YamahaメーカーREV500の使用説明書/サービス説明書
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DIGITAL REVERBERATOR Operation Manual Manuel d’instructions Bedienungsanleitung Manual de Operación M.
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
Precautions WARNING Installation • Connect this unit's power cord only to an AC outlet of the type stated in this Owner's Manual or as marked on the unit. Failure to do so is a fire and electrical shock hazard. • Do not allow water to enter this unit or allow the unit to become wet.
Controls ........................................................... 1 Front Panel .................................................................... 1 Rear Panel ..................................................................... 2 Installation and Connections .
1 Controls 1 INPUT LEVEL control and meter The INPUT LEVEL control sets the input level for both the right and left input channels. It is accompanied by a stereo LED meter that shows the levels of the signals received by the REV500 after A/D conversion.
2 0A B C Rear Panel Installation and Connections Before attempting to use your REV500, make sure that you have carefully read and understood the precautions inside the front cover of this manual. Mount the REV500 in a rack, or place it in a location where it is safe and stable.
3 Using the REV500 Testing Programs AUDITION key You can use the REV500’s handy audition function to check the effect produced by a program when it’s inconvenient to run your actual sound source through the REV500. Just press the AUDITION key in the upper right corner of the front panel.
4 Description Standard hall-type reverbs that simulate large halls with good acoustics. May be used with any instrument. “Large Hall 1” is bright; “Large Hall 2” is slightly darker. A reverb that simulates the feel of a large hall with no audience.
5 ROOM Description A reverb that simulates a large room with hard walls, for a slightly quirky thick sound. A large room reverb, slightly drier than “Large Room 1.” A room reverb with a very live nonlinear sound. Good with drums and guitars. Reverbs that simulate the sound of a room with live acoustics.
6 Description A simulation of a metal plate echo effect. A bright, highly dense plate reverb. The bright, transparent plate sound that is popular on the West Coast. A spring reverb simulation with a longish pre-delay. A rather coarse reverb with extra low-range energy.
7 Description A short reverb combined with a flanger. Good with organs, strings, etc. Short reverbs combined with chorus. The longer pre-delay of “Chorus Circles” emphasizes the sense of separation between the reverb and chorus effects. A flanger-like effect with a resonance point that varies with the input level.
8 Editing Programs Editing Basic Parameters REVERB Tim e REV TIME PRE DELAY E/R DLY ER LEVEL Early Reflections Reverb Time x LO-RA TIO HI-RA TI O Fre q uenc y 1.0 The four PARAMETER EDIT controls on the REV500’s front panel let you adjust the basic program parameters quickly and easily.
9 Changing the Effect Level You can also use the ER LEVEL control to adjust the effect level, that is, the level of the total effect output. To do so, press the EFF LEVEL key before turning the ER LEVEL control.
10 Parameter Ctrl. No. Range Description LO-RATIO 17 0.1 — 2.4 Low frequency reverb time, proportional to REV TIME DIFFUS 18 0 — 10 Spread of reverb sound HPF 19 THRU, 20 — 1.
11 REVERB ➔ DYNAMIC FILTER In this effect type, the output from the reverb is fed into a dynamic filter. Parameter Ctrl. No. Range Description SENS 28 1 — 10 Sensitivity of the resonator input sig.
12 Parameter Ctrl. No. Range Description SPEED 74 0.05 — 10.00 [Hz] Modulation frequency DEPTH 75 0 — 100 [%] Modulation depth FB LVL 76 0 — 100 [%] Feedback level (REVERB ➔ FLANGER effects on.
13 REVERB ➔ TREMOLO In this effect type, the output from the reverb is fed into a tremolo effect. Saving Edited Programs Parameter Ctrl. No. Range Description FB LVL 82 -100 — +100 [%] Level of fe.
14 System Functions Selecting an Input Mode If you will be using the REV500 to process monophonic input (from the left input connector), you must use the INPUT SELECT function to inform it of this fact. To change the input mode, first press the UTILITY key.
15 Adjusting the Audition Function The REV500 lets you customize the audition function to suit your needs. You can select one of two tones: either a snare drum or a rim shot. You can also specify whether pressing the AUDITION key will play the selected tone once, or start it playing repeatedly.
16 Using MIDI Functions Selecting a MIDI Channel You can change the MIDI channel that the REV500 uses to transmit and receive data. First, press the UTILITY key. If necessary, press the UTILITY key again until the MIDI CHANNEL display appears: MIDI channel setting Use the REV TIME control to select the desired MIDI channel.
17 Storing Data with MIDI Bulk Dumps The REV500 is capable of transmitting its data as bulk dumps, for storage in a sequencer or other MIDI device. To use this function, first make sure that the REV500 is properly connected to the device that is to receive the data, and that the MIDI channels of the two devices match.
18 Appendix Guide to Utility Mode Functions The following table briefly describes the functions that can be accessed using the UTILITY key. Each function is listed in order of appearance. The number to the right of the function’s descrption indicates the page of this manual where you will find instructions on use of the function.
19 Specifications ELECTRICAL CHARACTERISTICS Frequency Reponse 20 Hz to 20 kHz (+1.0 dB, -2.0 dB) Dynamic Range 96 dB typical Distortion Less than 0.03% (1 kHz, max level) INPUT Number of Channels 2 (.
20 Dimensions 440 151.5 26 6.4 D: 227.9 203 28.1 2.6 15.9 44 H: 45 1 W: 480 388 For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2.
Add-1 Additions MIDI data format 1. Transmitted data 1-1. System information #1 Program bulk data status 1111 0000(F0H) System exclusive ID No. 0100 0011(43H) YAMAHA sub status 0000 nnnn(0nH) n = 0 - 15 format no.
Add-2 *1) Ask Yamaha service representative *2) Correspondence of controller numbers to parameters EFFECT PARAMETER Ctrl. No. ALL PRE DELAY 12 REV TIME 13 HI-RATIO 14 ER LEVEL 15 EFF LEVEL 16 LO-RATIO.
Add-3 Additions Function... Transmitted Recognized Remarks Basic Default x 1-16, off Memorized Channel Changed x 1-16, off Default x OMNI off/ OMNI off Memorized Mode Messages x x Altered ＊ ＊ ＊ .
Add-4 VV15160 R5 1 AP 100 02 03 2500 AP Printed in Japan Pro Audio & Digital Musical Instrument Division P.O. Box 3, Hamamatsu, 430-8651, Japan Pr ogram T ype: No.
デバイスYamaha REV500の購入後に（又は購入する前であっても）重要なポイントは、説明書をよく読むことです。その単純な理由はいくつかあります：
Yamaha REV500をまだ購入していないなら、この製品の基本情報を理解する良い機会です。まずは上にある説明書の最初のページをご覧ください。そこにはYamaha REV500の技術情報の概要が記載されているはずです。デバイスがあなたのニーズを満たすかどうかは、ここで確認しましょう。Yamaha REV500の取扱説明書の次のページをよく読むことにより、製品の全機能やその取り扱いに関する情報を知ることができます。Yamaha REV500で得られた情報は、きっとあなたの購入の決断を手助けしてくれることでしょう。
Yamaha REV500を既にお持ちだが、まだ読んでいない場合は、上記の理由によりそれを行うべきです。そうすることにより機能を適切に使用しているか、又はYamaha REV500の不適切な取り扱いによりその寿命を短くする危険を犯していないかどうかを知ることができます。
ですが、ユーザガイドが果たす重要な役割の一つは、Yamaha REV500に関する問題の解決を支援することです。そこにはほとんどの場合、トラブルシューティング、すなわちYamaha REV500デバイスで最もよく起こりうる故障・不良とそれらの対処法についてのアドバイスを見つけることができるはずです。たとえ問題を解決できなかった場合でも、説明書にはカスタマー・サービスセンター又は最寄りのサービスセンターへの問い合わせ先等、次の対処法についての指示があるはずです。
