreground and background color.
363 USING PHOTOSHOP Filters Last updated 12/5/2011 Texture filters Use the Texture filters to simulate the appearance of depth or substance, or to add an organic look. Craquelure Paints an image onto a high-relief plaster surface, producing a fine network of cracks that follow the contours of the image.
364 USING PHOTOSHOP Filters Last updated 12/5/2011 Offset Moves a selection a specified horizontal or vertical amount, leaving an empty space at the selection’s original location.
365 USING PHOTOSHOP Filters Last updated 12/5/2011 Defining undistorted areas The Displace, Shear, and Wave filters in the Distort submenu and the Offset filter in the Other submenu let you treat area.
366 USING PHOTOSHOP Filters Last updated 12/5/2011 Apply the Color Halftone filter 1 Choose Filter > Pixelate > Color Halftone. 2 Enter a value in pixels for the maximum radius of a halftone dot, from 4 to 127.
367 USING PHOTOSHOP Filters Last updated 12/5/2011 2 Select the center text box, which represents the pixel being evaluated. Enter the value by which you want to multiply that pixel’s brightness value, from –999 to +999. 3 Select a text box representing an adjacent pixel.
368 USING PHOTOSHOP Filters Last updated 12/5/2011 Exposure Increases (positive values) or decreases (negative values) light. A value of 0 has no effect. Ambience Diffuses the light as if it were combined with other light in a room, such as sunlight or fluorescent light.
369 USING PHOTOSHOP Filters Last updated 12/5/2011 • To increase the light angle, drag the handle to shorten the line. To decrease the light angle, drag to lengthen the line. • To stretch the ellipse or rotate the light, drag one of the handles. Shift-drag to keep the angle constant and change only the size of the ellipse.
370 USING PHOTOSHOP Filters Last updated 12/5/2011 Create, save, or delete a Lighting Effects style ❖ In the Lighting Effects dialog box, do one of the following: • To create a style, choose Default for Style and drag the light bulb icon at the bottom of the dialog box into the preview area.
371 Last updated 12/5/2011 Chapter 13: Type For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
372 USING PHOTOSHOP Type Last updated 12/5/2011 Entering type There are three ways to create type: at a point, inside a paragraph, and along a path. • Point type is a horizontal or vertical line of text that begins where you click in the image. Entering text at a point is a useful way to add a few words to your image.
373 USING PHOTOSHOP Type Last updated 12/5/2011 5 When you finish entering or editing the type, do one of the following: • Click the Commit button in the options bar. • Press the Enter key on the numeric keypad. • Press Ctrl+Enter (Windows) or Command+Return (Mac OS).
374 USING PHOTOSHOP Type Last updated 12/5/2011 • To skew the bounding box, hold down Ctrl (Windows) or Command (Mac OS) and drag one of the middle handles. The pointer turns into an arrowhead . Skewing type using the bounding box • To scale the type as you resize the bounding box, Ctrl-drag (Windows) or Command-drag (Mac OS) a corner handle.
375 USING PHOTOSHOP Type Last updated 12/5/2011 “Line and character spacing” on page 387 “Fonts” on page 383 Specify curly or straight quotes Typographer’s quotes , often called curly quotes or smart quotes, blend in with the curves of the font.
376 USING PHOTOSHOP Type Last updated 12/5/2011 Check and correct spelling When you check the spelling in a document, Photoshop questions any words that aren’t in its dictionary. If a questioned word is spelled correctly, you can confirm its spelling by adding the word to your personal dictionary.
377 USING PHOTOSHOP Type Last updated 12/5/2011 Case Sensitive Searches for a word or words that exactly match the case of the text in the Find What text box. For example, with the Case Sensitive option selected, a search for “PrePress” does not find “Prepress” or “PREPRESS.
378 USING PHOTOSHOP Type Last updated 12/5/2011 2 In the Character panel, set the Vertical Scaling option or the Horizontal Scaling option . Rotate type ❖ Do the following: • To rotate type, select the type layer and use any rotate command or the Free Transform command.
379 USING PHOTOSHOP Type Last updated 12/5/2011 Rasterize type layers Some commands and tools—such as filter effects and painting tools—are not available for type layers. You must rasterize the type before applying the command or using the tool. Rasterizing converts the type layer into a normal layer and makes its contents uneditable as text.
380 USING PHOTOSHOP Type Last updated 12/5/2011 • With a type tool selected, click the Panel button in the options bar. To set an option in the Character panel, choose a value from the pop-up menu on the right side of the option.
381 USING PHOTOSHOP Type Last updated 12/5/2011 Dynamic shortcuts appear in the Character panel menu only when you are entering point or paragraph type, when type is selected, or when the I-beam is in text. Specify type size The type size determines how large the type appears in the image.
382 USING PHOTOSHOP Type Last updated 12/5/2011 • Apply an overlay layer style to the type layer to apply a color, gradient, or pattern on top of the existing color. You can’t apply an overlay layer style selectively; it affects all characters in the type layer.
383 USING PHOTOSHOP Type Last updated 12/5/2011 Apply all caps or small caps You can enter or format type as uppercase characters, either all caps or small caps. When you format text as small caps, Photoshop automatically uses the small-cap characters designed as part of the font, if available.
384 USING PHOTOSHOP Type Last updated 12/5/2011 To make fonts available to Photoshop and other Adobe Creative Suite applications, install them in these system folders: Windows Windows/Fonts Mac OS Lib.
385 USING PHOTOSHOP Type Last updated 12/5/2011 You can choose a font family and style by typing its name in the text box. As you type, the name of the first font or style beginning with that letter appears. Continue typing until the correct font or style name appears.
386 USING PHOTOSHOP Type Last updated 12/5/2011 Regular (left) and OpenType (right) fonts A. Ordinals B. Discretionary ligatures C. Swashes OpenType fonts may include an expanded character set and layout features to provide richer linguistic support and advanced typographic control.
387 USING PHOTOSHOP Type Last updated 12/5/2011 Titling Alternatives Formats characters (usually all in capitals) designed for use in large-size settings, such as titles.
388 USING PHOTOSHOP Type Last updated 12/5/2011 Change the default auto leading percentage 1 Choose Justification from the Paragraph panel menu. 2 For Auto Leading, enter a new default percentage. Kern and track Kerning is the process of adding or subtracting space between specific pairs of characters.
389 USING PHOTOSHOP Type Last updated 12/5/2011 • To automatically adjust the spacing between selected characters based on their shapes, select Optical for the Kerning option in the Character panel.
390 USING PHOTOSHOP Type Last updated 12/5/2011 Formatting paragraphs Format paragraphs For point type, each line is a separate paragraph. For paragraph type, each paragraph can have multiple lines, depending on the dimensions of the bounding box.
391 USING PHOTOSHOP Type Last updated 12/5/2011 Specify alignment You can align type to one edge of a paragraph (left, center, or right for horizontal type; top, center, or bottom for vertical type). Alignment options are available only for paragraph type.
392 USING PHOTOSHOP Type Last updated 12/5/2011 Note: Justification (right, center, and left align, and justify all) for type on a path starts at the insertion point and ends at the end of the path. Adjust word and letter spacing in justified text You can precisely control how Photoshop spaces letters and words and scales characters.
393 USING PHOTOSHOP Type Last updated 12/5/2011 Adjust paragraph spacing 1 Select the paragraphs you want affected, or select a type layer if you want all the paragraphs in that type layer to be affected. If you don’t insert the cursor in a paragraph or select a type layer, the setting applies to new text you create.
394 USING PHOTOSHOP Type Last updated 12/5/2011 Adjust hyphenation automatically The settings you choose for hyphenation affect the horizontal spacing of lines and the aesthetic appeal of type on a page. Hyphenation options determine whether words can be hyphenated and, if so, what breaks are allowable.
395 USING PHOTOSHOP Type Last updated 12/5/2011 Every-line Composer The Every-line Composer considers a network of break points for a range of lines and thus can optimize earlier lines in the paragraph in order to eliminate especially unattractive breaks later on.
396 USING PHOTOSHOP Type Last updated 12/5/2011 Horizontal and vertical type on an open path. Horizontal and vertical type on a closed path created by a shape tool More Help topics “ Understanding s.
397 USING PHOTOSHOP Type Last updated 12/5/2011 Move or flip type along a path ❖ Select the Direct Selection tool or Path Selection tool and position it over the type. The pointer changes to an I-beam with an arrow . • To move text, click and drag the type along the path.
398 USING PHOTOSHOP Type Last updated 12/5/2011 Example of type warped with Fish style. More Help topics “ Warp an item ” on page 183 Warp type 1 Select a type layer. 2 Do one of the following: • Select a type tool, and click the Warp button in the options bar.
399 USING PHOTOSHOP Type Last updated 12/5/2011 Convert type to shapes When you convert type to shapes, the type layer is replaced by a layer with a vector mask. You can edit the vector mask and apply styles to the layer; however, you cannot edit characters in the layer as text.
400 USING PHOTOSHOP Type Last updated 12/5/2011 2 Select the Horizontal Type tool or the Vertical Type tool in the toolbox. 3 Click the Character tab to bring the Character panel to the front or, if the panel isn’t open, choose Window > Character.
401 USING PHOTOSHOP Type Last updated 12/5/2011 Reduce spacing around Asian type characters Tsume reduces the space around a character by a specified percentage value. As a result, the character itself is not stretched or squeezed. Instead, the space between the character’s bounding box and the em box is compressed.
402 USING PHOTOSHOP Type Last updated 12/5/2011 Align Asian characters with mojisoroe Mojisoroe is the alignment of characters in Asian type. When a line of text contains different sizes of characters.
403 USING PHOTOSHOP Type Last updated 12/5/2011 • (Mac OS) From the Input pop-up menu at the right side of the menu bar, choose Show Character Viewer.
404 USING PHOTOSHOP Type Last updated 12/5/2011 Asian OpenType options Additional OpenType options are available, depending on the font. Japanese 78 Substitutes the standard glyph with the jp78-variant glyph. Japanese Expert Substitutes the standard glyph with the expert-variant glyphs.
405 USING PHOTOSHOP Type Last updated 12/5/2011 Mojikumi Set 3, and Mojikumi Set 4 Set kinsoku shori options Kinsoku shori specifies line breaks for Japanese text.
406 USING PHOTOSHOP Type Last updated 12/5/2011 Specify a kinsoku line-breaking option Kinsoku shori or mojikumi must be selected to use the following line-breaking options.
407 Last updated 12/5/2011 Chapter 14: Saving and exporting images For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Saving images Save a file Use the Save command to save changes to the current file or the Save As command to save changes to a different file.
408 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 To copy an image without saving it to your hard disk, use the Duplicate command. To store a temporary version of the image in memory, use the History panel to create a snapshot. File saving options You can set a variety of file saving options in the Save As dialog box.
409 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Save As to Original Folder When saving, defaults to the folder images originated from.
410 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 4 Select the Visible Layers Only option if you want to export only those layers that have visibility enabled in the Layers panel. Use this option if you don’t want all the layers exported.
411 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 11 In the Save 12 For Web 13 & Devices dialog box, select the desired format and change other export settings as desired. 14 Click Device Central. A temporary file with the export settings specified is displayed in the Device Central Emulator tab.
412 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Creative Suite components, including Photoshop, InDesign®, Illustrator®, GoLive®, and Acrobat®.
413 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 13 (Optional) If you want to reuse the PDF save settings, click Save Preset and save your settings as a PDF preset. The new preset appears in the Adobe PDF Preset menu the next time you save a Photoshop PDF file and in any product in the Adobe 14 Creative Suite 15 .
414 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 printing condition for which they are prepared. PDF files created with PDF/X-1a compliance can be opened in Acrobat 4.
415 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 components, see the PDF Integration Guide on the Creative Suite DVD. About PDF/X and PDF/A standards PDF/X and PDF/A standards are defined by the International Organization for Standardization (ISO).
416 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 General options for Adobe PDF You can set the following options in the General section of the Adobe PDF Options dialog box: Description Displays the description from the selected preset, and provides a place for you to edit the description.
417 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 • Bicubic Downsampling To Uses a weighted average to determine pixel color, which usually yields better results than the simple averaging method of downsampling. Bicubic is the slowest but most precise method, resulting in the smoothest gradations.
418 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 dialog box) to the color space of the target output device. Profile Inclusion Policy Determines whether a color profile is included in the file. Output Intent Profile Name Specifies the characterized printing condition for the document.
419 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 • To edit an existing custom preset, select the preset and click Edit. (You can’t edit the default presets.) 3 Set the PDF options. 4 Save your preset by doing one of the following: • In the New PDF Preset or the Edit PDF Preset dialog box, click OK.
420 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 • button, give the preset a new name (if necessary), browse to the destination, and click Save.
421 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 More Help topics “ TIFF ” on page 432 “ About file compression ” on page 426 Save in JPEG format You can use the Save As command to save CMYK, RGB, and grayscale images in JPEG (*.
422 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 command to save RGB, Indexed Color, Grayscale, and Bitmap mode images in PNG format. Note: You can also save an image as one or more PNG files using the Save For Web & Devices command.
423 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Save in Photoshop EPS format Virtually all page-layout, word-processing, and graphics applications accept imported or placed EPS (Encapsulated PostScript) files. To print EPS files, you should use a PostScript printer.
424 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Save in Photoshop DCS format DCS (Desktop Color Separations) format is a version of EPS that lets you save color separations of CMYK or multichannel files. 1 Choose File > 2 Save As 3 , and choose Photoshop DCS 1.
425 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 5 In the BMP Options dialog box, select a file format, specify the bit depth and, if necessary, select Flip Row Order. For more options, click Advanced Modes and specify the BMP options.
426 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 The standard bit depth for images is 8 bits per channel. To achieve greater dynamic range with 16- or 32-bit images, use the foll.
427 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Note: If you save an image in an earlier version of Photoshop, features that version doesn’t support are discarded. 1 Choose Edit > Preferences > File Handling (Windows) or Photoshop > Preferences > File Handling (Mac OS).
428 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 EPS format supports Lab, CMYK, RGB, Indexed Color, Duotone, Grayscale, and Bitmap color modes, and does not support alpha channels.
429 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Digital Negative format (DNG) Digital Negative (DNG) is a file format that contains the raw image data from a digital camera and metadata that defines what the data means.
430 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 JPEG format Joint Photographic Experts Group (JPEG) format is commonly used to display photographs and other continuous- tone images in hypertext markup language (HTML) documents over the World Wide Web and other online services.
431 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Photoshop recognizes two types of PDF files: Photoshop PDF files Created when Preserve Photoshop Editing Capabilities is selected in the Save Adobe PDF dialog box. Photoshop PDF files can contain only a single image.
432 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 The Portable Bit Map format serves as the common language of a large family of bitmap conversion filters including Portable FloatMap (PFM), Portable Graymap (PGM), Portable Pixmap (PPM), and Portable Anymap (PNM).
433 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 More Help topics “ Save large documents ” on page 409 WBMP format WBMP format is the standard format for optimizing images for mobile devices, such as cell phones. WBMP supports 1-bit color, which means that WBMP images contain only black and white pixels.
434 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 In some cases, multiple views exist for the same metadata property. For example, a property may be labeled Author in one view and Creator in another, but both refer to the same underlying property.
435 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 • Clear All • in the options bar. Digimarc copyright protection Note: Digimarc plug-ins require a 32-bit operating system. They are unsupported in 64-bit versions of Windows and Mac OS.
436 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Workflow Digital watermarking should be one of the very last tasks you perform on an image, except for file compression.
437 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Using the Watermark Durability setting The default Watermark Durability setting is designed to strike a balance between watermark durability and visibility in most images. However, you can adjust the Watermark Durability setting yourself to suit the needs of your images.
438 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 3 Save As 4 . 5 In the 6 Save As 7 dialog box, choose the appropriate format from the Format menu. The format you choose depends on the final output for the document. For printing to non-PostScript printers, choose TIFF.
439 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 You may want to use only part of a Photoshop image when printing it or placing it in another application. For example, you may want to use a foreground object and exclude the background.
440 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Printing image clipping paths Sometimes an imagesetter cannot interpret image clipping paths, or an image clipping path is too complex for a printer, resulting in a Limitcheck error or a general PostScript error.
441 USING PHOTOSHOP Saving and exporting images Last updated 12/5/2011 Link or embed a selection or image in an OLE application ❖ Do one of the following: • Copy a selection in Photoshop, and insert it in your OLE container application using the application’s Paste Special command.
442 Last updated 12/5/2011 Chapter 15: Printing For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Printing from Photoshop For detailed instructions, click the links below.
443 USING PHOTOSHOP Printing Last updated 12/5/2011 Monitors display images using light, whereas desktop printers reproduce images using inks, dyes, or pigments. For this reason, a desktop printer can’t reproduce all the colors displayed on a monitor.
444 USING PHOTOSHOP Printing Last updated 12/5/2011 Print dialog box A. Preview print B. Set printer and print job options C. Set paper orientation D. Position and scale image E. Specify prepress output options F. Specify color management and proofing options 2 Select the printer, number of copies, and paper orientation.
445 USING PHOTOSHOP Printing Last updated 12/5/2011 Note: If you get a warning that your image is larger than the printable area of the paper, click Cancel, choose File > Print, and select the Scale To Fit Media box. To make changes to your paper size and layout, click Print Settings, and attempt to print the file again.
446 USING PHOTOSHOP Printing Last updated 12/5/2011 • To achieve the desired scale, select Bounding Box, and drag a bounding box handle in the preview area. Print vector data If an image includes vector graphics, such as shapes and type, Photoshop can send the vector data to a PostScript printer.
447 USING PHOTOSHOP Printing Last updated 12/5/2011 Choose Color Management to display additional options. 5 Select Document. The profile is displayed in parentheses on the same line. 6 For Color Handling, choose Printer Manages Colors. 7 (Optional) Choose a rendering intent for converting colors to the destination color space.
448 USING PHOTOSHOP Printing Last updated 12/5/2011 Let Photoshop determine printed colors If you have a custom color profile for a specific printer, ink, and paper combination, letting Photoshop manage colors may produce better results than letting the printer manage colors.
449 USING PHOTOSHOP Printing Last updated 12/5/2011 Print a hard proof A hard proof (sometimes called a proof print or match print ) is a printed simulation of what your final output on a printing press will look like. A hard proof is produced on an output device that’s less expensive than a printing press.
450 USING PHOTOSHOP Printing Last updated 12/5/2011 Printing images to a commercial printing press Preparing images for press From Photoshop, you can prepare image files for offset lithography, digital printing, gravure, and other commercial printing processes.
451 USING PHOTOSHOP Printing Last updated 12/5/2011 Page marks A. Gradient tint bar B. Label C. Registration marks D. Progressive color bar E. Corner crop mark F. Center crop mark G. Description H. Star target 1 Choose File > Print. 2 Choose Output from the pop-up menu.
452 USING PHOTOSHOP Printing Last updated 12/5/2011 whether your print shop requires film with positive emulsion up, negative emulsion up, positive emulsion down, or negative emulsion down. Background Selects a background color to be printed on the page outside the image area.
453 USING PHOTOSHOP Printing Last updated 12/5/2011 More Help topics “ Save in Photoshop EPS format ” on page 423 Prepare an image with spot channels for printing from another application 1 If the image is a duotone, convert it to Multichannel color mode.
454 USING PHOTOSHOP Printing Last updated 12/5/2011 • Pure cyan and pure magenta spread under each other equally. 1 Choose Edit > 2 Convert To Profile 3 to view the image in the color space of the output device. See Convert document colors to another profile (Photoshop).
455 USING PHOTOSHOP Printing Last updated 12/5/2011 To produce the scan, enter the resulting file size in your scanner settings. Don’t worry about resolution or image dimensions.
456 USING PHOTOSHOP Printing Last updated 12/5/2011 More Help topics “ About spot colors ” on page 458 Modify the duotone curve for a given ink In a duotone image, each ink has a separate curve that specifies how the color is distributed across the shadows and highlights.
457 USING PHOTOSHOP Printing Last updated 12/5/2011 4 Select the desired color in the Color Picker, and click OK. 5 Repeat steps 3 and 4 until you are satisfied with the ink combination.
458 USING PHOTOSHOP Printing Last updated 12/5/2011 Printing spot colors About spot colors Spot colors are special premixed inks used instead of, or in addition to, the process color (CMYK) inks. Each spot color requires its own plate on the press. (Because a varnish requires a separate plate, it is considered a spot color, too.
459 USING PHOTOSHOP Printing Last updated 12/5/2011 5 Enter a name for the spot channel. If you choose a custom color, the channel automatically takes the name of that color. Be sure to name spot colors so they’ll be recognized by other applications reading your file.
460 USING PHOTOSHOP Printing Last updated 12/5/2011 2 Use a painting or editing tool to paint in the image. Paint with black to add more spot color at 100% opacity; paint with gray to add spot color with lower opacity.
461 USING PHOTOSHOP Printing Last updated 12/5/2011 4 To create a trap when knocking out the underlying color, choose Select > Modify > Expand or Contract, depending on whether the overlapping spot color is darker or lighter than the spot color beneath it.
462 Last updated 12/5/2011 Chapter 16: Web graphics For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
463 USING PHOTOSHOP Web graphics Last updated 12/5/2011 When you save rollover images, use a naming convention to distinguish the primary (non-rollover state) image from the secondary (rollover state) image.
464 USING PHOTOSHOP Web graphics Last updated 12/5/2011 • dialog box, click the color swatch or choose Matte > Other. In the Adobe Color Picker, right-click the hexadecimal value, and choose Copy. 2 Open the desired file in an HTML editing application, and choose Edit > Paste.
465 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Slices created with the Slice tool are called user slices ; slices created from a layer are called layer-based slices . When you create a new user slice or layer-based slice, additional auto slices are generated to account for the remaining areas of the image.
466 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Create a slice from a layer A layer-based slice encompasses all the pixel data in the layer. If you move the layer or edit the layer’s content, the slice area automatically adjusts to include the new pixels.
467 USING PHOTOSHOP Web graphics Last updated 12/5/2011 For Web & Devices dialog box uses color adjustments to dim unselected slices. These adjustments are for display purposes only and do not affect the color of the final image. By default, the color adjustment for auto slices is twice the amount of that for user slices.
468 USING PHOTOSHOP Web graphics Last updated 12/5/2011 • Select the Slice Select tool in the Save for Web & Devices dialog box, and click in an auto slice or outside the image area, and drag across the slices you want to select. (Clicking in a user slice and dragging moves the slice.
469 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Note: You cannot divide layer-based slices. 1 Select one or more slices. 2 With the Slice Select tool , click Divide in the options bar. 3 Select Preview in the Divide Slice dialog box to preview the changes.
470 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Combine slices You can combine two or more slices into a single slice. Photoshop determines the dimensions and position of the resulting slice from the rectangle created by joining the outer edges of the combined slices.
471 USING PHOTOSHOP Web graphics Last updated 12/5/2011 More Help topics “ Align objects on different layers ” on page 251 Delete a slice When you delete a user slice or layer-based slice, auto slices are regenerated to fill the document area.
472 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Rename a slice As you add slices to an image, you may find it helpful to rename slices based on their content. By default, user slices are named according to the settings in the Output Settings dialog box.
473 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Specify browser messages and Alt text You can specify what messages appear in the browser. These options are available only for Image slices and appear only in exported HTML files. 1 Select a slice.
474 USING PHOTOSHOP Web graphics Last updated 12/5/2011 Top Aligns the text to the top of the slice area. Baseline Sets a common baseline for the first line of text in cells in the same row (of the resulting HTML table). Each cell in the row must use the Baseline option.
475 Last updated 12/5/2011 Chapter 17: Video and animation For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Video and animation overview About video layers in Photoshop Extended For a video on working with video layers, see www.
476 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Supported video and image sequence formats (Photoshop Extended) In Photoshop Extended, you can open video files and image sequences in the following formats. QuickTime video formats • MPEG-1 (.
477 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Animation panel (frame mode) A. Selects the first frame B. Selects the previous frame C. Plays animation D. Selects the next frame E. Tweens animation frames F. Duplicates selected frames G.
478 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Comments track Choose Edit Timeline Comment from the panel menu to insert a text comment at the current time. Comments appear as icons in the comments track. Move the pointer over these icons to display comments as tool tips.
479 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Show or hide layer properties in the timeline (Photoshop Extended) In Photoshop Extended, as you add layers to a document, they appear as tracks in the timeline. Expand layer tracks to show layer properties that can be animated.
480 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Specify timeline duration and frame rate (Photoshop Extended) When you are working in timeline mode, you can specify the duration and frame rate of a document containing video or animation.
481 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Video preset file size guides A. Action safe area (outer rectangle) B. Title safe area (inner rectangle) Note: If you are creating content for the web or for CD, the title-safe and action-safe margins do not apply to your project because the entire image is displayed in these media.
482 USING PHOTOSHOP Video and animation Last updated 12/5/2011 4:3 frame aspect ratio (left), and wider 16:9 frame aspect ratio (right) Pixel aspect ratio describes the ratio of width to height of a single pixel in a frame. Different video standards use different pixel aspect ratios.
483 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Important: By default, nonsquare pixel documents open with Pixel Aspect Ratio Correction enabled. This setting scales the image so it appears as it would on the nonsquare-pixel output device (usually a video monitor).
484 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Adjust pixel aspect ratio You can create a custom pixel aspect ratio in existing documents, or delete or reset pixel aspect ratios previously assigned to a document.
485 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Before you export a layered Photoshop file for use in After Effects , do the following to reduce preview and rendering time and to avoid problems with importing and updating Photoshop layers.
486 USING PHOTOSHOP Video and animation Last updated 12/5/2011 3 Select a video file and then click Open. You can also open video directly from Bridge: select a video file and then choose File > Open With > Adobe Photoshop.
487 USING PHOTOSHOP Video and animation Last updated 12/5/2011 3 (Optional) Use the control points to scale, rotate, move, or warp the imported content. 4 Click the Commit Transform button in the options bar to place the file. You can also place video directly from Adobe Bridge.
488 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Alpha channel interpretation in video and image sequences Video and image sequences with alpha channels can be straight or premultiplied.
489 USING PHOTOSHOP Video and animation Last updated 12/5/2011 More Help topics “ Paint with the Brush tool or Pencil tool ” on page 292 “ Retouching and repairing images ” on page 160 “ Res.
490 USING PHOTOSHOP Video and animation Last updated 12/5/2011 7 Do any of the following in the Clone Source panel: • To scale or rotate the source that you’re cloning, enter a value for W (width) or H (height), or the rotation in degrees .
491 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Often, you can solve a mismatch by assigning a color profile to the document that corresponds to the imported footage, and leaving the video layer unmanaged. For example, with standard definition video, you can leave the video layer unmanaged and assign the document the SDTV (Rec.
492 USING PHOTOSHOP Video and animation Last updated 12/5/2011 More Help topics “ Importing video files and image sequences (Photoshop Extended) ” on page 485 “ Place a video or image sequence (.
493 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Note: To delete footage in one or more layers, use the Lift Note: Work Area Note: command. To delete a specific duration from all video or animated layers, use the Extract Note: Work Area Note: command.
494 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Layers before applying the Lift Work Area command Layers after applying the Lift Work Area command Extract work area (Photoshop Extended) To delete portions of video and automatically remove the time gap, use the Extract Work Area command.
495 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Original layer before using the Split Layer command Resulting two layers after using the Split Layer command Group layers in a video or animation (Photoshop Extended) As you add more layers to your video or animation, you might want to organize them into a hierarchy.
496 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Note: To rasterize more than one video layer at a time, select the layers in the Layers panel, set the current-time indicator to the frame you want to preserve in the topmost video layer, and then choose Layer > Rasterize > Layers.
497 USING PHOTOSHOP Video and animation Last updated 12/5/2011 • Change layer opacity to make content fade in or out. • Change the blending mode of layers. • Add a style to layers. Photoshop provides tools for keeping characteristics of a layer the same across frames.
498 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Select animation frames Before you can work with a frame, you must select it as the current frame.
499 USING PHOTOSHOP Video and animation Last updated 12/5/2011 More Help topics “ Select animation frames ” on page 498 Unifying layer properties in animation frames The unify buttons (Unify Layer.
500 USING PHOTOSHOP Video and animation Last updated 12/5/2011 6 Select a Paste method: Replace Frames Replaces the selected frames with the copied frames. No new layers are added. The properties of each existing layer in the destination frames are replaced by those of each copied layer.
501 USING PHOTOSHOP Video and animation Last updated 12/5/2011 4 Do one of the following: • Click the Tweens button in the Animation panel. • Select Tween from the Animation panel menu. 5 Specify the layer or layers to be varied in the added frames: All Layers Varies all layers in the selected frame or frames.
502 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Specify a delay time in frame animations You can specify a delay —the time that a frame is displayed—for single frames or for multiple frames in an animation. Delay time is displayed in seconds.
503 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Specify looping in frame animations You select a looping option to specify how many times the animation sequence repeats when played. 1 (Photoshop Extended) Make sure the Animation panel is in frame animation mode.
504 USING PHOTOSHOP Video and animation Last updated 12/5/2011 1. Create a new document. Specify the size and background contents. Make sure the pixel aspect ratio and dimensions are appropriate for the output of your animation. The color mode should be RGB.
505 USING PHOTOSHOP Video and animation Last updated 12/5/2011 9. Add additional layers with content and edit their layer properties as needed. 10. Move or trim the layer duration bar to specify when a layer appears in an animation.
506 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Each layer property has a Time-Vary stopwatch icon that you click to begin animating. When the stopwatch is active for a specific property, Photoshop automatically sets new keyframes whenever you change the current time and the property value.
507 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Move keyframes (Photoshop Extended) 1 Select one or more keyframes. 2 Drag any of the selected keyframe icons to the desired time. (If you selected multiple keyframes, they move as a group and maintain the same time spacing.
508 USING PHOTOSHOP Video and animation Last updated 12/5/2011 6 Paint or add content to the layer in a slightly different position from the content in the previous frame. You can add a blank video frame, duplicate a frame, or delete a frame from the blank video layer by choosing Layer > Video Layers and then choosing the appropriate command.
509 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Onion skinning A. Current frame with one frame after B. Current frame with both one frame before and after C.
510 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Previewing video and animations Preview a frame animation 1 Do one of the following: • Click the Play button in the Animation panel. • Use the spacebar to play and pause the animation.
511 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Previewing video or timeline animations (Photoshop Extended) Your video or animation can be previewed in the document window. Photoshop uses RAM to preview the video or animation during your editing session.
512 USING PHOTOSHOP Video and animation Last updated 12/5/2011 2 With a document open in Photoshop, do one of the following: • If you don’t want to set output options for viewing your document on a device, choose File > Export > Send Video Preview To Device.
513 USING PHOTOSHOP Video and animation Last updated 12/5/2011 By default, the Apply Pixel Aspect Ratio To Preview check box is selected to maintain the image’s pixel aspect ratio.
514 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Flatten frames into layers When you flatten frames into layers, a single layer is created for each frame in a video layer.
515 USING PHOTOSHOP Video and animation Last updated 12/5/2011 More Help topics “ Saving and exporting images ” on page 407 “ Interpret video footage ” on page 487 QuickTime export file formats 3G A file format developed for third-generation mobile devices.
516 USING PHOTOSHOP Video and animation Last updated 12/5/2011 • Optimized For Specifies the intended delivery method if you choose H.264 from the Video Format menu, click Video Options, and select Best Quality. This setting tells the codec how much the data rate can vary above and below the data rate you choose.
517 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Motion Sets the playback frame rate. Specify AVI export settings 1 In the Render Video dialog box, select QuickTime Export and then choose AVI from the pop-up menu. 2 Click the Settings button.
518 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Scan Mode Specifies whether the exported video has interlaced fields or no fields (Progressive Scan). Aspect Ratio Specifies an aspect ratio of 4:3 or 16:9. Preserve Aspect Ratio Using Specifies an option if the movie is scaled to new pixel dimensions.
519 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Image Size menu, choose Custom. Preserve Aspect Ratio Using Specifies an option if the movie needs to be scaled to the new pixel dimensions. Letterbox scales the source proportionally to fit into the clean aperture, adding black bars to the top and bottom or sides as necessary.
520 USING PHOTOSHOP Video and animation Last updated 12/5/2011 Motion Specify the frame rate for your video by choosing the number of frames per second (fps). Some codecs support a specific set of frame rates. Increasing the frame rate may produce smoother motion (depending on the original frame rates of the source clips) but uses more disk space.
521 Last updated 12/5/2011 Chapter 18: 3D For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
522 USING PHOTOSHOP 3D Last updated 12/5/2011 More Help topics “ 3D object and camera tools (Photoshop Extended) ” on page 522 “ 3D panel overview (Photoshop Extended) ” on page 525 “ Creati.
523 USING PHOTOSHOP 3D Last updated 12/5/2011 For tips about each 3D tool, choose Panel Options from the Info panel menu , and select Show Tool Hints. Click a tool, then move the cursor into the image window to view tool details in the Info Panel. 3D camera tools and options A.
524 USING PHOTOSHOP 3D Last updated 12/5/2011 3D Axis with Mesh Rotate tool selected A. Selected tool B. Minimize or maximize 3D Axis C. Move item along axis D. Rotate item E. Compress or elongate item F. Resize item Note: OpenGL must be enabled to display the 3D Axis.
525 USING PHOTOSHOP 3D Last updated 12/5/2011 3D panel settings (Photoshop Extended) 3D panel overview (Photoshop Extended) When you select a 3D layer, the 3D panel shows the components of the associated 3D file. The top section of the panel lists the meshes, materials, and lights in the file.
526 USING PHOTOSHOP 3D Last updated 12/5/2011 Show or hide a 3D mesh or light ❖ Click the eye icon next to the mesh or light entry in the top section of the 3D panel. Note: You cannot turn material display on or off from the 3D panel. To show or hide materials, change the visibility settings for their associated textures in the Layers panel.
527 USING PHOTOSHOP 3D Last updated 12/5/2011 Outlining selected items in the document window A. Materials are surrounded by a colored line B. Meshes by a bounding box 3D Scene settings (Photoshop Extended) Use 3D Scene settings to change render modes, select a texture to paint on, or create cross sections.
528 USING PHOTOSHOP 3D Last updated 12/5/2011 View cross sections You can view a cross section of a 3D model by intersecting it with an invisible plane that slices through the model at any angle and displays content only on one side of the plane. 1 Select Cross Section in the bottom section of the Scenes tab.
529 USING PHOTOSHOP 3D Last updated 12/5/2011 Show or hide a mesh ❖ Click the eye icon next to a mesh name in the top section of the 3D panel. Manipulate individual meshes Use the mesh position tools to move, rotate, or scale a selected mesh without moving the model as a whole.
530 USING PHOTOSHOP 3D Last updated 12/5/2011 To see a thumbnail of a texture map image, hover the mouse over the texture name (for example, Reflection or Illumination). Diffuse The color of the material. The diffuse map can be a solid color or any 2D content.
531 USING PHOTOSHOP 3D Last updated 12/5/2011 Specular The color displayed for specular properties (for example, highlight glossiness and shininess). Ambient Sets the color for ambient light visible on reflective surfaces. This color interacts with the Global Ambient Color for the entire scene.
532 USING PHOTOSHOP 3D Last updated 12/5/2011 Click the material preview to display the preset pop-up panel. 1 In the 3D panel, click the material preview. 2 In the preset pop-up panel, do any of the following: • To apply a preset, double-click a thumbnail preview.
533 USING PHOTOSHOP 3D Last updated 12/5/2011 Create a bump texture map A bump texture map filled with a neutral grayscale value provides more range when painting on the map. 1 In the Tools panel, click the Set 1 Background Color 1 swatch. 2 In the Color Picker, set brightness to 50%, and set R, G, and B values to equal values.
534 USING PHOTOSHOP 3D Last updated 12/5/2011 More Help topics “ Create UV overlays ” on page 539 3D Lights settings (Photoshop Extended) 3D lights illuminate models from different angles, adding realistic depth and shadows.
535 USING PHOTOSHOP 3D Last updated 12/5/2011 To quickly aim a light at a specific area, Alt-click (Windows) or Option-click (Mac OS) in the document window. Pan tool (Spot and point lights only) Moves the light to a different position in the same 3D plane.
536 USING PHOTOSHOP 3D Last updated 12/5/2011 When painting directly on the model, you can choose which underlying texture map to apply paint to. Typically paint is applied to the diffuse texture map, which gives a model material its color properties.
537 USING PHOTOSHOP 3D Last updated 12/5/2011 Set the paint falloff angle When painting on a model, the paint falloff angle controls how much paint is applied to a surface as it curves away from the forward-facing view.
538 USING PHOTOSHOP 3D Last updated 12/5/2011 The areas selected by Select Paintable Areas, and the paintable areas shown in Paint Mask mode, are partially determined by the current Paint Falloff setting. A higher paint falloff setting increases the paintable area, a lower setting decreases the paintable area.
539 USING PHOTOSHOP 3D Last updated 12/5/2011 3 Make the window containing the 3D model active to see the updated texture applied to the model. 4 Close the texture document and save changes. Display or hide a texture You can display and hide a texture to help identify what area of the model the texture is applied to.
540 USING PHOTOSHOP 3D Last updated 12/5/2011 • Fewer Seams minimizes the number of seams that appear on the model. This can produce more stretching or pinching of the texture, depending on the model.
541 USING PHOTOSHOP 3D Last updated 12/5/2011 Creating 3D objects and animations (Photoshop Extended) Create 3D repoussé (Photoshop Extended) The term repoussé describes a metalworking technique in which object faces are shaped and patterned by hammering on the opposite side.
542 USING PHOTOSHOP 3D Last updated 12/5/2011 Scene Settings Lights in the form of a spherical panorama shine onto the object; choose a style of lights from the menu. Render Settings control how object surfaces look. (See “ Select a render preset ” on page 548 .
543 USING PHOTOSHOP 3D Last updated 12/5/2011 Panning hole constraint to increase depth Create internal constraints from selections, work paths, or text 1 Do one of the following: • Create a selection or path that falls entirely within the front surface of a repoussé object.
544 USING PHOTOSHOP 3D Last updated 12/5/2011 To reapply a deleted constraint, click Add Selection or Add Path. Create 3D objects from 2D images (Photoshop Extended) Photoshop can build a variety of basic 3D objects using 2D layers as a starting point.
545 USING PHOTOSHOP 3D Last updated 12/5/2011 Note: You can add your own custom shapes to the shape menu. Shapes are Collada (.dae) 3D model files. To add a shape, place the Collada model file in the PresetsMeshes folder inside the Photoshop program folder.
546 USING PHOTOSHOP 3D Last updated 12/5/2011 • 3D render settings. Change render modes, with the ability to tween transitions between some render modes. For example, change Vertices mode gradually to Wireframe over time, to simulate the sketching-in of a model’s structure.
547 USING PHOTOSHOP 3D Last updated 12/5/2011 Combine 3D and 2D layers (Photoshop Extended) You can combine 3D layers with one or more 2D layers to create composite effects. For example, you can place a model against a background image and change its position or viewing angle to match the background.
548 USING PHOTOSHOP 3D Last updated 12/5/2011 3D rendering and saving (Photoshop Extended) Change 3D render settings (Photoshop Extended) Render settings determine how 3D models are drawn. Photoshop installs several presets with common settings. Customize settings to create your own presets.
549 USING PHOTOSHOP 3D Last updated 12/5/2011 The Two-Sided preset applies only to cross sections, displaying a solid model on one half of the section, and a wireframe on the other. Customize render settings 1 At the top of the 3D panel, click the Scene button .
550 USING PHOTOSHOP 3D Last updated 12/5/2011 Edge options Edge options determine how wireframe lines appear. Edge Style Reflects the Constant, Flat, Solid, and Bounding Box options described for Face Style above. Crease Threshold Adjusts the number of structural lines that appear in the model.
551 USING PHOTOSHOP 3D Last updated 12/5/2011 • Lighting from object reflectance (color bleed). • Reduced noise in soft shadows. Note: A final render can be time-consuming, depending on the model, lighting, and maps in your 3D scene. 1 Make any necessary adjustments to your model, including lighting and shadow effects.
552 Last updated 12/5/2011 Chapter 19: Technical imaging For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . DICOM files (Photoshop Extended) About DICOM files (Photoshop Extended) For a video about DICOM files, see www.
553 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Open a DICOM file (Photoshop Extended) Before you open a DICOM file, you can specify how DICOM frames are opened (as layers, in a grid, or as a 3D volume), and set options (in the DICOM File Import dialog box) that anonymize patient metadata and display overlays.
554 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Photoshop creates a 3D volume of the DICOM frames and places it on a 3D layer in the Layers panel. You can use Photoshop’s 3D position tools to view the 3D volume from any angle, or change render settings to better visualize data.
555 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 White-Black Color Scale Transfer function using a white-black color component. 4 (Optional) To create a custom render mode, click Render Settings in the 3D panel to open the 3D Render Settings dialog box.
556 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 More Help topics “ Export video files or image sequences ” on page 514 “ Creating frame animations ” on page 496 “ Timeline anima.
557 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 4 Click OK in the Measurement Scale dialog box to set the measurement scale on the document.
558 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Add or replace scale markers You can place multiple scale markers in a document, or replace existing markers. Note: Additional scale markers are placed in the same position on the image and can obscure each other, depending on their length.
559 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Note: When you measure with a particular tool, only the data points associated with that tool are displayed in the log, even if other data points are selected.
560 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Integrated Density The sum of the values of the pixels in the selection. This is equivalent to the product of Area (in pixels) and Mean Gray Value. Label Identifies and automatically numbers each measurement as Measurement 1, Measurement 2, and so on.
561 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Display the Measurement Log ❖ Do one of the following: • Choose Analysis > Record Measurements. • Choose Window > Measurement Log. Select rows in the log ❖ Do one of the following: • Click a row in the log to select it.
562 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Export Measurement Log data You can export data from the Measurement Log into a comma-delimited text file. You can open the text file in a spreadsheet application and perform statistical or analytical calculations from the measurement data.
563 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 5 (Optional) To display or hide the count numbers: • Choose View > Show > Count. • Choose View > Extras, View > Show > All, or View > Show > None.
564 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Set up MATLAB and Photoshop Install Photoshop and MATLAB on your computer. Once you have installed Photoshop Extended and MATLAB, you should verify the MATLAB integration.
565 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 3 Choose Desktop Tools > View Source Files. 4 Click the Refresh Start button, then Close, then retry the Help menu. MATLAB commands Typing commands in the MATLAB command line lets you connect and disconnect to Photoshop, and generate pixels viewable in a Photoshop document.
566 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 B Specifies the bit depth: 1, 8, 16, or 32. The default is 8. P Specifies the color profile. The default is the working color space for the specified color mode. The working spaces are specified in the Photoshop Color Settings dialog box.
567 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 The output is a composite image the same size as the original image stack. You may need to experiment with different plug-ins to get the best enhancement for a particular image. To change the rendering effect, choose a different Stack Mode from the submenu.
568 USING PHOTOSHOP Technical imaging Last updated 12/5/2011 Edit an image stack Because an image stack is a Smart Object, you can edit the original images that make up the stack layers at any time. ❖ Choose Layer > Smart Objects > Edit Contents, or double-click the layer thumbnail.
569 Last updated 12/5/2011 Chapter 20: Automating tasks For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.
570 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 View actions by name only ❖ Choose Button Mode from the Actions panel menu. Choose Button Mode again to return to list mode. Note: You can’t view individual commands or sets in Button mode.
571 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Manage actions Manage actions in the Actions panel to keep them organized and to make available only the actions you need for a project. You can rearrange, duplicate, delete, rename, and change options for actions in the Actions panel.
572 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Note: Any actions that you create are automatically listed in the Actions panel, but to truly save an action and not risk losing it if you delete your preferences file (Illustrator) or Actions panel file (Photoshop), you have to save it as part of a n action set.
573 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 • To rename a set of actions, double-click the name of the set in the Actions panel or choose Set Options from the Actions panel menu.
574 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 2 In the Actions panel, click the Create New Action button , or choose New Action from the Actions panel menu. 3 Enter an action name, select an action set, and set additional options: Function Key Assigns a keyboard shortcut to the action.
575 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 You can also display a short message when the action reaches the stop as a reminder of what needs to be done before continuing with the action. You can include a Continue button in the message box in case no other task needs to be done.
576 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Insert a non-recordable menu command You cannot record the painting and toning tools, tool options, View commands, and Window commands. However, you can insert many non-recordable commands into an action using the Insert Menu Item command.
577 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 3 If a dialog box appears, change the settings, and click OK to record them, or click Cancel to retain the same values. Processing a batch of files Convert files with the Image Processor The Image Processor converts and processes multiple files.
578 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Note: are temporary and used only with the Note: Image Processor Note: . The image’s current camera raw settings are used to process the image, unless you change them in the Note: Image Processor Note: .
579 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 You can also import PDF images from Acrobat Capture or other software. When batch-processing files, you can leave all the files open, close and save the changes to the original files, or save modified versions of the files to a new location (leaving the originals unchanged).
580 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 • ” action step is overridden by the document’s original folder. Note: You must have a “ Note: Save As Note: ” step in the action; the Batch command does not automatically save files.
581 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 • References to file names are not supported between operating systems. If an action step references a file or folder name (such as an Ope.
582 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 command in the action specifies a filename, the Batch command overwrites the same file (the file specified in the action) each time it processes an image.
583 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Save As command followed by the Close command as part of your original action. Then choose Override Action “Save As” Commands for the Destination when setting up the batch process.
584 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 2 Select Enable Events To Run Scripts/Actions. 3 From the Photoshop Event menu, choose the event that will trigger the script or action. 4 Select either Script or Action, and then choose the script or action to run when the event occurs.
585 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 Creating different versions of an image using variables A. Source file template B. User defines layers as variables. C. Different versions of the image can be created, each with a different variable data set.
586 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 You cannot define variables for the Background layer. 1 Choose Image > Variables > Define. 2 Select a layer from the Layer pop-up menu that contains the content you want to define as a variable.
587 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 2 Click the New Data Set button . 3 Select a variable from the Name pop-up menu or the list at the bottom of the dialog box. 4 Edit the variable data: • For Visibility variables , select Visible to show the layer’s content or Invisible to hide the layer’s content.
588 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 All the variable names are listed on the first line, in the order that the values are given in subsequent lines. Each subsequent line represents one data set, with the values for each variable given.
589 USING PHOTOSHOP Automating tasks Last updated 12/5/2011 3 Set up your import options. Use First Column For Data Set Names Names each data set using the content of the first column of the text file (the values for the first variable listed). Otherwise, the data sets are named “Data Set 1, Data Set 2, and so on.
590 Last updated 12/5/2011 Chapter 21: Optional plug-ins Some older Adobe Photoshop plug-ins are available via download for Windows or Mac OS . The download includes an OptionalPluginsReadMe file with installation instructions. To ask questions, request features, or report problems, visit feedback.
591 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 If you’re using only the frontmost image or a selected image from Bridge, skip to step 3.
592 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Customize a picture package layout You can modify existing layouts or create new layouts using the Picture Package Edit Layout feature. Custom layouts are saved as text files and stored in the Layouts folder inside the Presets folder.
593 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Create contact sheets with Adobe Bridge The image search and sorting capabilities of Adobe Bridge make it easy to create contact sheets.
594 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 When Rotate For Best Fit is deselected, thumbnails appear in their correct orientation (left). When it is selected, the pictures are rotated to achieve the best fit (right). 7 Select Use Filename As Caption to label the thumbnails using their source image filenames.
595 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Create a web photo gallery Create web galleries using Adobe Bridge Adobe Bridge provides updated web gallery features. For instructions, see Create a web photo gallery in Adobe Bridge Help, or view the tutorials below.
596 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 , image colors may change when viewed in a web gallery by a browser that doesn’t read embedded color profiles. If this happens, try converting the image profiles to sRGB (which most browsers use as a default) before optimizing them or including them in a Web Photo Gallery.
597 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Note: Photoshop uses the default image interpolation method set in preferences. Choose Bicubic Sharper as the default for best results when reducing image size. • Border Size Specifies the width, in pixels, of the border around the image.
598 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Mac OS Adobe Photoshop CS5 /Presets/Web Photo Gallery. The name of each folder in this location appears as an option in the Styles menu in the Web Photo Gallery dialog box. Each folder contains the following HTML template files, which Photoshop uses to generate the gallery: Caption.
599 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 • To create a new style, create a new folder for the new style, and store it in the same location as the existing style folders. The new or customized style (named for its folder) appears in the Styles menu in the Web Photo Gallery dialog box.
600 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 %COPYRIGHT% Inserts the copyright information for a caption from the file information. %CREDITS% Inserts the credits for a caption from the file information. %CURRENTINDEX% Determines the link for the current home page.
601 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 %THUMBBORDER% Determines the size of thumbnail borders. %THUMBNAIL_HEIGHT% Enables the Add Width And Height Attributes For Images check box. This allows the user to download the attributes, reducing download time.
602 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 Selected area highlighted and filled, and extracted object 1 Because the Refine Edge command is superior, the Extract plug-in is not installed with Photoshop. Download the optional Windows plug-in here .
603 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 If you need to erase the highlight, select the Eraser tool , and drag it over the highlight. To erase the entire highlight, press Alt+Backspace (Windows) or Option+Delete (Mac OS). If the object has a well-defined interior, make sure the highlight forms a complete enclosure.
604 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 The Pattern Maker filter slices and reassembles an image to make a pattern. The Pattern Maker works in two ways: • Fills a layer or selection with a pattern. The pattern can be made of one large tile, or multiple duplicate tiles.
605 USING PHOTOSHOP Optional plug-ins Last updated 12/5/2011 9 Navigate through the generated tiles in the Tile History panel to select the tile that you want to use to fill the layer or to save as a pattern preset.
606 Last updated 12/5/2011 Chapter 22: Keyboard shortcuts For detailed instructions, click the links below. To ask questions, request features, or report problems, visit feedback.photoshop.com . Customizing keyboard shortcuts Photoshop lets you view a list of all shortcuts, and edit or create shortcuts.
607 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 • To discard all changes and exit the dialog box, click Cancel. Note: If you haven’t saved the current set of changes, you can click Cancel to discard all changes and exit the dialog box.
608 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Magic Wand tool Quick Selection tool W W Crop tool Slice tool Slice Select tool C C Eyedropper tool † Color Sampler tool Ruler tool Note.
609 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for viewing images This partial list provides shortcuts that don’t appear in menu commands or tool tips.
610 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for Puppet Warp This partial list provides shortcuts that don’t appear in menu commands or tool tips.
611 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for Refine Edge Keys for the Filter Gallery Result Windows Mac OS Cancel completely Esc Esc Undo last pin adjustment Ctrl + Z Command.
612 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for Liquify Keys for Vanishing Point Result Windows Mac OS Forward Warp tool W W Reconstruct tool R R Twirl Clockwise tool C C Pucker.
613 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Camera Raw dialog box Note: Holding down a key temporarily activates a tool.
614 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Color Sampler tool S S Crop tool C C Straighten tool A A Spot Removal tool B B Red Eye Removal tool E E Basic panel Ctrl+Alt+1 Command+Opt.
615 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Adjustment Brush tool K K Graduated Filter tool G G Increase/decrease brush size ] / [ ] / [ Increase/decrease brush feather Shift + ] / S.
616 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Toggle overlay for Graduated Filter , Spot Removal tool, or Red Eye Removal tool. V V Rotate image left L or Ctrl + ] L or Command + ] Rot.
617 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Black-and-White dialog box Keys for Curves Display highlights that will be clipped in Preview Alt-drag Exposure, Recovery, or.
618 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for selecting and moving objects This partial list provides shortcuts that don’t appear in menu commands or tool tips.
619 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for transforming selections, selection borders, and paths This partial list provides shortcuts that don’t appear in menu commands or tool tips. Keys for editing paths This partial list provides shortcuts that don’t appear in menu commands or tool tips.
620 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for blending modes Result Windows Mac OS Select foreground color from color picker Any painting tool + Shift + Alt + right-click and .
621 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for selecting and editing text This partial list provides shortcuts that don’t appear in menu commands or tool tips.
622 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for formatting type This partial list provides shortcuts that don’t appear in menu commands or tool tips.
623 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for slicing and optimizing Keys for using panels This partial list provides shortcuts that don’t appear in menu commands or tool tips.
624 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Actions panel Keys for the Adjustments panel If you prefer channel shortcuts starting with Alt/Option + 1 for red, choose Edit > Keyboard Shortcuts, and select Use Legacy Channel Shortcuts.
625 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Animation panel in Timeline Mode (Photoshop Extended) Note: To enable all shortcuts, choose Enable Timeline Shortcut Keys from the Animation (Timeline) panel menu.
626 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Brush panel Keys for the Channels panel If you prefer channel shortcuts starting with Ctrl/Command + 1 for red, choose Edit > Keyboard Shortcuts, and select Use Legacy Channel Shortcuts.
627 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Clone Source panel Keys for the Color panel Keys for the History panel Keys for the Info panel Keys for the Layers panel Resu.
628 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Load filter mask as a selection Control-click filter mask thumbnail Command-click filter mask thumbnail Group layers Control + G Command +.
629 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Layer Comps panel Keys for the Paths panel Toggle between filter mask/composite image Alt-click filter mask thumbnail Option-.
630 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for the Swatches panel Keys for 3D tools (Photoshop Extended) To scale on the Y plane, hold down the Shift key.
631 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Keys for measurement (Photoshop Extended) Keys for DICOM files (Photoshop Extended) Keys for Extract and Pattern Maker (optional plug-ins).
632 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Cycle through controls on right from top Tab Tab Cycle through controls on right from bottom Shift + Tab Shift + Tab Temporarily activate .
633 USING PHOTOSHOP Keyboard shortcuts Last updated 12/5/2011 Function keys Result (Pattern Maker only) Windows Mac OS Delete current selection Control + D Command + D Undo a selection move Control + .
デバイスAdobe Photoshop CS5の購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Adobe Photoshop CS5をまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはAdobe Photoshop CS5の技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Adobe Photoshop CS5の取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Adobe Photoshop CS5で得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Adobe Photoshop CS5を既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はAdobe Photoshop CS5の不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Adobe Photoshop CS5に関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちAdobe Photoshop CS5デバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
